It’s hard to believe that it’s been almost twenty years since the release of Brandon Lee’s final film, but here we were with a brand new release of his landmark film “The Crow.” In a long overdue treatment it deserves more than most titles out on the Blu-Ray format as we speak “The Crow” hasn’t shown wrinkles at all. “The Crow” is a film that garners a soundtrack with some of the most notable rockers of the nineties, along with some rather of the decade colloquialisms, and still manages to feel completely and utterly timeless. That’s because the world Alex Proyas shapes in his 1994 masterpiece is void of shape and time.
Tag Archives: C
Chillerama (2011)
“Chillerama” feels like yet another production from the indie underground circuit that looks like it was so much fun to make. Everyone had a lot of laughs, the scripts were probably riots, and the directors joint efforts probably elicited a lot of pats on the backs. But when you see “Chillerama” you begin to realize that it was much more fun to make than it is to watch. I like Adam Green, I enjoy throwbacks to drive-in cinema, and I adore anthologies, but “Chillerama” is a swing and total miss for the directors whose entire project is summed up by bad sex jokes, flat dialogue, and poor effects.
Captain America: The First Avenger (2011)
Fourth time’s a charm for Marvel who have finally stopped trying to retrofit their banner first tier character Captain America and just outright accepted that for better or for worse their most iconic superhero is meant for his time period, a time during world war II where Cap Am could mostly come to use to bring down the Nazis and the evil Hydra. Who better to bring this retro character to the big screen than Joe Johnston, a man who successfully brought us “The Rocketeer” in the early nineties? Much of that same child-like enthusiasm and movie serial aura is carried over in to this new version of Captain America where Marvel finally gets it right.
Chainsaw Sally (2004)
Chainsaw Sally is one vengeful woman. As a resident of Porterville, she’s the quiet librarian who takes her work much too seriously, and loves to strike down anyone who makes her work more difficult than it has to be. By day she’s an authoritarian bookkeeper who takes pride in her work, but by night she’s a wicked avenger for women wreaking havoc around her town and mutilating anyone that crosses her path. Be they folks who have forgotten to return their books, or womanizers at bars, she is never afraid to wreak unholy vengeance upon her victims and she does so with glee and a giddy laugh to boot.
Creature (2011)
If you’re looking for a good old fashioned horror film with a man in a rubber suit painted to look like one ferocious motherfucking monster, you need look beyond “Creature.” What is “Creature” but a poor man’s “Creature from the Black Lagoon,” a movie about a bunch of tourists, and a backwoods monster in New Orleans who has a hefty appetite for attractive women and muscle bound men. Shocking enough, “Creature” is a theatrical release in 2011, and tells the tale of a bunch of American tourists–a few of whom happen to be Navy Seals (this is important for the second half of the film)–who happen in to the back woods of New Orleans in search of adventure. Little do they know that if you come across Sid Haig on any adventure, you’re bound to find trouble and terror. It’s just common sense. Granted, Haig is an icon of the horror culture, but he should be in the horror rule book as a word of warning to anyone seeking adventure.
Conan O'Brien Can't Stop (2011)
During one point in the half concert film half documentary “Conan O’Brien Can’t Stop,” the interviewer asks Conan if it’s possible for him to have fun without an audience. And if you watch the movie you’ll see why he looks on in response baffled and without speech. Conan O’Brien Can’t Stop has never been such a literal title as it describes the essence of Conan O’Brien who is a man that is desperate to perform. It’s an all consuming urge within Conan to perform and be on the stage so much to where he puts his family life at jeopardy.
The Cheerleaders (1973)
I remember watching “The Cheerleaders” on skinemax back in the mid-nineties when they were never afraid to expose audiences to the delights of the grindhouse sub-culture. “The Cheerleaders” is one of my favorite bits of grindhouse fare ever made, a bonafide entry in the rare cheersploitation sub-sub genre that explores the lives of a group of jail bait teenagers who partake in lustful delights as a form of sexual expression. Particularly there’s jail bait Stephanie Fondue who is the Lolita of the group, indulging in group activities when the occasion calls for it. “The Cheerleaders” actually has a hilarious and clever premise to it, and one that will stretch in to two more movies.

