Cat People (1942)

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Director Jacques Tourneur’s horror thriller is probably one of the most unique and menacing thrillers about a woman’s inherent ferocity and rage ever made. “Cat People” is filled to the brim with metaphor and symbolism, from the parallels of Simone Simon’s character Irena’s to a black panther stuck in a cage, right down to a kitten confined in a small paper box by Irena’s husband to be Oliver. After surprising her with the pet as a gift, the cat discovers that it hates Irena, and she it. More suitably though, the two aren’t kindly to being tied down and given to domestic masters.

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Cat People (1982): Collector’s Edition [Blu-Ray]

When Val Lewton and Jacques Tourneaur conceived “Cat People,” the budget was low for anything truly spectacular, thus allowing them to get creative. Director Paul Schrader definitely has a larger budget and wider scope to deal with, resulting in a fairly forgettable remake. If you can call it a remake, mind you. All the mythology is lost in favor of a hyper sexual retelling that keeps the cat people and removes everything else. “Cat People” definitely fits the nostalgia bill for people who find Nastassja Kinski especially sexy, as Schrader soaks the film in a palette of neon colors and bold bright pastels while Giorgio Moroder’s score blares non-stop.

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Harvey (1950)

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“Harvey” is another one of those non-conformists dramedies that asks what the harms is in being a little different. In a time where normality and conservative thinking were a standard, and psychology was still a new aspect of society, “Harvey” is yet another wonderful tale about a unique individual who changes the lives of everyone around him. That’s all thanks to the small ounce of magic he brings to people that have convinced themselves they’re normal, but really aren’t. While “Harvey” fancies itself as a dramedy, it’s first and foremost a light hearted romp through fantasy and imagination, and will often inspire raucous laughter from viewers.

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Nightbreed (1990): The Director’s Cut [Blu-ray/DVD]

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Thanks to the advent of home entertainment and a wonderful company like Scream Factory, director Clive Barker is finally able to realize his original vision for the cult horror film “Nightbreed.” While the film itself has gained momentum and respect over the years as a dark and morbid tale of monsters from the underworld facing human cruelty, Barker’s experience making the movie was a bitter one he often recollected with anger and sadness. With his Director’s Cut, he’s not only able to salvage old footage that he was forced to edit out of his narrative, but he re-structures “Nightbreed” in to practically an entirely new movie. One that’s better than the original cut.

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Oblivion (1994)

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The Full Moon space western “Oblivion” certainly is one of the most creative films to come out of Charles Band’s imprint. Surely, it can be silly and hard to follow, but it works well as a space western, and a western without the science fiction conventions. I was surprised this even had any monsters or aliens, as “Oblivion” works as a typical Western. Sans the giant man eating scorpions, of course. I digress. “Oblivion” is written by comics scribe Peter David and is admirably ambitious considering its obviously low budget.

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Will Vinton’s A Claymation Christmas Celebration (1987)

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I have very fond memories of watching Will Vinton’s “Claymation Christmas” on CBS back when it premiered in the late eighties. At the time Vinton’s “California Raisins” mascots were still prominent in America, and I fondly recall my cousins owning some of the toys from the brand. Though the characters themselves were lukewarm mascots, I still loved Vinton’s “Claymation Christmas.”

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Rudolph, the Red-Nosed Reindeer (1964)

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It’s really tough to find anyone these days capable of turning a novelty song in to a great film. Not that there’s a need for it, mind you. But still, back in the days Rankin Bass took some great Christmas music and turned them in to classic movies that are still watched today. The last movie we had was “Grandma Got Run Over By a Reindeer.” And somehow a beloved matriarch being trampled to death by an animal doesn’t inspire the jollies in me.

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