From Dusk Till Dawn (1996)

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 Not surprisingly, when long time film making pals Quentin Tarantino and Robert Rodriguez teamed up to make a horror movie, in the end it felt like two different movies. For folks unaware of the duo’s style of writing and film making, the second half will completely blow away anyone entrenched in the crime drama that is the first half of the film. “From Dusk Till Dawn” begins like a hyper violent take off of “Reservoir Dogs.” Seth Gecko and his brother Richie have broken out of jail leaving a trail of bodies behind, and are now hiding out in a gas station. Just their luck a sheriff comes in to chat with the owner, and thanks to a series of mishaps, Seth and Richie leave the gas station and its workers dead in a hail of gunfire and flames.

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Blade (1998)

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Though the media often cites Bryan Singer for starting the comic book movie boom of the twenty first century with his adaptation of “X-Men,” most comic book fans argue that “Blade” really started it all. “Blade” was a scaled down production based on a popular comic book character and managed to present an epic story with a minimal budget. It’s ironic that the character that would restart the comic book movie boom was a kitschy seventies horror character known primarily for being one of the few minority superheroes in the Marvel Universe. The adaptation of the Marv Wolfman character manages to get the character just right.

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Riddle (2013)

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It’s a movie about a girl solving a mystery in a town called Riddle. Soak that in. If anything, “Riddle” isn’t a complete loss of time when you consider that Elizabeth Harnois and co-star Diora Baird are mind-blowingly gorgeous. The pair can also provide good performances when given the right material. I’m still not sure why Elizabeth Harnois keeps being handed these roles that straddle the line between horror and drama. Is she trying to garner a fan base while not being pegged a horror scream queen? She’s very pretty and a decent performer. Diora Baird is now and will always be a bombshell of a woman, so her presence is welcome. She has charisma that make almost any movie watchable. That said, “Riddle” is not quite a drama, and not quite a horror film. It’s just right there in the middle for a broad audience.

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Stephen King’s It (1990)

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Stephen King creates the ultimate boogeyman and he is neither man nor monster, despite the visage of a clown called Pennywise. “Stephen King’s It” is filled with the usual King doldrums of a small town with hidden demons, and at least one character that wants to be an author. That said director Tommy Lee Wallace’s adaptation is a great horror film, and a perfectly good bit of nostalgia. “It” gets a lot of flack for deviating from the original novel, but considering it is a television movie, director Wallace does a bang up job. “It” for being only TV movie packs a ton of iconic horror moments, as well as an Oscar caliber performance by Tim Curry.

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Captain Caveman and the Teen Angels: The Complete Series (DVD)

c-cavemanPretty much all of the later series from Hanna Barbera included a group of snot nosed teens solving crime along with some odd sidekick. After “Scooby Doo” the company repeated the successful formula thirty times with varied results. Often times it was incredibly awful like “Jabberjaw” and sometimes it was fun like “Space Ghost.” One of the last Hanna Barbera shows to feature that awkward laugh track addition, “Captain Caveman” mixes the studios odd fixation on the stone age, with crime solving teens, and the whole “Scooby Doo” formula to create a pretty decent animated adventure show.

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The "Wonder Woman" Pilot (2011)

Well if anything Adrianne Palicki is gorgeous. But it’s tough to really root for a super heroine who walks as if she’s desperately trying to maintain her top. Which she really is. Poor Palicki is given such a poor costume that her glittery top looks like it’s going to slide down and show off her skin any moment. Plus, the costume just looks so damn confining and uncomfortable. And then we meet Diana Themyscira who is Wonder Woman on the side fighting crime, capturing villains and refusing to turn them over to authorities because “they’ll lawyer up.”

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Nobody Can Cool (2013)

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The directing and writing team of DPYX manage to concoct “Nobody Can Cool,” a dramatic thriller that’s one half really damn good suspense ride, and one half forgettable fodder. “Nobody Can Cool” manages to pack in an interesting premise and one that definitely tries to cover all bases in terms of logic and excitement. At times I was very engrossed in what was happening, and while the film isn’t perfect, it’s saved by the tight direction and great performances.

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