Much like films such as “Havoc,” and “Dreamland,” the teen thriller “Alpha Dog” is about as realistic a representation of the modern teen as Hollywood would like you to believe. The only saving grace is the fact that it’s based on a true story, which helped fuel my strong interest, along with the lovely Amanda Seyfried starring. “Alpha Dog” is a display of the best of the best young talents that Hollywood has to offer with an ensemble hearkening back to the likes of “The Outsiders” on many occasions. People like Ben Foster to Emile Hirsch pull in very good performances, with even Justin Timberlake pulling in a stand out as Frankie, a friend of Johnny Truelove’s who is given the duty of watching young Zack, and inevitably gains a sense of fondness for him. Timberlake is unlike anything I’ve ever seen here, and he’s both sympathetic and utterly memorable as a character that begins as a mere supporting player and ends up a key figure in the progression of crime drama.
Tag Archives: Drama
Alabaster (2007)
One of the aspects of Brandon McCormick’s “Alabaster” that I enjoyed was his unflinching willingness to completely hit the ground running in a world of surreal characters. Like many other existential dramas, “Alabaster” is a film comprised of many elements, all of which are leading somewhere. I won’t give anything away for you, but immediately, I could sense that “Alabaster” and its variety of odd characters and symbols was inevitably going to come together to say something. And quite honestly, I was riveted.
Renaissance (2006) (DVD)
Almost simultaneously released alongside Richard Linklater’s equally high concept animated film “A Scanner Darkly,” Volckman’s “Renaissance” is a little bit of George Orwell and Phillip K. Dick with the same neo-noir atmosphere of Frank Miller with a Dystopian twist, and it composes itself as an equally high concept animated science fiction installment that focuses on a society that’s not too much in the distant future from ours. The world is ruled by vanity and the search for eternal youth, and this is all spearheaded by an ominous corporation called Avalon that markets on society’s youth obsession and rules over all of society. Ads pop up from thin air, follow pedestrians, and always seem much more omnipresent than they should.
Friday the 13th: Mother's Day (2007)
I’ve seen plenty of fan films in my time. Comic book fan films, Star Wars fan films, and yes even fan films from other movies. Usually they’re made by utterly ambitious fan boys, with a sleek production quality, and yet only really range a running time of 10-45 minutes, with the work done before the bag gets old. “Friday the 13th: Mother’s Day” is probably one of the most ambitious fan films I’ve ever seen—the jury is still out. Not only does it pay homage to my favorite horror franchise of the genre, but it’s based on a teen novel, and runs for about ninety minutes. Suffice it to say, I was shocked when I took a glimpse at the running time for this movie. Ninety minutes? Were they kidding us? No, they were not.
Yo-Yo Girl Cop (Sukeban Deka: Kôdo nêmu = Asamiya Saki) (2006)
I’ll plead ignorance in claiming that I don’t know if “Yo Yo Girl Cop” was either an anime or manga (the latter, actually), because after reading the description of the back of the movie case, this apparently is a revamping of a prior mythos where the former Yo Yo Girl Cop’s daughter is now taking the role of crime fighter. It’s a movie filled with girl cops who fight crime not with guns, clubs, or sticks, but with metal yo yo’s that smack the crap out of assailants; I mean how could I not have risked buying it without viewing it?
Wanda, the Wicked Warden (1977)
Gone is David Edmonds, gone is the original storyline, and in remains the shameless exploitation. Also, there’s Dyanne Thorne. How could you possibly dislike her? You can’t. Ilsa, who yet again hasn’t aged a day, nor does she resemble corpse, is now a brunette warden for a cruel prison. Hey, I don’t ask questions, I just go where the boobies are. This prison is being touted as a clinic, yet it is being operated as a concentration camp treating “disorders” such as lesbianism, nymphomania or prostitution.
Ilsa, Harem Keeper of the Oil Sheiks (1976)
Ilsa is back. How and why? Who the hell knows, but she is, and she is now working for sheiks in the desert, and taking great pleasure in doing so. And she also hasn’t aged a bit since World War II. The delicious Dyanne Thorne also returns to the role she perfect in the former “She-Wolf of the SS,” and the dubious reclaiming of the character is entertaining. Ilsa now works for Arab sheiks overseeing their affairs in weapons and also, there’s the torture. What would an Ilsa movie be without the torture? One of the most ridiculous aspects of this sequel is that Ilsa is here, hasn’t aged a bit, and is untouched. This isn’t a different actress in a questionable sequel, and Ilsa is here in all her glory. Why is this so irritating?