Gerald’s Game (2017)

Mike Flanagan is one of the best directors working in film today. His list of genre offerings have been impressive, not just because the movies have been great, but because he knows how to build a damn good narrative. Flanagan has consistently impressed me, and with “Gerald’s Game” he delivers a stellar horror drama from the works of Stephen King. Even the best directors have fallen under the weight of the difficult to adapt King tales, but “Gerald’s Game” manages to be an unnerving and complex dramatic thriller that is focused on character and the sometimes weird coincidences of life and fate.

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Innocent Blood (1992)

I love John Landis, and I love that he at least tries to do something new whenever approaching the horror genre. No one else would try to bring together the mafia movie with the vampire movie. And while “Innocent Blood” stumbles in to a messy, dull, and silly horror comedy gangster picture, Landis is at least courageous enough to try to see where it’ll all take him. “Innocent Blood” suffers mainly from being so self congratulatory, to where Landis almost seems to be patting himself on the back at times. There are myriad scenes of characters in the movie watching classic horror movies on television, which is distracting considering the movie is set in Pittsburgh during the winter.

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Wishmaster 4: The Prophecy Fulfilled (2002)

Hot woman unleashes genie, genie meets hot woman, genie comes between hot woman and her husband, husband and genie fight for the love of the hot woman. Isn’t that always how it goes? Same old story. “Wishmaster 4” is a noticeable departure in quality, to the point where it’s almost distracting. The prologue is filmed in what looks like an HD camcorder, there’s a gratuitous sex scene not two minutes in to the film, and this time the evil djinn makes his grand appearance by emerging from a closet, as opposed to the previous times where he required a wish to take on full anthropomorphic form. Completely giving up on scaring the audience, “Wishmaster 4” is now dark fantasy, with our djinn humanized for the sake of a goofy romance.

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Wishmaster 2: Evil Never Dies (1999)

I’m surprised since it usually takes two or three sequels before a movie series turns in to a spoof of itself. It only took “Wishmaster” one sequel before it basically becomes a parody of the first film’s premise. Even Andrew Divoff, who was menacing in the first film, mugs for the camera delivering dialogue in over the top inflections sounding a lot like a sinister impression of George Takei, for some reason. “Wishmaster 2: Evil Never Dies” tries to hide the fact that it’s about the same narrative as the first film by making the djinn the main character. Except this time he’s in prison– for some reason!

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Buried Alive (1990)

“Buried Alive” is one of the earliest Frank Darabont movies that indicates a lot of what Darabont would have coming for fans of his cinematic outputs. While it’s very much a TV movie, and feels a lot more like an episode of an anthology series than a movie, it’s still a pretty strong revenge thriller overall. “Buried Alive” is dark and bleak from minute one where Tim Matheson is great as an everyday working man and contractor who is a victim of a devious and greedy woman. There’s nothing particularly wrong with his character, he’s just so set in his ways and can’t notice that his wife is a gold digger who has sinister plans for him.

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Bride of Chucky (1998)

By 1998, the “Child’s Play” movie series reached the point of no return. The third film in the series was a stale slasher, and Wes Craven re-invented the horror movie, while accidentally spawning a slew of self-aware slashers and horror movies. Hence, “Bride of Chucky” came along and took it to a whole new level. The idea of a female version of Chucky is a great one, and one that could have spawned a wonderful and thrilling movie with a change up in the sexual dynamic and how Chucky approaches his murderous habits, but Ronny Yu’s reboot/sequel instead dives head first in to material that’s a spoof, a satire, a sequel, a meta-horror movie, a horror comedy, and sometimes just a flat out slapstick comedy that comes dangerously close to breaking the fourth wall.

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The Munsters’ Revenge (1981)

Even in 1981, “The Munsters” are still so damn funny. “The Munsters’ Revenge” is the monster family once again getting in to a misadventure and learning how to beat the bad guy with the help of their twisted magic and family unity. I laughed a lot during this TV movie featuring most of the brood from the original sitcom. Sure, the original three monsters are showing a bit of their age here, but the movie feels like an extended episode with sharp comic timing, some hilarious gags, and a great supporting cast. Best of all there’s Sid Caesar and Bob Hastings who derived the most laughs out of me. In fact, the latter had me bursting in to hysterics as uncle Phantom of the Opera.

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