When the credits roll, “The Devil’s Advocate” reveals itself to be a massively ambitious but incredibly mediocre supernatural thriller that sanctimoniously dismisses big city, big business, and law as the stomping grounds of the devil, while casting out its protagonist Kevin as evil for leaving the small country and submitting to the potentially successful life in the big city. There, the skyscrapers are empty, the streets are endless, and the folks are demons of excess, vanity, and sheer adultery. Taylor Hackford’s supernatural thriller seems to be built on and around the final monologue of Al Pacino’s character John Milton, who gives a rousing speech about God, sin, and everything else to protégé Kevin.
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Dark Times (2010)
Directors Peter Horn and Jared Marshall’s short science fiction horror film is, as the kids say: The shit. “Dark Times” is a rollicking and creepy gore fest that takes every advantage to be unique and original. Foregoing any opening and closing credits, “Dark Times” takes every single advantage of every second to tell a fun story that is just so damn thrilling to behold. As seen through the eyes of a hapless man, a group of workers from the Blue Skies Nuclear Power plant flee from a horrible explosion that is sending them running in to the woods as radioactive debris rains from the skies taking down survivors.
Dungeons & Dragons (2000)
I remember when I first read that “Dungeons & Dragons” was about to come to theaters in cinematic form. At the time of the film’s release I was obsessed with fantasy, and dragons and wouldn’t you know it? Zoe McLellan was co-starring. To fans of obscure science fiction, she co-starred as a gorgeous nerd in the TV series “Invisible Man.” If you want to know what that is, look it up. It’s a long story. I digress. McLellan would go on to play a gorgeous nerdy librarian in “Dungeons & Dragons” who really didn’t do much in the film. But she looked fetching the entire time. What makes “Dungeons & Dragons” such an astonishing film, is that it was released by New Line Cinema in the year 2000. As stated by other movie critics, “Lord of the Rings: The Fellowship of the Ring” would be released a year later around December of the same time.
The Dead Pool (1988)
And it ends not with a bang, but with a thud. “The Dead Pool” is a truly anti-climactic end for a man who has spent all of his five films running around and blasting assholes with his hand cannon without remorse and finally finds that he’s really not chasing much of an enemy in the end. “The Dead Pool” has some considerable mystery to it but the villain that is supplied for Harry Callahan’s last romp is not only boring, but doesn’t have much to do for the entirety of the film.
Die Hard with a Vengeance (1995)
I’m of the opinion that had this film been created under its original title “Simon Says,” that it could have been a wonderful action thriller with a new franchise start. But as a continuation of the “Die Hard” series it’s a strong and unique sequel. Sure it drops off in the climax, but for the first half of this action thriller, “Die Hard with a Vengeance” is a unique and fresh new direction for a series in a rut. The first film is a classic, and the second is arguably entertaining, so it’s interesting that this film chooses instead to mostly be cerebral in its delivery and villain. Rather than John McClane crawling around ducts and hiding in corners, he spends the entirety of the film running around a crowded New York city during the summer trying to defuse brilliant bombs.
The Dark Knight Rises (2012)
Though it’s true that the Joker is nowhere to be found in “The Dark Knight Rises,” this film is less about the character and much more about the taint he’s left on Gotham city as a whole. In the end of “The Dark Knight” the Joker won, even when he wasn’t able to prove that humanity is deep down a rotten vile stain on civilization. “The Dark Knight Rises” examines the fall out of the Joker’s reign of terror, and how it ultimately affects any attempts by the Dark Knight to thwart the new terrorist threat by the name of Bane. Eight years later Alfred is a crusty man servant, Commissioner Gordon is a grief stricken officer dealing with a painful divorce, and Bruce Wayne is a recluse who spends his days locked inside the mansion. When we meet Bruce again he’s aided by a walking stick and can barely find the strength to chase after Selina Kyle who makes use of his priceless jewels in one instance.
Detention (2012)
Director Joseph Kahn basically creates the “Scott Pilgrim vs. The World” of slasher movies, a movie so meta and so self-aware that a subset of audience members may be convinced this movie is actually an affirmation of the fads this movie tackles. I imagine some folks will smile thinking “He really gets us” while Kahn is pointing and laughing at them in the background. Kahn seems to have little respect or regard for people in to fads and spends most of the movie skewering just about everyone in this odd vacuum of cyclical nostalgia and retro crap with a modern age lacking an actual identity of its own. “Detention” is a film that many movie fans will either love or hate. I often fell in to the category of despising it but also kept dabbling in the area of admiration for being so unpredictable and original.