You Have to See This! Monster Camp (2007)

What do you do when the world you’re in is too boring, too stressful, or too miserable to endure? You retreat into your own imaginary world, of course. “Monster Camp” is one of the many documentaries taking off from the ilk of “Trekkies” and “Ringers,” in which we spend a time in the lives of folks who just love their hobby. They don’t just love their hobby, but it’s something of a way of life that manages to have a positive influence on them and everyone around them.

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You Have to See This! Winter Soldier (1972)

“In boot camp, we used to every night we had to say–before we went to bed, we’d have to sing the Marine Corps Hymn, and laying at attention in bed,we’d sing the Marine Corps Hymn, and then we’d say,”Another day in the Corps, sir, for every day’s a holiday and every meal’s a feast. Pray for war. Pray for war. God bless the Marine Corps. God bless my drill instructors. Pray for war.” And every night we had to say that, and when we’d run and we’d sing songs, we’d sing, like, they’d say, “Kill, kill, kill.” And when we–at our–at judo practice and knife fighting practice and bayonet fighting practice it was always, that was the yell: “Kill, kill, kill.”’

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The Inland Sea (1991): Criterion Collection [Blu-Ray]

The origins of “The Inland Sea” are about as noble as all get out, as it originally began life as a loving account of living and traveling in Japan. Writer Donald Richie grew so utterly in love with the environment and people of Japan in 1971, that his travelogue of the country read a lot more like a love sonnet and was published as “The Inland Sea.” So utterly compelled was she, that director Lucille Carra approached writer Richie and twenty years later proceeded to adapt his short account in to a short form documentary.

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The Bootleg Files: Stop Messin’ About! – The Very Best of Kenneth Williams

BOOTLEG FILES 696: “Stop Messin’ About! – The Very Best of Kenneth Williams” (1996 documentary on the British funnyman).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Due to its lack of availability in the U.S.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

One of the joys of the long-running British film series of Carry On comedies was the brilliance of its ensemble – this was the rare series where every member of the cast enjoyed a wealth of laugh-out-loud dialogue and sight gags. But if there was a first among equals in the Carry On crew, it would have to be the immortal Kenneth Williams.
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Steampunk Connection (2019) [Fantasia Festival 2019]

Director Annie Deniel’s “Steampunk Connection” will likely be admired in the same vein as “Trekkies,” in that it examines a strong fan movement that allows people to connect through a broad scope of science fiction. It’s also been integrated in to their everyday lives and for many of them, the art form of Steampunk has allowed them to grow as people, and realize their potential in mediums like mechanics, engineering, and fashion. If there is anything that may push audiences away is that director Deniel digs so deep in to the following that it’s almost too niche for a broader audience.

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The Queen (1968)

One of the telling lines of “The Queen” is when show runner Flawless Sabrina explains that the biggest task of organizing the Miss All American Camp Beauty Pageant is finding a hotel that can house all the contestants, and finding a hotel that’s “hip” enough to want to house them. In 1968, being out and yourself was about being as discreet as possible and operating behind closed doors. While “The Queen” is basically a documentary about the cut throat world of Drag pageants, as well as a sobering portrayal of how the LGBTQ community had to function behind closed doors for much of the twentieth century.

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Before Stonewall (1984)

This month’s 50th anniversary of the Stonewall Riot and the launch of the modern gay rights movement marks a perfect time to bring back Greta Schiller and Robert Rosenberg’s groundbreaking 1984 documentary, which details the LGBT experience in the decades prior to the game-changing pushback that occurred at New York City’s Stonewall Inn in 1969.
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