The Hunger Games: Catching Fire (2013)

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Director Francis Lawrence’s “Catching Fire” is set directly after the events of the first serviceable installment of “The Hunger Games,” and sadly Katniss has not emerged victorious. After her attempt to end her life with Peeta, incapable of fighting to the death, the pair became celebrities. Rather than be wounded by their violation of the rules of the Hunger games, the Capital took advantage of this moment. Katniss and Peeta are now a celebrity couple and the world wide sensation, and the capital has done everything they can to exploit this opportunity. Katniss and Peeta started a revolution when they agreed to a suicide pact, and now they have to once again maintain their image.

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The Borrower Arrietty (Kari-gurashi no Arietti) (2012)

I can understand why Disney loves Studio Ghibli so much. Many of their epic films revolve around death and lack of parental units in the lives of youngsters, and Hayao Miyazaki quite often depicts a world where children are either without a mother and father, or are at risk of losing their mother and father. Like many of Studio Ghibli’s animated works, there’s an entirely vast and amazing world that many never explore unless they’re given that privilege.

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The Hunger Games (2012)

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I guess at the end of the day, you could find worse entertainment than “The Hunger Games.” Most of the concept has been nothing but hype that leads in to narrative that’s entertaining in its own right, but is nowhere near being a masterpiece. I wouldn’t even call it a great movie, when pressed. It’s been touted as violent and disturbing for a PG-13 film, but when the centerpiece of the film involving teens and preteens slaughtering one another at the start of the Hunger Games approaches, it’s all so tame. It’s off-screen blood splatter, and suggestive brutality, all softened by a dizzying shaky cam that renders it impossible to make any of the chaos coherent for the viewer.

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Exhumed (2011)

Director Richard Griffin’s horror thriller about a demented and warped family comprised of people that simply can not leave their home is an often enigmatic, perplexing, but excellent horror film. I often found “Exhumed” to be a brilliant spin on the “Spider Baby” with a Lynchian atmosphere that worked quite often. From the black and white palette, to the intricate play with shadows, “Exhumed” is constricted to one setting, but feels as if we’re in an entirely new and horrific world.

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Ruby and the Dragon (2013)

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While I really like what “Ruby and the Dragon” seems to be setting out to do, I was never quite sure what director Phillip Jordan Brooks was hinting toward with his resolution. This makes “Ruby and the Dragon” a bit foggy in its intent, and what it’s all supposed to mean. “Ruby and the Dragon” is a short film about a young girl named Ruby who lives in a fantasy world. And why wouldn’t she? Her life is just one miserable event after the other.

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The Call (2013)

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Director Brad Anderson’s thriller “The Call” is entertaining and unique only thanks to its ludicrous premise, and abundantly stupid characters. While the first half of the film presents glimmers promise with great tension, and taut atmosphere, it falters mid-way and never comes back from the depths of idiocy. Halle Berry is an experienced 911 operator who is tasked with helping a young girl who is being terrorized by a burglar, breaking in to her house. When the burglar kidnaps her, and the young girl is discovered in a shallow grave days later Jordan is traumatized and leaves her job. She blames herself for the girl’s murder. And for good reason. If you advise a victim to hide under the bed and keep quiet, then the phone is accidentally disconnected, why in the hell would you call them back knowing they’re still hiding and risk giving away their location?

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Man of Steel (2013) [DVD/Blu-Ray]

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While I’m often opposed to re-inventing characters, director Zack Snyder alters the story of Superman, not just for the sake of a new audience, but for dramatic benefit. The origin of Superman present in “Man of Steel” is a compelling and often gut-wrenching tale, followed by a wonderful glimpse at the introduction of Superman to a world in need of a savior. Director Zack Snyder hones much of the awe and grit from “Watchmen” and implants it in to “Man of Steel” where we’re given an exciting and often entertaining new Superman.

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