Director Ranald MacDougall’s 1959 classic thriller is a film that presents a much more shocking and jarring vision of the end of the world than most contemporary apocalyptic horror films and dramas. And that’s mainly because if you’ve never seen this you’d never know that most of the elements from this were stolen by most horror films. Including Will Smith’s version of “I Am Legend,” and even “Night of the Living Dead” to some extent. The last man on Earth is an African American man forced to travel by his wits alone. He is forced to deal with cabin fever and loneliness, tries to contact other human life by radio waiting for signals everyday, and yes, he even props up mannequins around the city to engage in conversations with which not only indicate his sense of isolation but his fading sanity.
Tag Archives: Apocalypse
Dead Air (2009)
It’s hard to believe that a film I had considerable trouble sitting through without covering my eyes was directed by Corbin Bernsen of all people. This is the man who takes pride in starring in some of the worst horror movies ever made, and here he’s directed a film that has outweighed its double “Pontypool” in every aspect. While many were out celebrating the existence of the indie horror film about a radio DJ experiencing the end of the world through the radio, I sat waiting for something better from this concept and wouldn’t you know it? Here comes “Dead Air,” a movie that possesses basically the same concept and story and pulls off much more suspense and tension than “Pontypool” actually does.
9 (2009)
One thing Acker has going for him is the animation. I haven’t seen a movie filled with such fluid motion and sheer detail outside of a Pixar film, and Acker seems to challenge “Wall-E’s” apocalyptic wasteland with his own that sparks on facets like steam punk and whimsical quite often. The burlap dolls are magnificent and make for some appealing heroes and heroines because their designs are so fantastic. From their glass eyes, right down to their wooden hands, these pint sized heroes are such a sight upon their introduction. Beyond their personalities, it’s easy to know which character is which and what they’re meant for as bits of their master’s soul. The wonderful technology keeps the terrain and lands looking like steaming piles of rubble where artifacts are left behind and humans have been all but decimated at the claws of their war machines.
Pontypool (2008)
Okay, I’m just going to throw it out there and admit that I didn’t get “Pontypool.” Maybe I’m losing my touch or maybe this is one of the most incomprehensible messes I’ve seen in years, but “Pontypool” makes no sense. It’s abrupt, awkwardly paced, and often times doesn’t even know what to do with the formula it’s set up. We’re supposed to be watching a movie about what I can assume are zombies that have turned in to the walking dead (?) due to a sudden infection that’s carried through the English language. Did you understand that? Because I sure as hell didn’t!
The Happening (2008) (DVD)
People say that M. Night Shyamlan is the David Blaine of filmmaking, a man with parlor tricks and elaborate illusions of creativity and imagination but I dismiss those claims and still stand by M. Night proclaiming him one of the better storytellers of modern film. Sure, there could be other horror films out there, but in a year generally devoid of horror only with remakes and quasi-horror in theaters and on home video I say that M. Night’s dabbling in the R rated arena was an utter win.
Death Race (2008)
The world is in shambles. The country is on the brink of depression. Millions are out of work. Violence is now considered entertainment. Convicts are now reduced to television stars for our own sick amusement. And we’re now on the brink of revolting against a corrupt disgusting government run by a madman. But enough about modern times, right now we have “Death Race”! A film that barely covers any of those issues beyond using it as a back drop for the basis of the death racing, where as Corman’s original was so ahead of its time, it perfectly encapsulates what this generation is all about and it was made in the seventies!
The Mutant Chronicles (2008)
Granted, I didn’t fall in love with “The Mutant Chronicles” as much as I’d hoped, but with post-apocalyptic movies it’s almost impossible for me to be disappointed. Director Simon Hunter’s Science Fiction horror flick doesn’t disappoint even if it’s never anything above average. Hunter gathers all the right elements for the post-apocalyptic epic from corporate corruption, war, and religion, as well as the teaming of a group of survivors who could save the world with their collective skills on the battle field. Bringing strong memories of “Seven Samurai” to mind, Hunter and co. aim for a more comic book or video game approach by treating each character with a mini-bio per their introductions. Thanks to the ever vigilant Brother Samuel who acts as the resident moral center and martyr.