Mighty Joe Young (1998)

It’s really hard to stack up to the original “Mighty Joe Young” which itself was kind of a simpler take on the giant ape tale. While the original remains untouched, it’s really hard not to enjoy the 1998 remake by Disney and director Ron Underwood. While it can occasionally be silly, it’s still a strong new take on the original film with a great cast, great direction and still very good special effects. This new version from director Ron Underwood strays from the original which was kind of a “King Kong” riff, and transforms it more in to a tale of a woman who watches over a humongous ape named Joe. The writers aim to tackle themes about poaching and wildlife preservation within the fun adventure tale, and most times it allows for an engaging tale of friendship and love.

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Channel Zero (2015)

John Nicol’s “Channel Zero” is an unusual but ambitious film that will inspire a lot of avid movie lovers to check out more than once. It’s packed with some heavy ideas and unique themes about reality, and the state of existence, all in the face of what is a pretty vicious prologue and epilogue. Director Nicol has a very striking directorial style that makes “Channel Zero” feel like an absolute nightmare. And though the movie is considerably low budget, director Nicol manages to evoke a world that feels very empty and barren. It’s not very easy to do, especially with independent filmmakers, but director Nicol is able to accomplish that task.

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Detour (2016) [FrightFest Glasgow 2017]

As his mother lays in a coma, possibly brain dead following a car accident for which he holds his stepfather responsible, Harper drunkenly meets and subsequently hires a shady man to take care of things and avenge his mother.  As he questions his decision the film goes into two paths at once, creating a layered story that must be followed until the end to be fully understood.

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Cinema Crazed Covers The 2016 Oscar Contenders

It’s that time of year again, where Hollywood either guides us in to celebrating actual works of cinematic art, or will likely arouse the ire of cineastes for years to come by playing it safe with the obvious crowd pleasers once again. In either case, “Oscar” night 2017 promises to be an interesting and controversial one. With the political landscape, racial landscape, and current crop of movies nominated at this years’ ceremony, a lot of us are hoping the Academy celebrates films that hold a miror to society rather than simply celebrate the safe, and light hearted fare that pass itself at “escapism.” That said, while we are a bit of cynics, we have a good time every year with the pageantry, the fun, and celebration of film.

To remind you of who is nominated this year, we covered a lot of Oscar nominees. If you want to a refresher course of what we thought of a lot of the films up for an award this year, we’ve compiled a list of movies reviewed by the Cinema Crazed contributors. Feel free to voice your own opinions on these films and many others in the comments!

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The Werewolf Reborn! (1998)

It’s another episode of “Filmonsters!” and while I appreciate the inherent idea behind Full Moon composing hour long movies with broadly written monsters that vaguely resembled Universal’s staples, this second movie isn’t good. In fact it’s almost the exact same movie as “Frankenstein Reborn!” To evoke emotions in the vein of RL Stine’s “Goosebumps” the producers make a young girl the star of their story. I think if it took off, every “Filmonsters!” would have had young teenagers who realize something about themselves or their families while fighting monsters. I wonder if there would have been a “Gillman Reborn!” with a young girl realizing she’s from a family of ancient lizard people or something.

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The Red Turtle (La Tortue Rouge) (2016)

This is one of the very few animated productions where Studio Ghibli’s fantastic storytelling is given a hint of European flavor. While “The Red Turtle” is branded a Studio Ghibli production it garners much of the same elements from Ghibli’s library including a wide open world, a menacing series of creatures and the overtones of the symbioses of nature and humanity. It’s best to think of “The Red Turtle” as a fairy tale, as the movie relies on a lot of inexplicability to tell its thin narrative. The narrative being thin is by no means a criticism as “The Red Turtle” is a lot about raw events, and simplicity at its finest.

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