Monty Python's Life of Brian (1979)

life-of-brian_1374284cMonty Python takes no prisoners with what is a movie based around the stupidity, hypocrisy and inherent fallacies of religion, and the entire idea of martyrdom, in which a man named Brian seeking only to gain some sense of importance is suddenly a messiah and god, and only by accident. He has the origins of a normal Biblical figure, but after encountering Romans, mindless followers, moronic praisers, violent apostles, and the like, Brian mid-way discovers that he really never wanted to be anywhere near as important as the boy born in the manger next to him named Jesus.

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Superman/Batman: Apocalypse (2010)

For what it’s worth Lauren Montgomery really does manage to compose some magnificent fight sequences, one of which involve Big Barda and Wonder Woman on Apokalips fighting his female warriors. While the finale is meant to be nothing more than a throwdown between strong women, it’s definitely a nice touch to a lackluster film that is often exciting and memorable to watch, especially with the sleek animation style. Summer Glau is always good, and as Supergirl she provides her trademark meek voice that’s undermined by a strong sense of independence and wonder that keeps her as a strong portrayer of the Supergirl character.

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The Solo Adventures (2010)

thesoloadventures640cropDirector Daniel Smith and Co-Collaborator Jeff Sheetz took it upon themselves to create possibly one of the finest homages to the “Star Wars” universe of all time, and one of the most clever looks in to the untold story of Lucas’ most iconic characters by taking the combined talents of Dave School from Universal Studios to tell their own prequel, the prologue to Han Solo and Chewbacca.

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Wanted Dead or Alive (1986)

11219In the eighties, Rutger Hauer was king. He was a man who managed to impress as both villain and anti-hero in many movies from the classic “The Hitcher” and “Bladerunner” to the not so classic but memorable “Blind Fury.” And as is the case, with every generation of bad asses, there’s always someone Hollywood is looking to peg as the next McQueen. “Wanted: Dead or Alive” is based on the excellent Western series starring Steve McQueen as a lone bounty hunter in the old west who travels along the land with his shot gun acquiring his next catch and teaching them lessons along the way while fighting the local bad guys. As is the case with the eighties, director Gary Sherman completely diminishes all of its period settings and sets its hero down in to modern times coating him with black leather, slicked back hair and teaming him against local terrorists as played by the tongued one Gene Simmons.

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Smallville: The Complete Ninth Season (DVD)

Yes, whether we Superman fans like it or not, “Smallville” is on its ninth season and continues to stagger on like the mummy. You know it’s falling apart, but nevertheless it just continues to shamble on and on. “Smallville: The Complete Ninth Season” on DVD only signifies that the series has done every single thing imaginable to stray away from the true Superman mythos in an attempt to not only keep the general fans of the show interested, but to dodge the continuing lawsuit DC is enduring from the Shuster family.

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The Lost Skeleton Returns Again (2009)

0161I wanted to love “The Lost Skeleton Returns Again.” Truth be told I’ve spent a lot of time trying to love Larry Blamire’s first film and then tried anxiously to really love and be enamored by his spoof of science fiction cinema with a title that’s about as redundant as any disposable sci-fi cheese released, but… I just can’t. Even though the cineaste in me is begging that I should. And while he does take great pains in committing to his tribute by writing some of the most quotable moments in independent cinema in a while, along with some rather comical performances, “The Lost Skeleton Returns Again” is a ninety minute gag that you’ll enjoy for the first thirty minutes, like after forty five minutes, and then wonder when it will end after an hour has passed.

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The Long and Winding Yellow Brick Road

When you get down to it, Toto is the most important aspect of the entire epic. He discovers the Cowardly Lion, The Wicked Witch, The Flying Monkeys, he marches in place with the incognito troop from Oz, and surely enough he is the one who manages to uncloak The Wizard and reveal him to be nothing but smoke and mirrors. He’s the twisted government official who is little more than a sniveling little man hiding behind a sheet and some smoke. Toto has always managed to be regarded as something of a secondary element to the overall narrative of this adaptation, but when you get down to it he’s pretty much the audience, the one who watches and goes along with all of the other characters in hopes of making heads or tails of this whole charade. He’s the watcher, and surely enough, he’s the one who keeps Dorothy and the group’s moral center in tact the entire time they’re fighting with apple throwing trees and that dreaded field that puts the entire clan to sleep.

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