Legend (1985)

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I would really only suggest “Legend” to the hardcore fantasy aficionados. It might even be a little too heavy for “Lord of the Rings” fans. As a kid I loved watching what Ridley Scott gave movie fans, but I never quite understood it until years later. Scott touches on some heavy concepts both philosophical and spiritual, and he does so with a palette of monsters and unicorns. Director Ridley Scott composes a rather brilliant and dark fantasy epic about the concepts of light and dark, and good and evil. In truth, “Legend” is a twist on the tale of Adam and Eve, except with more fantasy, magic, and monsters.

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Mosquito (1995)

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“You’re living science fact!”

An alien ship crash lands in a swamp in the wilderness. But that’s unimportant–giant mosquitoes! What about the aliens, you say? Who cares? Giant Mosquitoes! It’s too bad we never saw what happened when humans drank alien blood. Do they too become gigantic? I think we deserve an answer. Director Gary Jones’ “Mosquito” is pure mid-nineties STV junk, but damn is it a good time. If you’re going to name a movie “Mosquito” (and it’s not a metaphor) you’d better serve us some giant mosquitoes, and director Jones supplies the goods.

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Witch’s Night Out (1978) (DVD)

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John Leach’s “Witch’s Night Out” is a cute, if crudely drawn, Halloween classic that was long thought obscure for a while. Mill Creek releases the odd animated movie on DVD and suffice it to say in spite of its simplistic style, it’s a fun Halloween adventure. Brother and sister Small and Tender spend their night trick or treating, and find that their Halloween has all but stunk. Angered and disillusioned, they ready for bed with their babysitter Bazooey doting over them. Just then the powerful Witch (as played by Gilda Radner) hears their wishes to be actual ghosts and werewolves for Halloween. She interrupts their wishes, and decides to grant them their hearts desire to become Halloween monsters. Despite Bazooey’s protests, the witch appeals to his child hood dreams, and turns him in to a Frankenstein monster.

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Mostly Ghostly: Have You Met My Ghoulfriend? (2014)

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“Have you Met My Ghoulfriend?” comes off like it’s the fourth film in a movie series, when it seems to only have come after the somewhat bland “Mostly Ghostly” from 2008. Only Madison Pettis comes back for the follow-up, which involves a pair of ghostly teenagers, their human friend with a ghoul fighting ring, and an evil ghoul named Phears intent on consuming their souls, or possessing them, or–something to that effect.

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Star Wars Rebels: Spark of Rebellion (2014)

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“Star Wars Rebels” is something that “The Clone Wars” wasn’t. It’s fun. It’s also simple, and about regular people for once. After so many years of writers focusing on military junk, “Rebels” is about regular outlaws and thieves, all with a hint of “Firefly.” Set after “Revenge of the Sith,” the writers focus on the after effects of the Imperial take over where the galaxy is disbanded and everyone are pretty much in it for themselves. “Rebels” is set before an important milestone in the “Star Wars” timeline. It’s when the seeds of rebellion were planted, and seems to be a show intent on focusing on how the famous rebellion was built and became a force against the Empire that would set the stage for folks like Luke Skywalker, and Han Solo to become heroes.

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Willy Wonka & the Chocolate Factory (1971)

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I understand why Roald Dahl hates “Willy Wonka.” Surely, it’s nothing like his original novel, and I get why fans would hate that it strays so immensely from the source material (i.e. World War Z) but that doesn’t mean “Willy Wonka” isn’t a good movie. In fact, it’s pretty damn excellent, and manages to evoke a sense of whimsy and menace that’s invigorating and refreshing for a kid’s film. Everything Tim Burton tried so hard to do, director Mel Stuart and Gene Wilder pull off without even trying very hard. With a single gleam of his eye, Wilder pulls off more hints at a devious personality than all Johnny Depp’s white make up, and bad wigs combined.

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Darkman II: The Return of Durant (1995)

I was worried that Steven McKay’s follow up to Sam Raimi’s original pulp tribute would stink, but thankfully it’s a very good sequel. It not only keeps to much of the formula from the first film, but increases the pulp aspects of the story. There’s the return of an old villain, a mad scientist, a super secret weapon, underground lairs, intrepid reporters, and our dark anti-hero who mainly keeps to himself. Arnold Vosloo takes over for Liam Neeson as the character of Peyton Westlake, who is now living in a large underground subway.

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