Tag Archives: Dark Comedy

Knock Knock (2015)

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I’m stunned it took two screenwriters and Eli Roth to write what is a remake that steals bits from “Funny Games.” This time rather than the nemeses being petulant snot nosed young guys, the villains in this instance are two gorgeous young girls. “Knock Knock” is the least incompetently made film from Roth’s ever growing film library, and that’s due to the fact that it borrows a lot from “Funny Games,” despite being an admitted remake of 1977’s “Death Game.” There isn’t the sly self awareness, but Roth and co. do eventually realize how stupid their story is and then completely ride off the rails by the second half.

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The Visit (2015)

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After a considerable slump with “The Last Airbender,” and “After Earth,” Shyamalan gives us yet another humanistic, demented, mystery that is filled with his trademark themes about life and coming of age. In this case, it’s young Becca and Tyler, both of whom are still healing from a broken marriage that saw their father leave them years before we meet them. Cut like a mock documentary, Shyamalan tailors the film to give us more of a personal view in to the dilemma Becca and Tyler find themselves in, and what it ultimately means in their development as adults.

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The Green Inferno (2015)

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You’d assume ten years in to one’s career that a filmmaker would begin to mature as a storyteller. But here we are in 2015, and Eli Roth is still telling the same story. A bunch of inept Americans go in to a foreign country and get brutally massacred. It’s the same xenophobic, sophomoric, silly slop that Roth’s been feeding audiences since “Hostel,” and he doesn’t seem intent on changing the formula any time soon. Roth at heart is still a fan boy stealing from his favorite horror movies, while directing tonally uneven and ridiculous schlock with the intent to shock first and foremost. Really, the intent is to shock and nothing else.

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Gravy (2015) [Blu-Ray]

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I really wanted to love “Gravy.” In fact during some rare moments it manages to win me over, especially with the way it uses its array of character actors to great effect. “Gravy” sadly falls under the weight of its own self satisfaction, eliciting a ton of flat improv, lame ad libbing, unresolved sub-plots, and a climax that goes nowhere very fast. We follow our heroine for ninety minutes all for absolutely zero pay off. Did Roday and co. run out of money or did they run out of ideas?

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Gary Larson’s Tales from the Far Side (1994)

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Enjoying “Tales from the Far Side” is based on whether or not you enjoy Gary Larsen’s original comic strip. I’d go so far as to say that the original comic strip was never this dark or surreal. I definitely wouldn’t call the animated special from Gary Larson funny, but it definitely succeeds in irony and some very morbid animated pieces. Rather than a fluid narrative, “Tales from the Far Side” shifts from scenario to scenario, all of which are interconnected by some circumstance.

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Waterborne (2014)

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This is how the world ends. Not with a bang, but a zombie kangaroo. Ryan Coonan’s short horror film is the prologue of a bonafide zombie apocalypse (and feature film currently in development), all thanks to a contaminated water hole in the outback. Set in Australia, a local park ranger proceeds to take samples from a water hole, despite the resistance of a local who insists that he’s creating an unnecessary hysteria with his testing.

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The ‘Burbs (1989)

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There’s just something about Joe Dante in where he loves to shake up American middle class. We have suburbanites fighting killer gremlins, suburbanites fighting killer toys, suburbanites fighting werewolves, and now suburbanites basically turning on one another. “The Burbs” watches like something of a sick mid-quel of “Rear Window” and “The Trouble with Harry” in where the mundane is flipped on its head and transformed in to a veritable nightmare for a bunch of neighbors in a seemingly small cul de sac.

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