I admittedly had little to no faith for the prospects of an “Evil Dead” remake. As many horror fans like myself originally perceived it to be nothing but a cash grab, I expected really nothing but a faint half assed reconditioning much like Platinum Dunes is want to do. Thankfully the 2013 version of “Evil Dead” is not only an excellent horror film, but a rather brilliant character study to boot. It works as a remake, a sequel, and a companion piece. However fans want to think of it, the movie works in that function, thus resolving any aggravation hardcore Sam Raimi buffs will have toward this new version.
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Enter the Dragon (1973)
Bruce Lee is a legend beyond the mere definition of legend, and likely his most accessible and easily found film is “Enter the Dragon.” That’s pretty much because Lee stars in a film that garners the most mainstream premise along with some truly iconic imagery that’s never been matched. Even in spite of battling Chuck Norris in one of his films. “Enter the Dragon” is an easily found film that’s on constant rotation in American television mainly because it’s a truly entertaining film that can appeal to almost anyone. It’s a crime thriller, a martial arts film, a romance picture, and a revenge film all tied in to one.
Eden Lake (2008)
Director James Watkins survival thriller is one part mediocre social commentary, two parts solid thriller, and one part moronic drama. “Eden Lake” seems to want to be it all, offering characters that simply can’t let their confrontation with rowdy teens go, all the while hinting at the complexities of dysfunctional violent home and how they breed violence within their confines. But much of that is destroyed when Watkins seeks to turn his juvenile villains in to scowling black and white monsters motivated on violence and violence only. There aren’t any shades of grey to them until the very end, and by then the movie has become so ludicrous it’s hard to soak in the thoughts on the vicious cycle of violence.
Evil Dead 2: Dead By Dawn (1987)
The sequel to “The Evil Dead” is once again what happens when Sam Raimi has little and can do so much with it. As director, Raimi finds new ways to enthrall the viewer and add a new appendage to the “Evil Dead” series without ruining the former film. “Dead by Dawn” acts as a sequel and a pseudo-remake, that recaps the original film in a brevity, and then proceeds to follow along with the journey of Ash Williams. Becoming the accidental hero in many ways, Ash is a man tasked with fighting the demonic beings of the necronomicon, not because he chooses to, but because he simply can’t escape their grasp.
Exit Humanity (2011)
I wanted to love “Exit Humanity,” but in the end I feel like there were just too many ideas for one film. “Exit Humanity” attempts to take a simply a period piece zombie movie and turn it in to a high concept art house film. So there’s narration (by the great Brian Cox), there’s an alleged journal chronicling the rise of the dead, there are animated wipes that progress to the next scene, there are animated sequences where our hero fights the walking dead, and there are an endless stream of flashbacks and nightmare sequences allegedly symbolizing the carnage of the situation at hand.
The Earth Rejects Him (2011)
Director Jared Skolnick’s “The Earth Rejects Him” is one of the most surreal horror films I’ve seen in a very long time. It’s not often I can watch a movie with a baffled expression and still recommend it as a great film. Not many indie directors know how to direct child actors, and director Skolnick brings out the best in his young cast. Ellis Gage gives a very memorable performance as this young boy who finds himself in an extraordinary predicament and has no idea how to handle it without becoming homicidal.
The Expendables 2 (2012)
Oh no! A woman! She has no testicles! She’s going to PMS all over us! What a wacky new dynamic in the Expendables! What’s up for part three? A dog? Kids? I wish “The Expendables 2” was a great follow up to the fun original film, but sadly it isn’t. It has this idea that including a woman in the group will somehow stir things and create tension, but it feels hackneyed and ancient. Plus, with a female version of “The Expendables” waiting in the wings, this plot device feels forced and trite. It also sadly feels like a way to derail a lot of the homoerotic tension between Jason Statham and Sly Stallone’s characters, and that’s a shame. Their bromance makes for some good dialogue and interplay, and to wedge a woman in between them feels like over compensation of the worst form.