Angus, Thongs, and Perfect Snogging (2008)

atpsIt’s quite baffling that the latest from director Gurinder Chadha would get a direct to DVD treatment here in the states considering a few of her last movies experienced considerable theatrical releases, most notably “Bride & Prejudice” and the sleeper hit “Bend it Like Beckham.” What with the hit books and the appealing young cast, this movie could have cleaned up in a wide release, but sadly it’s just reduced to becoming another shelf hugger in a video store. Which is a shame because like much of Chadha’s films, “Angus, Thongs, and Perfect Snogging” is a perfectly serviceable and quite entertaining bit of escapism centered around teen romance and sexual awakening.

Chadha has definitely appealed to the female audience for years, but “Angus, Thongs…” is probably the movie that may only appeal to the female persuasion. It’s almost exclusively about women whom are experiencing a new form of love in the wake of separation or heartbreak and I was almost not interested in the premise because the movie is pretty much alienating to anyone who doesn’t possess a bust. Much of Chadha’s film is sold by the charm and unusual beauty of Georgia Bloome who plays Georgia Nicholson, a girl in search for something more than crushes. While on the hunt for her first kiss, two young boys move in to her neighborhood and she soon sets her sights on the younger of the two Robbie.

Most of the film is centered around Georgia’s attempts to not only secure a place with Robbie in the face of his relationship with the school bully, but to find a way to improve herself in the process. These attempts are often disastrous with the proper amount of teenage awkwardness and realism that make us feel quite sympathetic for her even when she’s being completely selfish. There’s something about Chadha’s film that manages to overcome the cheese and hokey elements. Obviously it’s a teenage girl’s fantasy what with the desire for perfect friends, perfect parents, and a perfect boyfriend, but it never cuts our female protagonist any slack even when she’s being cute. While Georgia is pleasing on the eyes, she also has a lot of individuality to her to ensure she’s an imperfect heroine who may never achieve her goals of perfection because she’s too self-centered to realize she’s pretty much already perfect in the eyes of others.

The second half of the film is devoted to her eventually coming around to realizing that, and she suffers the brunt of punishment from her peers when she sinks to some cruel lows to get her man. It’s true this movie will mainly appeal to girls, but Chadha’s talents are too apparent to just write off. She directs the movie with a subtlety that makes it feel more heartfelt rather than fluffy; pair that with a rather engaging story and there’s an instant formula for a pretty successful romance comedy that is a certified winner for the female director. I’m pretty bias of course since my obsessions with the British culture knows no limitations, but “Angus, Thongs, and Perfect Snogging” is a wonderful bit of escapism that will assuredly win over any crowd because of its realistic and relatable cast of characters, which Chadha seems to excel at spotlighting.

Whether it’s the source material or just the adaptation from Chadha and Berges, the climax to “Angus, Thongs…” is much too safe to warrant taking it seriously. While most of the film is a certified fantasy, the climax would have truly brought the story down to reality with some heartbreak and realism. Sadly, the writers instead opt for a pat happy ending that doesn’t just end on a happy note, but a giddy note where everything is almost perfect thus contradicting the original moral of the story. It’s tough to take anything here at face value when Chadha and co. are utterly unwilling to take a chance with an ending that would have been more grounded instead of just seeking to keep the audience happy.

I was mainly pleased throughout the film until the final fifteen minutes which I just couldn’t quite swallow. In spite of the clunky finale, “Angus, Thongs, and Perfect Snogging” is a perfectly entertaining chick flick with strong performances and Gurinder Chadha’s trademark appeal to female sensibilities. While the men in the audience may not find much to look for, their mates will pretty much love it.

Inglourious Basterds (2009)

inglourious_basterds_ver9Tarantino is often touted as a filmic sensation, a director who understands film and the art of storytelling and despite the backlash he gets from some, the man simply knows how to tell a damn story. In a world where blockbusters and animated films shake us down for cash in exchange for a movie that only acts as an amusement park ride (experienced now, easily forgotten later), Tarantino opts instead to give us bang for our buck with films that surpass their genres and provide us with the old fashioned art of storytelling. With his flair for dialogue and his mastery of the film camera, Tarantino is always performing at his best regardless of his film’s quality (erm–“Death Proof”) and “Inglourious Basterds” is one of his best works yet.

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District 9 (2009)

imwv5wLEtjjKq5nWg9+o5Jpg==“District 9” has a definitely unique take on the alien invasion sub-genre that switches the tables on the old dichotomy between humans and aliens and it does it so well and in such a unique method that it is in a constant struggle searching for a protagonist to spotlight. But as most political situations involving illegal immigration and government, we rarely have someone we can root for or find empathy for. “District 9” is that skewering of illegal immigration and lower class struggles that makes it definitely one of the best films of 2009 and without a doubt one of the best science fiction films ever made. Blomkamp and company take the premise and fit it in to the sub genres of found footage films and alien invasions and rarely ever misses a beat between the changes in gear.

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Let the Right One In (Låt den rätte komma in) (2008)

There really isn’t much of anything directors can do with the vampire sub-genre anymore and that’s been a given for horror geeks for a long time. I’m repellent to any and all vampire fang films that come to the forefront and I’ve made it a rule to carefully dissect most fang films after constant turkeys passed my way. Thankfully “Let the Right One In” isn’t your average vampire movie. And while it’s trite to make such a declaration the truth remains: “Let the Right One In” is a different vampire film and one I loved with every aching horror geek bone inside me.

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NinjaTown: Adventures of the Wee Ninja Volume 1

ninjatown“Ninjatown” is almost exactly like Mr. Men, except that the Mr. Men here are all ninjas, and their enemies are Zombie Ninjas and Wee Devil’s, hand shape monsters who invent devious schemes like destroying the Ninjatown with giant Waffles. Si, giant waffles! “Ninjatown” has no dialogue, no story, no arc, and almost no mythos, and I was able to read the entire 46 pages (or volume 1, as it were) in fifteen minutes.

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CJ7 (2008)

CJ7 (2008)I’d like to tell you that “CJ7” is Stephen Chow’s answer to “E.T.” but as we all have come to know, Chow would never be about providing ordinary kids entertainment that we’ve seen before. “CJ7” may have the same formula when you get down to it, but Chow gives his own spin on it and it works. It’s a healthy dose of menace, adult edge, and over the top fantasy that has become a dead art in family films and director Chow takes every chance to flex those elements with his own take on the boy meets alien tale. On the flipside, Chow also tries to tell a genuinely emotional tale about a poor down on their luck and father and son struggling to get by living in a junk yard and eating day old food, while character Dickey’s dad always tries to teach him about life and how there are simply no short cuts. Especially when you’re poor.

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Cannibal Ferox (1981)

cannibal-ferox4Watching Ruggero Deodato’s “Cannibal Holocaust” was an experience that I still remember with fondness. I sat with the DVD in hand at my television with a pit in my stomach and prepared to finally view what is considered one of the most controversial and taboo films ever made. And I wasn’t disappointed. Watching “Cannibal Ferox” was a different experience altogether. Maybe it was because the movie is not as good as the aforementioned horror film, or maybe it’s because Umberto Lenzi approaches this horror flick from a sexploitation angle with sensual women ravaged by cannibals instead of the mock documentary style as Deodato’s film.

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