Even during his days on Second City, John Candy was one of the most restrained and brilliant comedy personalities of his time, a man who had genuine wit and charisma, and garnered laughs by his quick timing alone. Before Chris Farley presented the assumption that in order for a large man to be funny he had to take falls and be the butt of violent physical gags, John Candy had a class to his humor that showed the heavy guy didn’t have to always be the subject of vicious antics and mean spirited humor. Sure, in “Uncle Buck,” Candy does take his hits and falls, but the entire movie is based more around his charm, razor sharp wit, and ability to improvise at the drop of a hat. Not that Chris Farley wasn’t a laugh riot, but heavy men could do more than provide laughs for the more attractive people in the movies.
Tag Archives: Drama
Paranormal Activity 4 (2012)
One of the primary faults behind “Paranormal Activity 4” is that it makes promises it just can’t keep. It swears new scares with the use of the kinect and light beams and doesn’t quite fulfill the potential for the plot device. It introduces a new protagonist, but never fully develops her. And most importantly it explains that it has all led up to this, but there really isn’t a huge development in the storyline. I’m still not sure why what happened happens at all, and what they’re leading in to, but according to Dreamworks, we have two more films left in this series, and more films with a Latin spin off that will likely continue the mythos well in to 2019. If possible.
Paranormal Activity 3 (2011)
In the first “Paranormal Activity,” director Oren Peli seemed to have a one off horror movie in mind, but did allude to a lot of back story during the film. We do know from the first movie that Katie had been suffering from odd hauntings all her life, and had blocked out a lot of her childhood leaving the door open for the mysterious demon to enter in to the lives of she and her husband Micah. “Paranormal Activity 3” ventures even further back and widens the scope of the narrative to explore the deeper mythos behind the series of hauntings that took the lives of Katie and her husband.
This is 40 (2012)
For the majority of Judd Apatow’s film career, there seemed to have been a trend of movies about bromances and guys growing up thanks to gorgeous women in their lives. “This is 40” breaks that trend and seems more intent on two purposes: One it wants to desperately trot out Judd Apatow’s daughters as cute, witty, and irresistible to the point where casting agents will have to bring them on to their next movies, and two: to redeem the utterly despicable character Leslie Mann played in “Knocked Up.” Touted as a “sort of sequel to Knocked Up,” Judd Apatow sets his sights on the life of supporting characters Pete and Debbie to explore what they’re doing now that they’re turning forty and are still rather unlikable people.
On Top (2012)
Whomever cast actress Nikki Estridge for the role of escort Adrianna is a genius. “On Top” is a short film that’s reliant on casting the perfect woman for the role of the insatiable and professional escort who is wholly unapologetic in what they do. Star Nikki Estridge is excellent in her performance as professional freelance escort Adrianna who strives in pleasing her clients and loves what she does.
Our Top Ten Spielberg Films Of All Time
It’s not a secret to many who visit Cinema Crazed, or to many who know us that Steven Spielberg is our favorite film director of all time. The man has managed to re-think the way we look at film and filmmaking, and is one of the few film directors living today who can deliver a good old fashioned story that can inspire and amaze without rotting our teeth with over simplistic and sugary storytelling. Sure, he’s faltered a few times, but even his weakest films are much better than anything most young directors can deliver in cinemas today. Steven Spielberg has managed to stay relevant in an ever growing populace of movie goers with incredibly short attention spans who want flash and explosions over genuine storytelling, and for any director that’s a feat and a half.
He helped invent the blockbuster, helped define franchising, helped engineer the special edition (for better or worse), and he’s carved an amazing career from films that have touched, awed, and invoked conversation about movie goers and film buffs alike. Fanatics, supporters, and often apologists, we’ve followed Spielberg for years as he’s been one of our earliest memories of film going ever. There aren’t many guarantees in life. But the one thing we think life can guarantee is that there will always be a movie to grant me the same awe and wonderment every single time we pop in a film from Steven Spielberg.
Whether it’s a tale about a lone tourist in an airport, or the plight of the Jews in World War II, Spielberg can and always has guaranteed that awe and sheer enthusiasm for film will come with a film from his. And they guarantee to outlive Steven Spielberg even at the age of 66. Spielberg may just be a man biding his time in delivering masterpiece after masterpiece, but his films will have a shelf life of many many decades and introduce young audiences to the awe and charm of filmmaking as Spielberg did for us. We celebrate Steven Spielberg’s 66th birthday with our top ten Spielberg Films of All Time. So far.
Hollow Man/Hollow Man 2/Fortress 2/The Harvest – 4 Movie Collection (DVD)
Any respective movie lovers looking to save money this Christmas with your classic movie packs on DVD or Blu-Ray and are in the mood for science fiction and action films need look no further than Mill Creek Entertainment’s 4 Movie Collection. This 4 movie pack collects four very entertaining science fiction movies for folks who like action, suspense, and violent menaces and this collection has it all. In 2000’s “Hollow Man,” director Paul Verhoeven brings his own unique vision of the Invisible Man to the forefront. Combining state of the art effects and a cast of great actors, “Hollow Man” star Kevin Bacon as Sebastian Cane, a doctor who volunteers to become a guinea pig for a technology that can turn its subjects invisible.
When he and his team accomplish the formula, Sebastian soon becomes power hungry, corrupting his invisibility using it to victimize and control others while his insanity begins to rot away. What starts as an experiment becomes a fight for survival as his crew tries to stop Sebastian who becomes increasingly violent and murderous, and will not stop until he’s whetted his appetite for blood. With some searing tension and solid performances from folks like Elizabeth Shue and Josh Brolin, Verhoeven’s science fiction treatment is surprisingly entertaining if flawed.