In 1977, James Earl Jones co-starred in what is arguably one of the greatest movies ever made, and what is arguably one of the worst movies ever made. “Exorcist II: The Heretic” is a fine example of what could have happened if the original “The Exorcist” ended as an ill-conceived pseudo-spiritual mess. A bad idea from beginning to end, it’s one of the iconic bad sequels that is famously recollected by its producers as the movie that literally got them chased out of a theater by angry movie goers. Four years after being victimized by a demon, Regan MacNeil has somehow managed to put her life back together and live some semblance of normality. Sadly after the demonic possession, everyone’s life was just about ruined, and Regan’s life remained basically the same, as her mother Chris is frequently out of town. Does a girl have to get possessed again to get your attention, Chris?
Tag Archives: Drama
The Exorcist (1973)
William Friedkin’s treatment of William Peter Blatty’s groundbreaking novel thankfully translated in to a groundbreaking horror film that continues to be the standard for the dismal “possession” movie sub-genre. Friedkin’s take on Blatty’s novel is a masterstroke of horror and dramatic cinema, and is easily one of the most intelligent horror films ever made. Ellen Burstyn plays Chris MacNeil a woman still reeling from a bitter divorce who is tasked with a heavy work schedule filming a movie and attending to her young daughter Regan. Linda Blair is brilliant as Regan, a young girl longing for attention, especially from her estranged father, and begins to make contact with an imaginary friend through a Ouija board she called “Captain Howdy.”
The David Dance (2016)
A gay local radio host, David, questions his life as he fights another radio host, tries to find love, and he’s asked to be a father figure by his sister who is adopting internationally. His life is explored through his relationships with his sister, her ghost, and his boyfriend. The David Dance is written by its star Don Scimé and directed by Aprill Winney who has directed three other features and some television. Together, they build a personal and touching family drama. It touches many family and gay issues through the lead, his sister, and his boyfriend.
We Go On (2016) [Philadelphia Unnamed Film Festival 2016]
Miles Grissom wants to know what comes after death to help ease his crippling fear of it and other phobias. With the help of his mother, her go through tons of submissions to his ad in the newspaper offering $30,000 to whoever can prove to him that there is something after death. Written and directed by the team of Andy Mitton and Jesse Holland, they create a simple premise, fear of death, and work it into an appealing story with a lead character that is representative of many people with crippling fears or even anxiety. This character feels like a person some of the viewers might know, having issues and trying to overcome them. His mother is a by nagging and overbearing but she does feel like many people’s moms. She wants what is best for him and will stop at almost nothing to make sure he is not swindled in his search for the truth.
Carrie (1976): 40th Anniversary Collector’s Edition [Blu-Ray]
With the opening of “Carrie,” we see a brutal horror unfold with main character the titular Carrie White taking a shower during gym class and discovering the horror of her first period. She’s a girl who’s never really been given an explanation on anatomy or biology thanks to her religiously fanatical mother, and is terrified. Sadly the predators in her class that revel in bullying Carrie torment her by throwing tampons and towels at her as she screams. While the scene itself is jarring and the epitome of the cruelty Carrie inexplicably receives, it’s also the implication that ultimate evil has been realized. Though it’s mostly hinted at by Carrie’s mother, Carrie, despite being a good person at heart, is also pure evil personified.
Mother’s Day (2016)
I’ll admit I wish I’d known more about filmmaker Nico Raineau sooner, as he’s managed to deliver some really interesting short films lately. “Mother’s Day” is a complete departure from the bone crunching action drama of “Brix and the Bitch” and it’s a fine drama comedy that I wanted more from. And you know you’re watching a great short film when you could have sat through two hours of the characters barely noticing the time pass. Lauren Schacher (who co-writes with Raineau) plays Mara, a young clubber who awakens in the house of the man she spent the night with one morning.
The Hollow (2016)
In a small town in the Deep South, a young local is killed along with a couple of young tourists. One of these tourists being a congressman’s daughter from out of state, the case is assigned to the F.B.I. who sends agents Vaughn Killinger and Sarah Desoto to investigate. As Killinger battles his demons and Desoto tries to keep things together, a tangled web of connections and secrets is unraveled. Writer/director Miles Doleac builds an effective suspense thriller murder mystery. The characters he creates are complex with no one being good or truly bad. His characters are very human with different flaws of varying gravity, none fully hate-able.