Viva Las Vegas (1964): 50th Anniversary [Digibook Blu-Ray]

George Sidney’s “Viva Las Vegas” is a nit little bit of sixties funk that really takes the decade head on with jazzy music numbers, and dance solos. Surely, it’s Elvis’ vehicle, but the movie really belongs to Ann-Margret. Playing off of Elvis, Ann-Margret is a red bomb shell who completely dominates the film with her keen sexuality, and ability to out dazzle Elvis, on many occasions. Director Sidney seems to also enjoy Margret’s stunning appearance, as her first real introduction to the film zeroes in on her behind as she leaves character Lucky’s car shop, and then pulls back on her lower region as she approaches her own hot rod.

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Guardians of the Galaxy (2014)

It takes a real out of the box thinker like director James Gunn to really approach “Guardians of the Galaxy” with a fresh sense of vision that doesn’t make it feel like a stock space epic. Truly, “Guardians of the Galaxy” is the most complete Marvel movie since “The Avengers.” It adopts the quirks and flash of the Marvel universe, while also introducing us to a group of complex and truly interesting rejects that become saviors of the universe thanks to colliding fates and unusual circumstances. Suffice it to say “Guardians of the Galaxy” is a near masterpiece, and one with an amazing soundtrack. Rather than sidestepping everything from the comic, director James Gunn embraces the fun of the diverse alien bunch, while also injecting his own demented dark comedy.

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The Expendables 3 (2014)

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One of the most idiotic moments in “The Expendables 3” is when villain Stonebanks is taunting our heroes on a television monitor, explaining that he’s wired the stronghold where he has the Junior Expendables with C4. While watching on the monitor, character Wifi (Glen Powell) completely overrides the C4 from blowing everyone to smithereens. If that’s not enough Barney plans the get away operation for the group while Stonebanks watches on the TV. So how does he still lose if Barney is stupid enough to plan an escape while the bad guy is watching only a few inches away? It’s moments like that that show Stallone really isn’t interested in details with these movies anymore.

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Batman: Assault on Arkham (2014) [Blu-Ray/DVD/Digital]

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It’s about time we return to the basics with Batman and “Assault on Arkham” gets down to the nitty gritty. Batman is a bad ass lone wolf not chasing after a snot nosed brat, his villains are vicious thugs, and the Joker is terrifying. “Assault on Arkham” is an admirably rough and tumble action film focusing on the baddies of the Batman universe, and less on the dark knight. There’s just something about the Suicide Squad I’ve always liked. I enjoyed “Assault on Arkham” mainly because of its sleek and simple storytelling and ode to “The Dirty Dozen.” It also focuses on the demented somewhat perverse nature of Batman’s rogues, all of whom have to work together or die under a clandestine government.

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Terminator 2: Judgment Day (1991)

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I may not be the biggest fan of James Cameron, but when he approaches sequels, he hits the ground running and aims for the throat. First with “Aliens,” and then with “Terminator 2” in which a full fledged horror science fiction movie, becomes an action horror film with a wider scope and explorations of time paradoxes and the like. While I much prefer the original mainly for its tone and sense of urgency, “Judgment Day” is quite excellent. I saw it in theaters when it arrived, and years later, it’s still a stellar science fiction film from James Cameron.

Set years after the original movie, Sarah Connor raised John Connor to become an apocalyptic warrior. But after the confrontation with the T-800 cyborg at the bomb factory, she’s arrested and placed in a mental health facility. John is raised by his dysfunctional aunt and uncle and is mostly a wayward youth. The evil Skynet is once again intent on ending the war before it starts, sending a new advanced cyborg back in time to assassinate John Connor. Branded the T-1000, this new cyborg is made of liquid metal that can imitate anything it touches.

Just then, a new model of the T-800 is sent back in time, but this time its mission is to find and protect John and Sarah Connor at all costs. Now with the T-800, John races against the clock to find his mother and avoid every clever assassination attempt by the advanced new cyborg that will stop at nothing to end the Connor bloodline. Skynet also plans to initiate a Judgment day by unleashing a nuclear warhead that will destroy humanity and unleash a robotic rule on the planet. Sarah decides the best cause of action is to murder Miles Dyson, a Cyberdyne Systems engineer whose new computer processor will become the template for Skynet.

Where as the original movie was more centered on a behemoth rampaging through civilization to murder Sarah Connor, this time around Cameron opts for a sleeker new villain that really does pose an even more vicious threat to our heroes. B movie actor Robert Patrick gives a fantastic performance as the seemingly inconspicuous T-1000 whose façade of an average beat cop helps him blend in to civilization and infiltrate any strong hold. He’s made even deadlier with his ability to form massive blades, and sharp objects with his constantly shifting metallic body. Arnold Schwarzenneger shifts his title character in to the hero role, now becoming a protector who also gradually learns about humanity and emotions.

Linda Hamilton is also a welcome face as she reprises her role as the iconic Sarah Connor, whose welfare is of great importance to the fate of the world. Cameron approaches the continuation of his storyline well but never quite as seamless as he thinks. One thing that always bothered me is if they can create a robot made of pure metal that can become anything it touches, why not wait a few years and build a robot that can become a weapon of mass destruction? That way it can appear in John Connor’s general vicinity and blow itself up, thus ending the war? And if the robots can’t grasp concepts like emotions and feelings, why can they understand existential ideas of fate and inevitability? While Cameron never quite masters the ideas of time paradoxes, or time travel in general, “Terminator 2” still succeeds in being a raucous, beautifully directed action epic.

The Raid 2: Berandal (2014)

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Way too often have I invested time in a martial arts film only to find the sequel is pretty much just a repeat of the same beats from the original. Thankfully “The Raid 2” is a wonderful and seamless extension of the original Gareth Evans’ crime thriller. Evans returns to deliver what is now a much more complex narrative based around deception, the mafia, and a very elaborate revenge ploy that promises to bring down even the most valiant heroes in the story. Evans manages a very fluid timeline that makes “The Raid 2” a very good chaser for the powerful first action entry. Immediately after the massive raid in the first film, we find out that things never quite worked out too well for hero Rama.

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The Mighty Ducks (1992)

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“The Mighty Ducks” is just one in a long line of “Bad News Bears” wannabes that pits a crotchety man with a bunch of misfit athletes to use sports as a form of self realization. Thankfully “The Mighty Ducks” is one of the best of the bunch, choosing hockey this time to help a group of smart aleck kids come of age. There’s also Emilio Estevez who is a cynical businessman with the heart of a hockey player, who finds that he still loves the game despite his regrets.

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