I love 2004’s iteration of “The Punisher” starring Thomas Jane as Frank Castle also known as The Punisher. It’s a slow boiled crime thriller that eventually transforms in to a chaotic bloodbath with seemingly no limits on its cruelty. And it also has an admirable demented sense of humor. After 2004’s film, Thomas Jane dropped out of the role after a brouhaha with the studios and their direction toward the sequel that was apparently so bad and or radical that Jane just couldn’t abide by it. But since then many fans have argued that Thomas Jane’s performance of Frank Castle is the definitive cinematic performance of the character and his turn as Castle was admirable. It was layered, tragic, searing, bold, and genuine.
Tag Archives: D
Day of the Dead (1985)
So the zombie apocalypse came and went and guess what? We lost. Miserably. After the world has been consumed by the cannibalistic walking dead by the hordes, there are really only a few dozen living humans on the planet. And they’re struggling to maintain the lingering shreds of sanity they still possess. Once upon a time, a long time ago, “Day of the Dead” was considered the lesser of the Dead trilogy from director George A. Romero, and it’s quite shocking considering “Day of the Dead” is a masterpiece. In fact it’s every bit as good as its predecessors “Night” and “Dawn” with just as much thought provoking material as the former titles.
Dark House (2009)
I’m not going to pretend “Dark House” is an original horror outing. As a film it’s basically a pastiche of “The Haunting,” “House on Haunted Hill,” and “Thirteen Ghosts” with a skosh of “Haute Tension” for good measure. But in spite of the inherent derivations, I couldn’t help but have a damn good time sitting through “Dark House.” It’s deep down a very light on logic party horror film that you can sit through with friends and never be bored with. Even when it’s attempting to exposit the characters back stories, it really is at warp speed so that it can get to the bloodshed and gore. Thankfully I didn’t have much of a problem with that.
Drive (2011)
Director Nicolas Winding Refn’s 2011 masterpiece may be one of the most misunderstood gems of the year. Rather than opting for a simple take off on the Ryan O’Neal classic heist film, he instead focuses in on the consequences of the choices made by criminals and the deeply meditative state of life that can ultimately be a reflection of the crimes we commit throughout our years. “Drive” feels almost like that lost jewel of the late seventies and early eighties, a film that focuses solely on the aftermath of crime rather than the crime itself and zeroes in on a sole individual whose own choices have come back to haunt him and ultimately put him in a position where he must seek redemption before the evil corrupts the only good in his life.
The Dead (2011)
The Ford Brothers have obviously come from the school of Romero with “The Dead,” a film that touts itself as one of the first South African zombie movies ever released. It strives to bring audiences the genre that Romero built in its most traditional sense as a zombie movie where the living must fight to ward off the walking dead, all of whom lumber and groan at the sight of fresh meat. There’s not a runner to be found, which should please traditionalists looking for a dread filled good time and the Ford brothers seemed to have been fed on a strict diet of Romero’s films as their monstrous zombies actually walk in rigomortis stricken pale bodies that turn them in to rather omnipotent and menacing beings.
The Depression of Detective Downs 2: On Depression's Edge (2011)
How do you stop the city’s most insane criminals when you yourself are on the brink of insanity? Who do the heroes turn to when they’re about to lose their minds? That’s the questions asked during the sequel to “The Depression of Detective Downs” a wonderful closer to an already great saga about Detective Rolando Downs, a well meaning detective who is so at odds with life that all he can do is watch the days fade away all the while witness his luck turn sour with every passing moment.
Doctor Mordrid – Master of the Unknown (1992)
“Doctor Mordrid” is a change of pace for Full Moon. It’s a well made superhero movie that is about one of a kind, if you consider the Full Moon library. Of course everyone knows the story that this was originally supposed to be a Dr. Strange movie, but when Full Moon lost the character trademark from Marvel Comics, Charles Band and his wizards transformed a potential lawsuit in to an original property, Jeffery Combs is good as the heroic Mordrid, a man awaiting his fate from the almighty Monitor harnessing his powers and awaiting the time to use them.