Adrian Murray’s “Withdrawn” is like Gus Van Sant attempted mumblecore but decided to make it even more droning and monotonous. It’s kind of like performance art through and through, all testing our patience for the insanely mundane and minute, while character Aaron goes through his every day life literally doing nothing. About halfway he has some financial scheme planned to keep his rented room but that’s not the important element. It’s all about how tedious the film can get and if we’re willing to wait for our pay off, if it ever comes at all. Aaron fixes a fern. He looks up tutorials on trying to solve a rubiks cube, and even has a five minute telephone discussion where we only hear him talking to and responding to the individual. Yes, I get it.
Tag Archives: Drama
My Father Die (2016)
After the murder of his father and his becoming deaf following a blow to the head, Asher trains himself and prepares for the day he will be able to avenge his brother from that man. When the man is released from jail early, he goes on the path of revenge. Written and directed by Sean Brosnan, this first feature film takes a story of revenge and twists it by keeping it all in the family. The film takes the usual revenge due to a family member’s death and mixes it up with the murderer also being family (not a spoiler, it is part of the official synopsis). The way he builds the story is quite straight forward and his characters are all heavily flawed but somewhat attaching in the case of his lead, Asher, and his friend Nana. All the characters have rough lives in a very poor deep south, but some have goals and are trying to make a better life for themselves, making them more interesting than the others.
Suck it Up (2017) [Slamdance Film Festival 2017]
I’ve always been a fan of movies that examine how deaths can affect the ones we love and how it can create a pretty significant ripple. “Suck It Up” is a bit of “Garden State,” and “Ordinary People” mixed with mumblecore here and there. While I appreciate director Jordan Canning’s efforts to create this drama about how the death of one of the more important people in their lives affected them drastically, the script from Julia Hoff seems to be almost bereft of drama to the point where scenes just stretch out in to nothingness. There are a lot of really drawn out moments where almost nothing happens. In brief scenes where Canning tackles the dynamic between our characters Ronnie and Faye, “Suck It Up” presents only slight glimmers of an emotional character study.
The Neon Demon (2016)
Whether or not you like Nicholas Winding Refn, there’s no doubt that he makes art that gets people talking. Surely, his movies are hit or miss, but they are art that spawn emotions that not many directors can incite. Much like Lynch’s “Mulholland Drive,” Winding Refn’s newest masterpiece is a statement about the ills of fame and how Los Angeles can consume innocence and naiveté. Winding Refn makes a statement about how the modeling industry is literally cut throat, while seemingly drawing inspirations from films like “Suspiria.” The women here are assuredly predators intent on committing a devious scheme that revolves around the idea of vanity and self preservation.
Dirty Dancing (1987)
Returning to the big screen on January 29th and February 1st for a 30th anniversary presentation from Fathom Events and Lionsgate.
“Dirty Dancing” represents a lot of what made eighties cinema so great. There’s the obsession with the sixties, Jennifer Grey, Patrick Swayze, a pretty brilliant soundtrack, and of course a story about the guy from the wrong side of the tracks and the upper class girl above him in certain respects. Sure, “Dirty Dancing” can be silly, but it’s silly in a good way, and it’s bold in its approaching abortion as a key story element that sets the narrative in to motion. “Dirty Dancing” is one of the best movies about the love of dance and music ever made, and while it’s definitely associated with the chick flick label, it’s a movie that just about anyone can enjoy. And how can you not love “(I Had) The Time of My Life”?
I’m Not Ashamed (2016)
“I’m Not Ashamed” is a movie in desperate search of a martyr. Brian Baugh’s “I’m Not Ashamed” takes the true story of Rachel Joy Scott and completely sidesteps facts in favor of a sickeningly exaggerated tale of faith, and persecuted Christians in America. Rachel Joy Scott was the first victim of the Columbine massacre, and drew particular attention for a piece of art she made before the massacre that centered on two tear soaked eyes and their thirteen tears. Allegedly it was prophetic of what occurred in Columbine and represented the thirteen lives lost on that day. “I’m Not Ashamed” works over time to turn Rachel in to a female Jesus Christ who literally sacrificed herself during the Columbine massacre for some kind of holy purpose we will never understand. The writers turn Rachel in to a potential prophet taken down before her prime, and by turning the entire day in to a case of angry atheists taking their anger out on others rather than turning to God.
Ouija: Origin of Evil (2016)
After the dumpster fire that was 2014’s “Ouija,” it’s a most impressive feat to see Mike Flanagan follow it up with a damn good horror film that serves as a prequel. It’s also kind of shocking how Flanagan is able to deliver a truly creepy horror movie that also almost makes the original “Ouija” retroactively better; if just a little. While “Origin of Evil” is not a masterpiece and feels a bit like a pseudo-sequel to “The Conjuring,” director Mike Flanagan is able to do what the original film couldn’t. He involves us in an engrossing and interesting story about loss, death, and grief, and how evil can prey on our desperation to want closure in a world where very few of us can actually get it.