It’s no secret what my feelings are about 2003’s “Cabin Fever.” I hate it. I despise it. If I could go back in time, I’d prevent myself from spending money on it in theaters and instead go see the mediocre “Underworld.” It’s one of the most painful movie going experiences I’ve ever endured, and I welcomed a remake. Surely, it’s disgraceful that in this day and age “Cabin Fever” has had two sequels, and a remake, while films like “Behind the Mask” are scrounging for money for a follow-up. But Hollywood is Hollywood, and people love their trash. Thankfully, 2016’s “Cabin Fever” is a superior remake, even if it is still abysmal nonsense.
Tag Archives: C
Creed (2015)
Sylvester Stallone paid proper tribute and respect to his character Rocky Balboa with the final chapter in his saga “Rocky Balboa.” The character deserved the poetic finale after the clunker that was “Rocky V.” Ryan Coogler’s “Creed” is an utter accomplishment that works as a part of Rocky Balboa’s tale, and as the beginning of a new underdog saga. What initially seemed like a lame cash in, is a brilliant twist on the underdog tale with Stallone turning his sights Balboa’s rival and friend Apollo Creed. What was viewed as a sad death in a camp classic in “Rocky IV” carries over in to “Creed,” where Apollo’s death has had a serious significant effect.
Crossworlds (1996)
Before “The Matrix” there was this wonky surreal tale about existentialism, the meaning of existence and reality, and a suited mad man trying to infiltrate worlds through concepts concerning being, matter, and dimensional travel. By way of “Star Wars,” director Kristin Rao brings us a tasty goofy bit of direct to video goodness with Rutger Hauer as an uber-Obi Wan Kenobi who helps a young man find his way as a warrior and help him learn about his mysterious past involving his father. Hauer even waxes poetic and dons his own combat attire while venturing to save our reality from interdimensional beings looking to conquer various dimensions, including our own.
Chilling Visions: 5 States of Fear (2014)
Chiller Films’ “Chilling Visions” is on its way to being a solid series of anthology films made up of some of the best horror voices around. While I really enjoyed “5 Senses of Fear” despite being a mixed bag, “5 States of Fear” is a noticeable step down in quality. I really like the devotion of horror tales to certain ideas of psychology and fear. I also really like giving indie filmmakers a voice with highly publicized anthology horror films, I just wish “5 States of Fear” was more well put together and coherent. It’s not a bad movie, but the producers stretch the idea so far, it’s kind of pointless continuing the gimmick by tale two.
Class of 1984 (1982)
Playing at the Alamo Drafhouse Yonkers, January 17th
New teacher Andrew Norris is fighting the rising tide of what would later become the future of the youth. “We are the future,” chants leader Stegman with his gang of punks. “I am your future,” he consistently tells Mr. Norris, and whodathunk he’d be correct? In “Class of 1984” (the prophetic remake of “Blackboard Jungle”) envisions a not too far future where the youth have all but spiraled out of control and our schools are now warzones with the potential for death at every turn. In 1982, “Class of 1984” was something of an exploitation revenge film, but decades later after utterly horrific accounts of school shootings, and students victimizing their teachers, “Class of 1984” is actually ahead of its time.
Caesar and Otto’s Paranormal Halloween (2015)
I admit I’ve always enjoyed Dave Campfield’s horror series “Caesar and Otto” despite the duo delivering hit or miss adventures. Every film since their introduction has been one self contained ode to some facet of horror, and Campfield has a surefire love for the genre of horror and comedy that he tries to bring to the forefront with his characters of Caesar and Otto. With “Paranormal Halloween” I think Campfield is at his best, because with the misadventures of Caesar and Otto comes bit of scorn that emanates through every moment of the film. Campfield is always self aware but in “Paranormal Halloween,” Campfield seems to have reached the point where he’s delivering his own idea of great horror, and is trying to figure out how to hit the right note and deliver something for a wider audience.
The Car (1977) [Blu-Ray]
1977’s “The Car” is very much a product of its decade. It’s a silly tale with a narrative involving something about Satanism or pure Evil, while fancying itself as something of a different take on “Jaws.” Rather than Roy Scheider as a small town sheriff and his allies trying to take down a giant shark with almost supernatural predatory abilities, this time we have James Brolin as a small town sheriff who is facing off against a giant black Sedan with the supernatural abilities to hunt down and murder people on the roads and on highways.