Tag Archives: Drama

Amy's In the Attic (2010)

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Never prone to just staying in one comfort zone, director Matthew Saliba invokes the likes of Tinto Brass and Jess Franco in what is one of the more disturbing and despicable pieces of grindhouse fare I’ve ever seen, a short cinematic offering from director Matthew Saliba a man who has dabbled in the realms of torture, misogyny, and revenge before, but with “Amy’s in the Attic” he takes it to a new extreme dabbling in the shadows of fetish, swinging and slavery with a practice in human cruelty as juxtaposed with sexuality that leads down a path that will really affect his viewers and loyal fan base. Even I found myself cringing in some instances, especially in a big reveal during the big sex game that ensues with this group of swingers.

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Centurion (2010)

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08a04afb4d0d53326c091421a39Strong female characters in a Neil Marshall film are never in short supply, and with “Centurion” even thought it’s primarily a testosterone laden gladiator film of the highest order, Marshall stamps his trademark style on to it with sheer grit, a noticeable blue hue that makes even the gladiator action feel steeped in grindhouse, and of course he offers up a small array of female warriors in a world where men dominate and do battle in the woods. Marshall is up to the challenge to give his fans a rare entertaining gladiator film that’s not only very traditional in the way of “Spartacus” but features some of the most gruesome action sequences and dazzling performances in years.

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Watchmen: Director's Cut (DVD)

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XnYzBCWI’m honestly not sure why I’ve taken so long to sit down and watch “Watchmen” subsequent its lackluster theatrical release. I enjoyed the comic books for what they were as well as their fantastic literary class epilogues, I loved the characters (including Nite Owl and Rorschach), I enjoy Alan Moore as the eccentric mad genius that he is, and yet… I still never quite saw “Watchmen,” even with the “Director’s Cut” sitting on my pile. The Alan Moore groundbreaking graphic novel has been deemed completely unfilmable for decades after its release. But that didn’t stop Warner bros. from trying their damndest by bringing aboard acclaimed visualist director Zack Snyder to unfold the world of Rorschach and Night shade for the fan boys in full color and motion.

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Ramona and Beezus (2010)

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ramona-heroIt’s very rare that modern family films leave me feeling overwhelmed with emotions, but oddly enough this adaptation of the Walden media book managed to accomplish that very task by being a sweet family dramedy that doesn’t talk down to its audience. Sure, it’s whimsical and goofy and occasionally wholesome, but deep down there is a strong undercurrent of sadness and grief present among every character, all of whom are facing change in their lives that may decide who they become in the next few years and beyond. “Ramona and Beezus” is a remarkable dramedy about a small girl named Ramona Quimby a child large heart and an even larger imagination who uses her creativity and individuality to not only disconnect her from her world but cope with the massive and potentially traumatizing life altering changes happening around her.

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Diary of a Wimpy Kid (2010)

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wimpykid-posterWhen all is said and done, you really won’t miss much with “Diary of the Wimpy Kid.” It’s all a fairly forgettable and polarizing comedy that’s strictly targeted to the preteen boys of the audience, all of whom are convinced this is how middle school is and will be like. Unless you’re an absolutely die hard fan of Chloe Moretz or Steve Zahn, you really should not rush to see “Diary of a Wimpy Kid” in spite of the fact that it’s not at all the excruciating experience the trailers would have you believe. There is really some interesting bits and storytelling to be had here with some honest explorations in to these young characters.

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Winter's Bone (2010)

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936full-winter's-bone-posteRee Dolly is smart enough to know not to have sex at her young age and have a child. She is in a world of poverty and goes to school with friends who are barely out of puberty and strapped down with a baby. The tragedy though is with her mother being basically an invalid incapable of caring for herself, Ree is forced to be a mother anyway for her baby brother and sister, both of whom can barely cook let alone fend for themselves. It’s a horrible sick irony that plagues the life of Ree, the oldest of three children who is basically the mother, daughter, and guardian of her household, forced to live day by day and is often so desperate she has to rely on the neighbors to feed her family and give them electricity, but is too proud to ask for a hand out.

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Aiming at Nikita

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So far this is the third variation of the Luc Besson spy thriller masterpiece “La Femme Nikita,” and the more variations we see of it, the more the actual point of the premise is loss. We had “Point of No Return” a remake with Bridget Fonda I think I’d rather forget if only for being a piss poor adaptation of Besson’s film and for becoming a relatively obscure nineties fixture that put some nails in to Fonda’s career coffin. Then there was the basic cable spy thriller starring Peta Wilson that I really never bothered to watch mainly because it felt like a version of “Mission: Impossible,” and now there’s “Nikita.”

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