You Have to See This! Grave of the Fireflies (Hotaru no haka) (1988)

Opens Friday January 4th for a New York Premiere 30th Anniversary Theatrical engagement!

The idea of the cost of war has never been more thoughtfully and emotionally conveyed than in Isao Takahata’s “Grave of the Fireflies.” The 1988 animated film is still one of the most emotional and powerful films I’ve ever seen, it’s a film that completely transcends all ideas of storytelling, and destroys any stigma that animation is a child’s medium that is limited in scope and substances, especially when telling human stories.

Continue reading

Never-Ending Man: Hayao Miyazaki (2018)

“That song “Let it Go” is popular now. It’s All About Being Yourself. But that’s terrible. Self-satisfied people are boring. We have to push hard and surpass ourselves.”

Hayao Miyazaki has reached a point in his life where there is so much change but he doesn’t know what to do with any of it. He’s reached an old age and has barely any strength any more to sit down and draw all day, but he has no idea what he’d be doing without a pencil or paper in his hand. At his old age he’s still a very curmudgeonly individual who demands perfection and treats his protégés with harsh criticism when they fail to deliver storyboards that meet his pitch perfect idea of what life is. Miyazaki has lived a full life, and in a way he’s ready to go.

Continue reading

Spider-Man: Into the Spider-Verse (2018)

Miles Morales was introduced to the Marvel universe in 2011, established in the alternate label the “Ultimate” universe. When that universe’s Peter Parker died, Miles stepped up to become Spider-Man. Since then Morales has become one of the banner Spider-Man iterations that have taken on the mantle of the hero. Morales wasn’t just welcomed in to the primary Marvel universe, but he’s managed to become just as popular as Peter Parker and the original Spider-Man. Some fans will even argue he’s better than Peter Parker’s Spider-Man. It’s general sentiment that’s been accepted by many because Spider-Man is not a person, it’s a movement. It’s a movement where literally anyone can wear the mask and strive for the same goals Peter Parker did.

Continue reading

Shorts Round Up for the Week (12/1/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

Continue reading

Shorts Round Up for the Week (11/16/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

Continue reading

post

The Bootleg Files: It’s the Girl in the Red Truck, Charlie Brown

BOOTLEG FILES 662: “It’s the Girl in the Red Truck, Charlie Brown” (1988 TV special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On VHS video.

REASON FOR BOOTLEG STATUS: It is out of circulation for many years.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.

Following the dismal reception of his 1988 made-for-television special “It’s the Girl in the Red Truck, Charlie Brown,” Charles M. Schulz lamented that “I wanted this to be my ‘Citizen Kane,’ but it’s not.” From an Orson Welles analogy perspective, the production might have been closer to those infamous drunken outtakes for the Paul Masson champagne – a weird, embarrassing blip in the late stages of a brilliant career.
Continue reading