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The Alchemist Cookbook (2016) [Fantasia International Film Festival 2016]

alchemistA man trying to survive in a shack in the woods plays with alchemy to discover an ancient secret to a better life.  Inadvertently, he summons a dangerous being who doesn’t take too kindly to his dealings. The Alchemist cookbook is written and directed by Joel Potrykus who is known for independent horror films shot in Michigan and who considers his style in the vein of Jim Jarmusch which is something each viewer can judge for themselves, but this reviewer did not really see that.

Here he crafts a fairly slow boil of a film.  It starts with an alchemy cooking sequence set to a great track, giving the impression that it might be an upbeat, fast moving film, but it soon becomes clear that the lead, Sean, is a paranoid man playing with forces he doesn’t fully understand.  Unfortunately, past that opening scene, the film feels slow and like it might need some extra oomph or perhaps to be edited differently.  It’s not boring but it’s not enthralling either.

The cast for this small budget is, well, small.  The lead of Sean is played by Ty Hickson who does great as the paranoid, perhaps desperate, man trying his hand at alchemy.  His performance here is good and worth seeing and he proves he can carry a complete movie on his own as the only other actor has only a few scenes and those scenes are always with him.  In the only other human role in the film is Amari Cheaton as Cortez a typical gangbanger who tries to help his friend Sean while also getting himself into trouble.  His performance feels more exaggerated and caricatured while less on point than Ty Hickson’s.  The last cast member listed is Fiji as Kaspar (the cat), as is usually the case with cats, he does a fabulous job while remaining rather nonchalant about the whole thing.

The film has some nice bits of science alchemy and some good effects.  The last third does amp up the horror factor and what can be seen is well done and executed.  These special effects are by Jeffery Husselman with visual effects by Scott Baisden and Daniel Falicki.

Also worth noting are the cinematography and the soundtrack.  The cinematography by Adam J. Minnick does a great job at making all outdoors images feel desolate in their settings while the indoors shots feel cramped to go with small shack the lead lives in.  This adds to the atmosphere here and is very well done.

The soundtrack for this film is mostly provided by way of an old tape deck that the lead character uses.  The song choices and what is fast forwarded tell a lot about the character, which makes him feel real, more like the crazy, paranoid version of someone every viewer knows.  His musical choices also reflect his internal turmoil, by letting him “choose” those songs, something so few films do.

The Alchemist cookbook is not a bad film but it has issues with pacing and with sections of the story feeling like filler.  The acting by the lead is good and he carries the film well.  The music is his best supporting character, but it’s not enough to make this reviewer want to see it again or be able to fully recommend it.

Fantasia International Film Festival runs from July 14th until August 3rd, 2016.

Hardcore Henry (2016) [Blu-Ray/Digital]

hardcorehenryblu-rayAll I have to say is thank goodness “Hardcore Henry” bombed, even after its unique publicity campaign. I’d really hate to have five other movies out there in theaters trying to copy this wretched movie’s formula. “Hardcore Henry” isn’t even really a movie, as it has no narrative, zero characterization, and is essentially just a series of cut scenes from a video game meant to evoke the fantasies of fourteen year old boys with rage issues. The plot, I use the term loosely, feels like a concept for an NES game in 1991, where LJN saw “Robocop” and decided to create their own clone. “Hardcore Henry” is essentially like watching someone play a video game.

At first it’s a novelty then it becomes incredibly monotonous. Even with director Ilya Naishuller putting our hero through the wringer as he pulls out people’s intestines, battles a flame throwing assassin, and watches soldiers bounce from grenade explosions, I was bored by it all. It’s not so much that the movie is so fast and relentlessly loud, but it’s too fast to the point where the running, chasing, fighting and explosions become so repetitive. I eventually began to grow so accustomed to exploding heads, and bodies being thrown off buildings, that I was wishing for one moment where characters would sit down and explain something, or discuss a bit of exposition that didn’t sound like video game instructions.

To make the events so dull and miserable, character Henry conveniently has no voice, making him easily the most paper thin action hero in movie history. Without a personality, emotions, a voice, or even occasional glimpses at his face and reactions, all we’re left with is a stale attempt to turn the viewer in to some sort of avatar for an action hero who is indestructible and blowing people up left and right without consequence. It doesn’t help that the movie seems to realize it has no story of substance and leans heavily on long drawn out action and weak moments of suspense. The further Henry flees from the super secret cyborg making organization led by the albino psychic mutant guy, the less sense the movie makes.

We all know the minute we see the group of undead cyborgs that Henry will have to fight them all at the same time to get to the final boss of the movie, so why should we even care about why they were invented, and what threats they serve? “Hardcore Henry” is a miserable, and tedious gimmick that feels like cut scenes from a stale Sega CD beat em up game, spliced together to form a limp cinematic experience. It’s a cheap, shallow gimmick that I’m glad failed, and it’s one I hope never catches on.

The Blu-Ray release comes with a Digital Copy. We’re given four deleted scenes emphasizing Henry’s battles, and a twelve minute fan chat with supporting actor Sharlto Copley and Writer/Director Ilya Naishuller, both of whom answer fan questions. Finally there are two audio commentaries. There’s one with Director and Producer Ilya Naishuller who covers the movie in very fine detail including the pacing, visual effects and much more. The second audio commentary features Director and Producer Ilya Naishuller and Star and Executive Producer Sharlto Copley, both of whom cover the same line of insight and details from the first commentary, with Copley adding his own interplay.

Never Tear Us Apart (2016) [Fantasia International Film Festival 2016]

NTUASid Zanforlin’s short horror comedy is a fantastic bit of gruesome, grue, and slapstick comedy that will definitely strike a nerve with folks that like HG Lewis. I am shocked how much Zanforlin is able to squeeze in to in only seven minutes in length. And considering this is a proof of concept for a potential feature film, I think Zanforlin has enough material for a potentially bonkers splatter horror comedy down the road. Filled with amazing special effects by Justin Tripp, Zanforlin centers his film on two young men traveling to meet their family who stop alongside the road.

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The Toxic Avenger (1984) [Fantasia International Film Festival 2016]

toxicavengerThe character that helped build Troma in to the company we know and love it as today, is still a wonderful and fun anti-hero who finds himself dropped in to fate’s door after a mean prank pulled on him one day. In Tromaville New Jersey, Melvin is a young janitor for a local health club dominated by a pair of muscle bound bullies. By day, the bullies roam around the club taunting Melvin and hanging around with their busty girlfriends, but by night they’re vicious hit and run murderers that take joy in killing children and helpless animals. After Melvin accidentally runs afoul one of the bullies, his girlfriend invites Melvin to a private rendezvous on the condition he wear a pink tutu.

After realizing he’s been the victim of a prank, Melvin crashes through a window and falls in to a drum of toxic ooze. Disfigured and transformed in to the muscle bound Toxic Avenger, he roams the streets of Tromaville murdering criminals and rapists, and laying down the law with his handy mop. Despite the very low budget, “The Toxic Avenger” works as a simultaneous superhero action tale and monster movie. A lot like “Robocop,” Troma’s superhero gets the job done in the most violent manner possible.

Michael Herz and Lloyd Kaufman are never above being as splatterific as possible, showing off a ton of gruesome moments including Toxie taking off a thug’s nose, and tearing another’s arm clean off. Of course a lot of the movie doesn’t reserve the grue for the bad guys, eliciting genuine cringe inducing moment when Melvin is turned in to the Toxic Avenger. Even for an indie film in 1984, the sight of Melvin’s skin pulsing and bulging from the toxic waste is grotesque and you hate to see such a goofy protagonist be reduced to this monster. Toxie is kept in the dark for most of his introduction, as he begins feeling his way around his strengths and weaknesses, and realizing his mutation allows him a chance to fight evil.

He begins to take on the bigger nemesis when he realizes the local police force is run by a corrupt chief and his sergeant whose attitude is very Nazi like. Herz and Kaufman give Toxie some time to even fall in love with a beautiful blond girl, and do battle with the villains from the gym. “The Toxic Avenger” is still a fun and off the wall action horror movie with its own twist on the superhero sub-genre. Leave it to Lloyd Kaufman and Michael Herz to take typical superhero tropes and twist in to something wonderfully gruesome and absurd.

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I.V. League (2016)

ivleaguePatrick Rea has been more committed to dark comedy as of late, delivering horror shorts that are based a lot around deception and pure evil. It’s really interesting to see director Rea working outside of his comfort zone and diving in to new areas of horror and fantasy that are rarely mastered. “I.V. League” is another of his many latest short films where human cruelty is the theme, and Rea delivers a one two punch of plot twists that make the experience very worthwhile.

Creating a ring of lies, “I.V. League” is centered on a man who’s barely survived a car wreck that left him burnt from head to toe. While his new nurse attends to him, she soon meets his wife, and learns that she’s been all too aware of her bed ridden husband’s past with sleeping with young female doctors and nurses around the hospital. Without realization, the two women are embroiled in a secret murder plot against him, with a man named Nico who was sent to murder him. After failing, both women have a bone to pick with him, and soon the suspicions arise among the pair of women.

It’s tough to continue discussing the movie without actually giving away what unfolds, but Rea’s film is slick enough to follow without ever getting too crowded with plot points and twists. The performances from Misty Dixon and Katrina Volonnino are superb (as well as the rest of the supporting cast), with Rea devising a nice web of revenge and spite that culminates in to a really good climax. While I admittedly saw the first plot twist coming miles away, the final twist is really unexpected, and felt very well placed, rather than tacked on. Rea’s film is a strong and clever short thriller, and one that warrants a watch when it becomes available for fans.

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Holidays (2016)

holidaysThe folks behind “Holidays” try to cover all the bases of the resurgence of the horror anthology film. They tackle the holiday horror film, try to create original and unique horror segments out of rarely touched upon holidays around the world, and they also organize it with a faux arthouse gloss that became popularized in “ABCs of Death.” While “ABCs of Death” and its sequel were misfires of the anthology horror film at least they were amusing misfires.

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The Hateful Eight (2015) [Blu-Ray/DVD/Digital]

hatefuleightDirector Quentin Tarantino has apparently had enough of delivering fans films that are mash ups of genres he loves and instead seems to want to challenge his audience the older he gets. Any artist grows the older they become and Tarantino has grown, exploring cinema that’s gradually more polarizing and alienating as time goes on. Quentin Tarantino hasn’t lost his ability to tell a story and unfold an interesting narrative, as he’s hellbent on exploring a character piece that’s less action and call backs to past genres, and more of an implementation of certain genres to create what has been his most divisive film to date.

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