It’s a real shame that the “Insidious” series would go back to its roots with “The Red Door” and end up being probably the worse entry in the franchise yet. Patrick Wilson is a fine enough director, but “The Red Door” is such a misfire that you can’t even really call it a cash grab. It feels a lot like the studios attempts to add some sense of closure to the Lambert family, but rather than this emotional journey through the Further, all they hand us is a half baked rip off of “The Babadook.” And that’s saying a lot since I’ve been such a fan of the “Insidious” series since it arrived in 2011. But these films have done so much better, even with “The Last Key.”
Tag Archives: Demons
Insidious: The Last Key (2018)
Elise Rainier has been one of the most fleshed out horror movie heroines of the modern era and I’ve enjoyed her quest throughout the “Insidious” series. After dying at the end of the first film, every subsequent film has backtracked to not only explore Elise more, but also give us a bigger wider bridge to the first film. “The Last Key” is perhaps the most personal quest featuring Elise as it does fit in to the general mythology of “The Further” but is more intimate and lower stakes. The movie can be seen more as a stand alone one shot featuring Elise in where she not only garnered full control of her powers, but also foresaw her fate in the first “Insidious.”
Evil Dead Rise (2023) [4K/Blu-Ray/Digital]
It’s hard to believe that it’s been a decade since we’ve seen a proper “Evil Dead” movie. After the fantastic remake—boot (?), Warner brought in newcomer Lee Cronin to lend a new flavor to the universe. What was originally intended as an exclusively streaming release on their subscription service, Warner chanced it by bringing their movie to theaters exclusively. Thankfully their risk pulled off beautifully as their low budget return to the horror universe that Sam Raimi built ended up being a box office and crucial powerhouse. For good reason, too.
BAD MOVIE MONDAY: Verotika (2019)
I’ve written at length about what makes a good bad movie, but what makes a BAD bad movie? This is what I’d like to talk about in today’s review because I think I found the perfect example. Here is a movie that is so bad, so incompetent, so mind-numbingly lazy, that I can’t just overlook its flaws and give it the benefit of the doubt like I normally would. This is a movie that is insultingly and aggressively terrible. Yes folks, I’m talking about VEROTIKA.
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After “Evil Dead Rise,” watch these Five Apartment Based Horror Films
The new “Evil Dead” sequel “Evil Dead Rise” has become the newest horror hit, taking the deadites and warping them in to the inner city. There the book of the dead is cracked open and the deadites emerge to wreak havoc in a run down apartment building. While the setting of the apartment building isn’t often used, when it is implemented, it can be very effective. Here are five Apartment centered horror films you should watch after “Evil Dead Rise.”
Evil Dead Rise (2023)
Sam Raimi perfected the cabin in the woods formula with “The Evil Dead” and as a series it’s managed to grow and evolve in to something different but just as good. The new sequel to the “Evil Dead” series places us in to an urban setting now, turning a dilapidated apartment complex in to pure hell. It’s amazing what Lee Cronin pulls off, carrying the torch for Sam Raimi and turning this new setting in to an absolute hellscape for the Deadites. You can seriously sense Sam Raimi’s company had their hands in the development of “Evil Dead Rise,” as this sequel is everything we’ve come to expect from the franchise, only with just a little more spice added in.
V/H/S/ 99 (2022)
The newest installment of the “V/H/S/” series was a welcome treat for me back in 2022, as I have always been a fan of the film series. With the popularity of lo-fi analog horror, “V/H/S/” can still have some good shelf life, and spin some damn good horror segments down the line. “V/H/S/ 99” sadly stumbles here and there in what is probably the weakest entry of the movie series to date. The great segments outweigh the weaker entries, but that’s not saying too much when even the better segments aren’t really as spectacular as something like “Safe Haven” from “V/H/S/ 2.” Even the framing device for the segments never quite comes full circle, in the end.