
This 1985 drama thriller is a gem, and one of my favorite guilty pleasures of all time. In spite of one of the cheesiest one liners in movie history: “Fair’s fair!” and having one of the coolest if goofiest theme songs of all time, somehow “Billie Jean” remains one of my favorite eighties gems. Back before I ever heard of cable television, I’d watch this four times a week on WPIX Television here in the Bronx and my what a classic we thought it was. And it still is, at least to me and a few other people out there. Billie Jean is just like every other girl her age, a wide eyed optimistic beauty whose only desire is to be left alone to have fun with her brother Binx during the summer.

Thank goodness for the writer’s strike, because let’s be honest here: Were it not for 80 percent of the series on primetime television going off the air thanks to a bunch of out of work writers, “The Sarah Connor Chronicles” wouldn’t have stood a chance in the ratings. I mean, come on, let’s look at the ingredients: It’s a serialized version of two very popular movies, the third of which has been lambasted by fans worldwide. It stars a barely memorable actor from “Heroes” as young John Connor, a cult actress from a cancelled television series as a cyborg sent to protect him, and an ad campaign that revolves around Lena Headey, a woman who is only popular with fan boys. Not to mention “The Sarah Connor Chronicles” completely forgets the horrific third installment of “The Terminator” series while also leaving a trail of continuity problems and plot holes in its wake.

