Dragon Ball Z: Resurrection “F” (2015)

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“Dragon Ball Z” is back and it’s about as niche as ever! Which is to say that only hardcore fans of the series will love with “Resurrection ‘F’” has to offer them; everyone else will likely just appreciate the animation. It’s a truncated and very fast paced feature length film and one that I quite enjoyed. While I’ve always been hard on the series over the years, “Resurrection ‘F’” was a slimmed down and very breezy action film that reminded me why I was a fan such a long time ago. It also has a really good sense of humor about itself with folks like Piccolo, Krillin, and Gohan settled in their domesticated roles, forced in to combat with a superior foe.

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Pixels (2015)

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“Pixels” was a creative and eerie short film that took the concept of video games and turned them in to actual threats on reality. In the proper hands, the adaptation could have been “Scott Pilgrim” meets “Ghostbusters” with a hint of “Attack the Block.” Sure it’d have been silly, but it also could have been a lot of fun. Perhaps even a classic. The first thing to remember is that “Pixels” is an Adam Sandler movie first and foremost, so the viewer has to wade through a ton of Sandler nonsense to get to the actual point of the narrative. Sandler is a man child, as always, who attracts the attention of a beautiful woman out of his league and has a connection to children. He hangs out with his childhood friend who also happens to be the president of the united states. A lot of the juicy roles handed to Sandler’s friends, while Sandler himself seems lethargic through most of it.

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Assassination Classroom (2015) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

It’s not often such a weird movie manages to win me over, but lo and behold “Assassination Classroom” really did. I doubt I will be back for the sequels unless I have to, but for almost two hours I was thoroughly entertained by such a richly developed and fun action movie. It avoids almost all of he clichés of an action movie, while also diving head first in to them, and sets up a bunch of storylines within its one hundred and ten minute duration. Based on the hit manga of the same name, “Assasssination Classroom” tries to fit in a bunch of threads in its run time and succeeds for the most part. The premise is so daffy and off the wall I could only gaze in sheer disbelief as two screenwriters approached this with sincerity.

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Alien (1979)

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As its successors, carbon copies, and wannabes have shown, “Alien” is a film that easily could have taken its premise and diluted it in to exploitation or just another stock monster movie. There’s something eerie and absolutely unnerving about “Alien” from the moment it begins. Director Ridley Scott, paired with the brilliance of H.R. Giger and Dan O’Bannon, spawns a truly creepy tale of a phallic alien hatching in the belly of an old ship that begins wreaking havoc on its surrogate caretakers. It takes a powerful woman to conquer the male manifestation with a protruding orifice, one who defies all kinds of gender stereotypes and tropes.

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Almost Human (2014) [Blu-Ray]

Sometimes shocking simplicity is all you really need to give audiences a good scare here and there. With a noticeable low budget, director Joe Begos doesn’t aspire to deliver anything more than a gruesome alien horror film while also sticking to the basics of what makes a good horror movie work. “Almost Human” is a very well made horror science fiction movie in the vein of “The Thing” and “Xtro.” It works within a limited budget and still delivers a pretty eerie and tense, albeit flawed, horror entry. If you can forgive the obvious nods and winks to films like “Invasion of the Body Snatchers,” and “The Terminator,” you’re in for a good time.

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Vampirella (1996)

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It’s hard to believe almost twenty years ago, the height of superhero movies was “Batman & Robin” with studios not really clamoring to adapt any of the beloved superheroes. It took “Blade” to finally bring some tooth and maturity to the entire sub-genre. One of the more interesting precursors to “Blade” is the dreadfully boring vampire adaptation “Vampirella,” which is a tonally confused take on the pulpy pin up character mostly known for being beautiful and sexy, and not so much for her compelling story lines. “Vampirella” is never sure if it’s campy horror schlock, exploitative vampire softcore, or a stern horror epic. So director Jim Wynorski pretty much lunges for all three on the table, and comes out with this pretty gloomy and dull film.

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Little Shop of Horrors (1986)

littleshopI really enjoy what director Frank Oz does with “Little Shop of Horrors.” Rather than simply ignoring the cheesiness and camp value of the original, he embraces it. He also injects a pulpy comic book atmosphere, along with sixties pop and soul that compliments the tale perfectly. While I’ve always had a weak spot for Roger Corman’s original, Frank Oz succeeds in giving “Little Shop of Horrors” the campy adaptation that it deserves with a brilliant cast, and great tunes. This is a movie that always played on local TV as a kid and I always ignored it for reasons I don’t quite remember. In either case it’s no masterpiece, but it’s a fine and fun horror comedy.

Star Rick Moranis plays Seymour Krelborn, the workaday loser in the slums of his city who works at a flower shop. After fawning over his co-worker Audrey, he decides to take some initiative after financial concerns from his boss and brings in a rare flower. The flower was hit by lightning during a solar eclipse, and Seymour immediately buys it for the sake of the novelty. After pricking his finger, he realizes the plant is alive and hungry for human blood. Soon enough the need for blood transforms in to hunger for human meat, and Seymour must either feed the plant, or lose it and his fame. Nicknamed Audrey II, the vicious plant that turns in to a villain for Seymour, is a wonderful monster. The puppetry matched with Levi Stubbs’ performance make it a menacing foe that is so much more dangerous than it initially looks. Moranis plays Seymour as a mentally unbalanced but very desperate loner who is in love with Audrey and finds she is incapable of being with anyone but her abusive boyfriend.

Steve Martin as Orin Scrivello pretty much steals the film for the screen time he’s given as an over the top biker who works as a dentist for the thrill of torturing patients. Martin is hysterical in the role of the heel, and he even shares a hilarious scene with Bill Murray as the masochistic patient anxious to be tortured. Along with Murray and Martin, there are some great cameos by John Candy, Jim Belushi, and Christopher Guest, all of whom lend a high comedy pedigree to Moranis’ already charming performance. Keeping the film ironic and somewhat meta is the excellent musical numbers, all of which serve as a means of forwarding the narrative, and occasionally challenging the motives of Seymour and his man eating plant. The trio of Tichina Arnold, Tisha Campbell and Michelle Weeks are impressive, delivering some excellent musical numbers of their own, including the opening title track. “Little Shop of Horrors” is a pulp pop twist on the original Roger Corman horror comedy that’s funny, fun, catchy, and well worth its reputation.