It’s surprising that for a movie about anthropomorphic talking turtles that director Steve Barron takes the premise with as much seriousness as possible. Director Barron just seems to get the appeal of the Ninja Turtles, walking the line between the mainstream versions and the original Eastman and Laird R rated comic book. The turtles here have a hard edge, but are entertaining sympathetic heroes, and they’re the center of what is still a damn good action film about family, revenge, unity.
Ultimately the adaptation of “Divergent” is a mixed bag that left me conflicted toward the level of quality presented. The film is almost two and half hours in length that does nothing but set up the premise for future events, and yet I found the world unfolding to be pretty fascinating. When it tries to be anything other than simple science fiction fodder, it clubs us over the head with on the nose clunky metaphor and social commentary. When it stopped trying for profundity, it actually managed to entertain and kept me very engrossed in the events that unfolded. It’s not at all as intelligent as it thinks it is, but it’s a pretty solid epic all things considered.
It’s pretty clear that director K” is ambitious and has aspirations to be so much bigger. Considering the budget and the limitations, “Kindred” is pretty fantastic and garners implications that could hopefully lead to a sequel sometime in the future. I was definitely sucked in to the world Nicholson and writer Josh Bryer unfolded for us and I just wanted to see more and where it was all leading.
Director Steve Miner and writer David E. Kelly’s “Lake Placid” is a B monster movie that knows what it is, and almost works against its type to offer something of substance. The harder it tries for satire and meta-storytelling, the more absurd “Lake Placid” is, thus more surreal. I wouldn’t classify “Lake Placid” as a great monster movie, but it has a strange energy to it that elevates it above usual monster movie tropes, but also keeps it firmly planted in the corner of a horror comedy bordering on a spoof quite often.
“The New Adventures of Superman” are mainly just shorts trimmed from the series “The Superman/Aquaman Hour of Adventure” from the sixties, and given their own spotlight. Not that I’m complaining, mind you, but you can sense that the shorts here were once a part of something bigger and more diverse. That said, “The New Adventures of Superman” works considerably well if you’re okay with crude animation.
Knowledge is true power and Miss Jiya, a teacher for a local school in Pakistan wields her knowledge with the ferocity of the superheroine “The Burka Avenger.” In a world where heroines are sexualized, it’s interesting to see that the Burka Avenger primarily clothes herself from head to toe in a burka, which allows her a stealth and grace that make her a deadly opponent; but definitely not deadly in the violent sense, but deadly in implementing non-violence and her intellect to defeat her foes.
You could likely consider “The Legend of Billie Jean” a precursor to “Thelma And Louise.” It’s a film about female empowerment, and young women dealt terrible injustices that become folk heroes. Not to mention “The Legend of Billie Jean” has every chance to become exploitative man hating trash, but very cleverly straddles the line between goofy eighties adventure, and compelling coming of age drama. I won’t claim “The Legend of Billie Jean” is a straight faced character study, but it’s a fun and often exciting tale of a young woman who takes the world by the balls when she stands up for herself.