April Fool's Day (2008)

It’s all a practical joke in the end. What? You’re mad that I ruined the twist? Too bad. Now let’s cut the crap here, I’m not going to pretend “April Fool’s Day” was a masterpiece of eighties horror cinema, because it wasn’t. It was boring, bland, and had a climax that was as predictable as it could get. It’s called “April Fool’s Day,” the surprise twist is given off the bat. So when news came that it was being remade, I had a general series of reactions. Anger that they’d be remaking another movie, disappointment that they couldn’t improve on the original, and sheer frustration that it had been geared to the “My Super Sweet 16” audiences now focusing on a group of rich kids. Now as much as I love to see Buffy and Muffy heiress get an axe in the head, this new set up is annoying because it’s pointless. “April Fool’s Day” is a blip on the remake radar and for good reason. It’s a low budget redo by terrible directors, and yes, we’re setting down on some rich folkels.

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I Am Legend (2007) (DVD)

Francis Lawrence has an incredible eye for details and visuals in all the movies I’ve seen from him. Even his worst movies have some of the best surreal stark visuals I’ve ever seen, and the man knows how to implement CGI to enhance his films instead of rely on them to provide entertainment. I just wish the man made better movies. What’s it going to take for this man to bring us something spectacular? As for “I Am Legend” it’s wholly unspectacular, but without a doubt one of my favorite guilty pleasures of 2007.

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August (2007)

augustThough depressing and frustratingly bleak, Jay Gammill’s “August” is an accurate portrayal of teen insecurity and a look at how some of us may never be happy with what we are and how we look. August is a boy plagued with low self-esteem and depression based around constant teasing by vicious bullies who torment him about a small imperfection in his jaw line. Though to many they’ll sit wondering why he’s putting so much emphasis on this small unnoticeable feature, Gammill points out how this small perfection means the world to him and decides how he lives his life.

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Against the Wind (2007)

We’re all going to get old and die, and some of us may not even see old age. But for those of us who sit up at nights wondering what being elderly will entail and how coming to terms with old age would be like, Dan Masucci confronts the topic quite well with “Against the Wind,” a dramatic short about an old man looking back at his life. “Against the Wind” was especially gripping for me, as Masucci manages to touch on actual fears people in my position have had.

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I Fucking Hate You (2008)

ifuckinghateyou01-450x299Forsman and writers Kerr and Woods manage to not only add an implication of relationship discord, but also allude to many potential themes in the nine minute relationship dramedy that spotlights a recently split couple who are learning to cope without each other. Though they never really explain, it’s clear from the get go that these two have been through so much with one another and the cause of their inevitable split was both bitter and wrenching. Woods is rather superb as the inept Ron who just can’t seem to explain how much he still loves his ex Carol, who has moved on with her life and is in the middle of a much more fulfilling relationship.

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Vanished Acres (2006)

vanishedacresThere isn’t much you can do with the fantasy genre anymore, especially with the short film format, but lo and behold, director Adam Bolt finds a way by making his fantasy characters much less cutesy padding, but much more incredible symbols of unrequited love, unspoken misery, and demons of the past that simply won’t stay dead. Bolt’s direction is morbid enough to where even the most light hearted moments are filled with dread and spooky plot elements that always keeps “Vanished Acres” on the border of horror.

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The Obscure Brother (2007)

You have to appreciate the interesting new twist added on the tale of one of the more famous biblical figures of all time; Di Franco definitely has the right idea with this movie adding an entirely new perspective that not only made the final act of one character understandable, but also added some hint of dimensions behind his motivation in the grand scheme of the final events. The filming is beautiful with some gorgeous landscapes and wonderful set pieces. Di Franco definitely has an eye for breathtaking scenery and gives the film a flair it needs.

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