No, this is not that movie with that religious maniac, the screaming girl, and the psychotic liberal they meet in a basement, this is that other more low-budget remake of the H.G. Wells’ classic, and much like everything these days, these brilliant authors are added to the front of these titles to instill a sense of credibility. Little do these studios know that these authors would consider these films abominations, because they are. Like every bad movie, I watch with the hope–and some would say naiveté–that these movies won’t be as bad as I’ve heard, yet I’m always wrong. It’s like shooting fish in a barrel to pick flaws from a film that has a relatively low budget, but could they have squeezed out a logical, coherent story in the process? Even Pal was able to give a great story along with–what is considered today–ancient special effects.
Tag Archives: Apocalypse
Constantine (2005)
While I was interested in watching “Constantine”, I didn’t really get what I was expecting. I never once read a comic of “Hellblazer”, but I know the general gist of it, and despite my disappointment with the miscasting of Reeves and the loose adaptation, I did get more than I bargained for. Constantine was essentially a story that takes place in the UK, but despite the Americanization, it ends up becoming a really solid adult thriller in the end. Constantine is a demon fighter who has been diagnosed with cancer and is now seeking to buy his way in to heaven, and through that journey, director Francis Lawrence who is shockingly a music video director, surprisingly gives some grade A direction for what is rightly a stylish yet very murky supernatural thriller.
The Day After Tomorrow (2004)
Roland Emmerich can pretend “The Day After Tomorrow” is more than a movie but also an attempt to show the government what may happen and all that jazz, but in the end it’s really just a creepy science fiction tale with a lot of special effects and that’s all, not to mention it’s really good popcorn cinema. If one went to the theaters during its run for a good time, they may have gotten just that, because I had a good time. In “The Day After Tomorrow”, Emmerich this time focuses on the apocalypse through an array of characters as is always the formula with him. Jake Gyllenhaal takes a leap into the mainstream as Sam Hall, a high school student coming to New York with his two friends to compete in a school competition; Sam isn’t close with his father Jack because he’s barely ever around due to his scientific work, but Jack, while in the Antarctic discovers a massive decrease in polar ice caps melting and discovers that the worlds temperatures are dropping thus causing cataclysmic results and will bring the world to a new ice age.
28 Days Later (2003)
Occasionally within the throes of watered down horror movies, a director comes along and decides to completely re-write the way horror is done. Danny Boyle is one of those people who will undoubtedly change horror movies. The movie constantly changes into pastels of moods within its canvas setting constantly going from light moods, ala the shopping scene, instantly cranking up the tension. He can leave us smiling with delight and in a split second leave us biting our nails and cringing in our seats. Boyles relies a lot on isolation to scare us, showing massively long scenes of lonely landscapes forcing us to feel even more terror and insecurity.
After animal rights terrorists invade a science lab, they begin breaking monkey’s free from their cages despite the frantic warnings from a scientist and are violently attacked by the apes that tear them apart and infect them. 28 days later, a man awakes from a coma in a hospital bed to discover a desolate and trashed hospital before him. He begins to inspect the marvel before him as the entire city of Britain is empty with no one in sight. He stumbles upon survivors that save him and tell him a virus has broken free on the general population and mankind as he knows it ceases to exist. The results of the virus are the infected. People that growl with beaming red eyes that kill anything in their path and infect others by tearing them apart or vomiting blood on them. It only takes twenty seconds to become one, so they waste no time disposing of their friends.
They stumble upon father and daughter survivors who decide to travel a military base where they supposedly have everything under control, but what they will find is not what they will expect. Boyle dares to break the mold of the horror genre by masterfully giving us a range of moods and colors, and terrifying sequences non-stop. Writers Boyle and Garland actually gives us characters we can care about and the director helps us by exploring the psychological effects this horror is having on them. We see Jim, the coma patient, have dreams that he is alone and deserted; we can see the desperation within the father’s eyes, and the torment in the daughter’s. These are actually characters that we feel bad for and within a split second Boyle takes them away from us. Characters in this movie come and go and Boyle snatches them without hesitation. Boyle often drops the characters off in small cramped dark places making the audience even more nervous and more anxious as we know terror is looming but we can do nothing about it.
The infected are horrifying as they stare with beaming red eyes and bloody faces and growl aloud; they can run and jump and dash and never stop. While “28 Days Later” is horror first and foremost it’s also more of a commentary on humanity and how we never really learn from our mistakes. We watch four people forced to live and exist in a world without order, a world with carnage, a world not very different from ours. This forces them act upon themselves and begs the questions: In a world without order, how do you achieve it? Who decides what life should be like, and is it all ultimately futile? This shows what humans do when there’s no structure or basis for order and basically take it upon themselves to do it with unsuccessful results. Danny Boyle is a genius director and might as well have re-invented the horror genre. Bravo Mr. Boyle, bravo.
Rollerball (2002)
Now, granted, I’ve never seen the original “Rollerball” starring the great James Caan, but I think I can assure you, that it might have been better than this fiasco. The movie force-feeds us predictable and uninspired action scenes of people rolling around on their amped up blades and motorcycles as different growling and hooting players wearing ridiculous costumes and helmets bash each others skulls in etching to grab a hold of the rollerball attempting to score a point for a specific country as different announcers from the countries broadcasting the games holler at us through the screen play-by-play.
Reign of Fire (2002)
Director Rob Bowman gives us a very sleek and highly visual world of dragons and war. We get to see the cool looking dragons as they take over the world. Possibly, the best part of the movie, if any, is when the remaining survivors take on the King Dragon. A tried effort. I was looking forward to this when I first saw the trailer in the theatres; unfortunately, I was very disappointed. The movie gives us a promise we’ll enjoy this with a unique apocalyptic world, but it’s a big let down.
Battlefield Earth (2000)
There’s really only one way to summarize my sheer hatred for what is possibly one of the worst movies I’ve ever seen. And it’s through a list.
1. The lighting is incredibly amateur with darkness where it should be light, and light where is should be dark. It seems a monkey lit the entire movie and most of the time the director doesn’t know how to set the mood.