Day of Reckoning (2016)

“Day of Reckoning” is a pseudo-biblical horror movie that teams “Doom,” “Day of the Dead,” “The Walking Dead” and the Roland Emmerich disaster pornos in to one ball of baffling entertainment. “Day of Reckoning” is teeming with potential and actually manages to be entertaining every now and then. When a mining company accidentally unearths a hibernating brood of demonic monsters, the beasts arise from their slumber to begin wreaking havoc on humanity. The monsters are a variety of winged, stampeding, anthropomorphic demons with varying degrees of appearances and habits. Sometimes they’re a random herd of monsters, and sometimes they’re scheming and planning. They can poison people to apparently turn on everyone else, and they have a thirst for human flesh. Best of all they can be taken out by dousing them with enough salt.

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Poltergeist III (1988): Collector’s Edition [Blu-Ray]

Gary Sherman’s “Poltergeist III” is such a disappointing movie, and goes even further to stretch the mythology of the first film, so much so that I almost welcomed the loose spin off TV series from 1996. It’s very disheartening to see Carol Anne now under the care of her aunt and uncle in the big city, especially when the first and second “Poltergeist” films pushed the whole “Love” and “Family unity” themes on us so aggressively. Heather O’Rourke as Carol Anne has gone from side character to the principal heroine of the entire series, now living with her aunt and uncle in a very high class skyscraper and apartment building filled with mirrors. This, of course, allows Gary Sherman to concoct a lot of very surreal moments of horror here.

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Poltergeist II: The Other Side (1986): Collector’s Edition [Blu-Ray]

The original “Poltergeist” was like a fine tuned car that ran well and delivered all kinds of surprises. “Poltergeist II” is like an addition to said car, but it’s not a necessary addition and comes off kind of gaudy when you take a second look. It’s like someone added fins, stripes to what was an already great model in and of itself. The follow up to Tobe Hooper’s original is a childhood favorite of mine. It’s one I watched over and over on local television. While it may not make much sense as an extension of the first film, with a redundant premise, “The Other Side” is an okay sequel. That is, if you want to accept it as a sequel to the original film. It’s more an exploration of the spiritual world involved with the initial haunting from the first film, when all is said and done.

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Justice League Dark (2017)

I’m still not sure why DC commits to creating new branches of their animated universe with only a little under eighty minutes to spare. I think it wouldn’t hurt if something like “Justice League Dark” was given two hours to tell its story. Instead it rushes through just about everything possible, from prologue, set up, character introductions, villain introduction, villain back story, and the final showdown. And there’s no guarantee we’ll see a sequel any time soon, since DC and Warner are planning a live action version. So unless you’re a hardcore DC fan, you won’t get to learn a lot about folks like the Demon Etrigan or Zatanna, since we speed right through their characterizations.

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Meow (2017)

Chris Jopp’s short horror film feels like a lost segment from “Cat’s Eye.” It’s a nice and fun horror tale about fate intervening and coming to rescue of someone who didn’t know they needed rescuing. Samantha just moved in to a new apartment in a new town and has to deal with an overbearing mother who insists in calling her every chance she gets. What worse, is that she also has to deal with a very intrusive and overly attentive landlord who insists that pets are not allowed in the building.

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Ouija: Origin of Evil (2016)

After the dumpster fire that was 2014’s “Ouija,” it’s a most impressive feat to see Mike Flanagan follow it up with a damn good horror film that serves as a prequel. It’s also kind of shocking how Flanagan is able to deliver a truly creepy horror movie that also almost makes the original “Ouija” retroactively better; if just a little. While “Origin of Evil” is not a masterpiece and feels a bit like a pseudo-sequel to “The Conjuring,” director Mike Flanagan is able to do what the original film couldn’t. He involves us in an engrossing and interesting story about loss, death, and grief, and how evil can prey on our desperation to want closure in a world where very few of us can actually get it.

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Rock & Rule (1983)

“Rock & Rule” is a wonky, surreal, and entertaining animated musical that feels like Ralph Bakshi, Don Bluth, and “Heavy Metal” magazine were combined in to such a frantic cult gem. The 1983 movie has gone through years of being an underground classic, and has finally been embraced for such an ahead of its time science fiction tale. The animation for “Rock & Rule” is completely out of the box, resembling rotoscoping in many aspects, and opting for character models you don’t often find anywhere else. “Rock & Rule” is a science fiction, punk rock, steam punk tale set many years in the future after world war III wiped man off the face of the Earth. The only surviving species are cats, dogs, and rats. They have evolved in to anthropomorphic mutants, all capable of thought and speech.

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