In 1988, Empire Pictures sought to create an anthology of films that would act as sequels to their big hits. There was a planned “Trancers 1.5,” a sequel to “The Dungeonmaster,” and the HP Lovecraft short film “The Evil Clergyman.” Re-uniting the legendary Jeffery Combs, and the gorgeous Barbara Crampton, the film was never released, and for many years it was thought to have been lost. After being discovered on a low quality VHS, the print of “The Evil Clergyman” was restored as best as possible by Full Moon and given a new opening title and brand new music to accompany a fairly twisted story.
Tag Archives: Drama
I Know What You Did Last Summer (1997)
After watching the incredibly over the top performances in “I Know What You Did Last Summer,” I’m suddenly not so shocked that subsequent this film, the four stars of this slasher never actually amounted to much cinematically. Not to be cruel or anything, but where as most slashers suffer from an abundance of bad acting, this film attempts to sap melodramatic performances from its four stars. That means a lot of shouting, and screaming, and attempted self-aware jabs at the horror genre. Ryan Phillippe in particular sounds like he’s auditioning for drama class as the testosterone laced Barry who runs around screeching at every character for the first fifteen minutes of the film. The incredibly loose almost pointless adaptation of the Lois Duncan novel “I Know What You Did Last Summer” stars a cadre of nineties stars trying their best to mine the gold left behind by Kevin Williamson’s “Scream.”
Stephen King's The Shining (1997)
It’s common knowledge among movie buffs that Stanley Kubrick’s much lauded adaptation of “The Shining” is a film that author Stephen King did not like. At all. He openly expresses his disgust for it and his annoyance at director Kubrick’s insistence on taking the story in his own direction and away from the original novel. So in response to his long publicized criticism of what is arguably a horror classic, director Mick Garris obliged with a two part television mini-series that painted “The Shining” as we saw in the novel. Sadly, while it is very entertaining as a novelty horror film it lacks the oompf and visceral atmosphere of the Kubrick classic.
The Shining (1980)
That’s Hollywood for you. They love you. They love your book. They buy your book. They adapt it in to a big budget feature, and in the end only really bring bits and pieces of your story to the big screen for audiences to see. In this instance it’s “The Shining,” an acclaimed horror film adapted by director Stanley Kubrick that author Stephen King has always hated. But then King is only one in almost a hundred authors whom absolutely detested the big screen versions of their novels. Director Kubrick’s idea of planning a film that respected the source material of King’s novel but not completely following the story is a bit of Hollywood rogue filmmaking that ended up angering King but simultaneously created one of the most beloved horror movies of all time.
The Strange Thing About the Johnsons (2011)
As a film lover and someone who loves to keep his ear to the ground to hear about films that people are talking about, I found “The Strange Thing about the Johnsons” to be a film everyone was buzzing about since 2011. Premiering at Slamdance, director Ari Aster’s short film has made waves across the board amassing a following of film lovers. The aspect about Ari Aster’s short film is that it’s built a foundation of movie lovers that have seen the film and either love it or absolutely despise it. Checking the buzz on the net, I’ve seen so many viewers who detest it from head to toe and just bash it endlessly, while others appreciate and adore its guts. One commenter of the film claims this is a part of the Jewish agenda to tarnish the African American image.
Roseanne: The Complete Fifth Season (DVD)
With the rising star status of Roseanne from acclaimed female comedian to basic household name, Roseanne completely changed in season five from a light hearted show about a poor family trying to get by, to a darker but still very funny series revolving around family dysfunction, the pain family can inflict on us, and the struggles of women more than anything. Men became more evil and oafish as the series continued in to season five, and the lovable but hard working Dan Conner turned in to the lovable and somewhat moronic Dan Conner who still had good intentions. The shift is gradual but noticeable. And most of the season’s storylines revolve around the pain men can inflict, and how weak women can be around men they love.
Titanic (1997)
It’s not a surprise why “Titanic” ended up becoming one of the highest grossing movies of all time and was later de-throned by “Avatar” by the very same director that brought us the aforementioned movie. Both films are so utterly broadly written and vague in their mass appeal that they’re pretty much guaranteed to be massive hits. With his hand on the button of the latest special effects, and a script that can be as ho hum and derivative as possible without a single complaint from his audience, “Titanic” is one of the two major blockbusters from director James Cameron. And like his future massive hit “Avatar,” it is an immense crowd pleaser because it doesn’t challenge or push its audience to think. It merely offers up vague characters, hackneyed archetypes, and a bang up special effects presentation that is still the small highlight in a giant disappointment.

