On the Beach (1959)

Posted on July 8, 2016 by Felix Vasquez

“On the Beach” is not so much about the end of the world, as it is about a large group of people who have to come to terms with the fact that they will die very soon. As most of the world has been destroyed by nuclear radiation, survivors have huddled in a small town in Australia far away from the fallout. But they soon learn it’s headed their way thanks to wind currents, and there’s no stopping it. We then view the requiem of mankind, as government officials continue to struggle to find a way to solve the problem, and then face that there’s simply no solution.

From there on, we follow a small group or characters that have managed to find a temporary safe haven from the radiation and rather than submit to panic and terror, they use their last days of sealing old scars, confronting old conflicts, and saying goodbye to the ones they love dear. Among a brilliant cast of performers like Gregory Peck, Ava Gardner, Fred Astaire, Anthony Perkins, Donna Anderson, and more, Kramer visits various ideas about life’s regrets and unfulfilled potential we never reach thanks to death.

Most tragic of the dilemmas involves Peter Holmes who has a beautiful newborn daughter, and knows that she won’t be able to see it through a year. He and his wife Mary are constantly embroiled in the lingering reminder of apparent death, while Mary is in pure denial and is certain all is not lost, especially when a crew journeys into the city in a submarine to answer the Morse code SOS from an apparent survivor. The most interesting element of “On the Beach” is the idea of the inevitability of death, and how one must accept it as a phase of life whether it approaches sooner or later.

“On the Beach” is one of the few thrillers that never attempts to sugar coat what is inescapable, and Stanley Kramer further induces that theme as he features desolate cityscapes of the highly radiated San Diego void of any human life or corpses, as well as droves of people lining up at hospitals to receive their cyanide pills. Even moments of happiness like fishing and romance are blanketed with sheer dread. Director Kramer’s drama is a bleak and heart wrenching tale of the end of the world, and a beautiful masterpiece about humanity’s last days for better and for worse.

Pig Pen (2015)

Posted on July 5, 2016 by Emilie Black

Thirteen year old Rick lives in less than ideal conditions but social services don’t seem all that worried. After things go from bad to worse, he runs away and becomes one of many street kids. When he witnesses a brutal murder, Rick ends up going back home where a gruesome scene awaits him.

Pig Pen is directed by Jason M. Koch who co-wrote it with Mark Leake. The film is unrelentingly dark and creates an oppressive atmosphere that should put viewers in an uncomfortable place. The entire film is built on negativity and what little light or positivity there is gets snuffed very quickly every time. The feeling and atmosphere created are oppressive and depressing. The whole film is very very effective at this. The characters that live in this environment are sad, desperate, or evil. These people are almost all negative people, human beings anyone wouldn’t necessarily want to be around ever. They are damaged souls who do damage onto others.

The dialogue is basic but fits the characters and advances the story without cluttering the film with long conversations or monologues. The people involved are unhappy and living hard lives, so their language and conversations reflect that. The cast here is fairly small, most scenes involving Rick (Pig Pen), his mother Sandy, her boyfriend Wayne, or a combination of them. Rick is played by much older than 13 years old actor Josh Davidson who plays the early teen part very well, especially considering his age (born in 1975 per IMDB), his interpretation is sad and desperate, and making the viewer feel for him. Sandy is played by actress Nicolette le Faye who also gives a sad turn as her character, adding sheer fear which makes the viewer worry for her, her safety, and well-being.

As her boyfriend Wayne is Vito Trigo who brings menace and violence with all his being. His character comes off as flat out nasty and scary as the abusive asshole who makes Rick lose it. He brings out a visceral reaction to his character, enough to make the viewer hate him as he is just evil. The characters all do come off as unhappy people with little to live for. Pig Pen being a very independent film made with the help of an Indie Go Go campaign, the few effects there are have to be expected to be on the inexpensive side but they also look great. The central piece of effect, which will not be spoiled here to keep its surprise as big as can be, is very well done, looking real and painful, hitting a nerve as soon as it’s revealed.

Kaleigh Brown did fantastic work with that scene and the others where her special effects talents were needed. She shows that she can work in little time, with a small budget to deliver big budget shock and horror.Pig Pen is not only an independent film made on a tight budget, it was also made with a small crew with a lot of that crew having worked with Jason M. Koch on his previous film 7^th Day. Having not seen that film, it cannot be compared here. Solely based on Pig Pen however, let’s hope Koch keeps making films as he has a style that works and is a talented story teller. Pig Pen is depressing and dark, a slice of desperation from one kid’s life, almost completely devoid of any light or hope.

It’s very violent in spots, with its violence not all being physical. Thankfully it has some moments to breathe or it would have become too much or completely lost its impact. This is not a feel good film and it should and probably will, make most viewers uncomfortable, a sign of a successful dark film.

The Pack (2015) [Blu-Ray]

Posted on July 5, 2016 by Felix Vasquez

Once again, “The Pack” is another in a long line of modern horror films that feel as if they were once written for the late seventies. Nick Robertson’s horror thriller is a very stripped down and simplistic survival thriller that packs in enough excitement and suspense to compensate for the lack of plot. “The Pack” is a combination of a home invasion thriller, and a nature run amok movie, where a seemingly normal family of four is attacked by a pack of large black wolves that arrive out of the wilderness of the Australian outback one night. The wolves are large and powerful as well as relentless, making the fight for survival absolutely intense.

The Wilson family are going through their troubles, as dad Adam finds out their farm is about to be foreclosed on. This creates familial tension, especially with daughter Sophie who wants to move to the city and be among actual people for once. Suddenly the pack of wild wolves burst from the woods and begin terrorizing the family, causing them to look for a way out of their farm and in to civilization. This proves to be more difficult than they could ever imagine, since they have no radio contact with the outside world, and any efforts from local authorities to rescue them results in the wolves literally tearing apart anyone that enters the threshold. A good amount of “The Pack” is built around the family spread apart and looking for a way to outwit and outmatch the wolves.

Their hunger is insatiable making them vicious and powerful in their pursuit. Robertson films some really tight and intense moments of evasion, as the characters hide in corners and small rooms trying to stay as quiet as possible while they devise a route out of the farm without being mauled. Though the budget obviously keeps us from seeing a full on attack by the wolves every minute, director Robertson works well with the limitations, making the wolves feel almost supernatural at times. Many of the best moments feature our characters making wise moves while the deck is stacked against them with these fierce clever monsters, and I was rooting for this family until the very end.

Though the final scene is a bit goofy for its blatant way of leaving the door open for a follow up, “The Pack” is a very good survival thriller and one I could definitely re-watch. The blu-ray from Scream Factory and IFC Midnight features an eight minute “Making Of” focusing on the dogs in the film, and how they worked with them, along with typical interviews about working with the director. There’s also the original theatrical trailer.

Bulldog (2016)

Posted on June 30, 2016 by Felix Vasquez

Sean is the definition of a self fulfilled prophecy. He’s a young man without a family, without a culture, and without much of an identity whose found that adapting other identities hasn’t worked for him nor has hating other identities, either. He doesn’t really find much to identify with his own culture, and can’t stand the current country he’s in. One especially poignant moment finds Sean being forced to recite the Pledge of Allegiance. This creates significant tension when he begins going to school and is mocked by some classmates for his Asian heritage.

This quickly becomes a point of anger since he can’t really relate to being Asian, thus some avenues are closed due to his race, already. Sean is a young man who has very little ambition and has become the result of the terrible death of his brother, which broke apart his family. Surely, they may not have been perfect before the movie began, but Sean at least had a foundation. Now with his mother committed to gambling, and his father drowning in his own company, Sean is consistently told he’s a punk and thug.

Without anyone to really guide him, and inviting all the wrong elements, Sean is at a point where he has no choice but to submit to his anger and frustration. Benjamin Tran’s drama is a compelling and unique take on the loss of culture and ambition and how lack of identity can cause confusion in someone in a foreign culture with its own ideas about growing up and earning respect. The cast give strong performances all around, including Vin Kridakorn who conveys the sense of confusion and frustration with his character well. “Bulldog” is a remarkable short drama and one I wouldn’t mind seeing turned in to a feature film someday soon.

The Shallows (2016)

Posted on June 29, 2016 by Felix Vasquez

Jaume Collet-Serra‘s survival thriller feels like a movie that was written in 1980 and just now saw the light of day as a vehicle for Blake Lively. It doesn’t have any of the beaming self importance of “Open Water” or “127 Hours,” which makes it a lot more fun than it has any right to be. Lively is gorgeous and charming as American tourist Nancy Adams, a medical student still reeling from the death of her mother after a long losing battle with cancer. Taking a hiatus from work and all of her responsibilities, she travels to Mexico to relax and surf on the beach. While waiting for some waves, she’s attacked by a massive shark that knocks her off of her board, and leaves her to plunge in to the tide where she cuts her leg open, hobbling any and all efforts to swim back to shore.

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A Home of Our Own (1993) [Blu-Ray]

Posted on June 28, 2016 by Felix Vasquez

Director Tony Bill’s “A Home of Our Own” is one of the more underrated dramas about the pursuit of the American Dream. While the 1993 family drama about poverty in the early twentieth century isn’t perfect, it does a damn fine job of portraying the consistent pit falls of poverty, and often times it’s tough to really charge forward when life is so relentlessly unfair. “A Home of Our Own” strives for inspiration and positivity despite falling occasionally in to painfully depressing material, and is a very good drama that places the brilliant Kathy Bates front and center.

Something of a second hand “Grapes of Wrath,” Bates plays the fierce widowed matriarch of the Lacey clan Frances, who has had enough of living in Los Angeles and slumming it in an apartment building. After getting fired from her factory job for reporting sexual harassment, Frances decides she wants to uproot her family and seek her fortune with her own property in the form of her dream house. The events aren’t as ideal as she pictures, as the narrator Shayne (played as a young man by Edward Furlong) chronicles how tough it was to trek across country and deal with having to become the man of the house. There’s the family squeezing in to a beat up car, sharing a big jug of Kool Aid, and Shayne’s declaration “For breakfast, lunch, and dinner, we ate nothing but egg salad sandwiches.

I never ate one again, and hadn’t since.” Frances, with a quick tongue and using her children as bartering tools, manages to talk her way in to buying a skeleton for a potential house, which she begins to build with her long suffering children. Along the way they befriend land owner Mr. Moon, a tough Asian man who begins slowly taking a shine toward the family, all the while Shayne struggles with poverty, and having to endure being handed responsibility he never asked for. Furlong is very good in the role as Shayne, a young man given major responsibility who has a tough time finding his place in the family. Too often he’s given the tasks of an adult by Frances who then punishes him like a child, and this creates an eventual rift and surefire tension between him and mom Frances.

Once Frances begins meeting a new man and begins dating, the tension is dialed up as Shayne begins to resent her, prompting a family feud. Frances is at once an idealist and a realist, who wants to pursue her idea of the American dream, but has no interest in accepting charity or pity. This results in a lot of interesting sub-plots, including her trip to a church second hand store, as well as a scene where the local reverend attempts to deliver presents to the children during Christmas Eve. While I’m not a huge fan of the pat happy ending, “A Home Of Our Own” is a compelling and entertaining drama about the lower class and trying to achieve the American dream in an unfair world, as well as the power of the bonds of family.

Despite the movie finally being on Blu-Ray, this is a bare bones release with not even the original trailer from the 1993 movie. All there is is a small catalogue from Olive Films.

Warcraft (2016)

Posted on June 23, 2016 by Felix Vasquez

Boy it’s been a bad year for fantasy cinema in America. Time and time again fantasy films have failed for the most part, and “Warcraft” is one of those casualties. I admittedly have no experience with “Warcraft,” but for those unaware, it’s based on a massive multiplayer role playing game that’s become so popular it’s almost a way of life for most people. It’s a game so terrifyingly addictive, that a cousin of mine even pulled me aside once warning me not to play lest I be sucked in. Now that their Orc world has died, the orc shaman Gul’dan has used dark magic to open up a portal to the human realm of Azeroth.

Once a peaceful land ruled by man, the Orc army known as The Horde, now plan to populate the world and rule over it as their new home led by the noble Orc warrior Durotan. Teamed with a female half Orc named Garona, the human army of Azeroth plan to go to war with them, led by fierce warrior Lothar, their King Llane, and two wizards. Events spiral out of control though when Durotan begins rethinking the invasion and their leader Gul’dan, while Garona is torn between her loyalties to the noble humans and her people. While I’m still convinced video games just won’t translate in to a good movie, “Warcraft” is still a very good time and a nice bit of escapism.

It’s a mess narrative wise, and is painfully convoluted, but often times I found myself very entertained and intrigued by the conflict of the Orc breed struggling to fight for a new world against a human race. There’s also the themes of religious corruption embedded within the giant walking statues and graphic war scenes, which probably also helped enhance the experience. I won’t argue “Warcraft” is a masterpiece, since it tries and often fails to reach “Game of Thrones” levels of drama and intrigue. In the attempts to be just as adult in its character dynamic and ideas about xenophobia, and warfare, it becomes tough to follow.

The first half hour has a lot of information to disperse to the general broader audience, and I literally had to sit at attention to hopefully absorb what exposition the writers were trying to relay to people that have never been in to the digital world of Azeroth. Much to my surprise I cared about the characters and conflicts. I wanted to see sword wielding hero Lothar stop the impending Orc invasion, all the while uncovering the rising evil tide of his kingdom’s powerful mage. Director Duncan Jones splits the time of the film between the Orcs and humans and turns Durotan in to a very complex hero with his own ideas about what can be gained by invading Azeroth.

All the while Jones stages some fun battle sequences, including a showdown between Lothar and a murderous general in the climax. While not everyone’s performances are top notch, Travis Fimmel is great as Lothar, while Toby Kebbell does a bang up job with his motion capture performance as Durotan. It’s up in the air at the moment if “Warcraft” will continue in to a second part of its epic tale; I’m not ashamed to admit I had a good time, and should we be granted a follow up, I just may return to see how the humans win back Azeroth.