
Though no masterpiece, director Daniel Persitz’ short family film entitled “Alex’s Halloween” is a touching and sweet slice of life about a boy with an over active imagination and his quest to get as much candy as possible on Halloween. Starring the hilarious Jane Lynch of “Glee,” she plays an over protective health obsessed mother who reduces her two sons to eating health food for dinner every night and even saves pumpkin guts for soups. Alex’s older brother Matt who openly expresses annoyance toward his little brother who is prone to dressing in costumes and concocting his very own fantastic fantasies, makes a deal with Alex. He’ll go trick or treating with him only if he can get enough candy to last them through the year to avoid eating their mother’s food.

While “Halloweentown High” really isn’t the most subtle of films with monsters and knights acting as symbolism for civil rights, it does excel in fully realizing the character of Marnie who is no longer a student and now just a matriarch of other students looking to make their way in to the human world. Kimberly J. Brown is as good and charming as ever in the role of heroine Marnie who takes it upon herself to play civil rights leader by insisting some of the monsters from Halloweentown should be allowed to go to human school for the sake of diversity and equality. The catch is by Halloween if she hasn’t made progress, her powers will be stripped away. This allows for a more open forum for new characters, all of whom have their own likable traits and quirks. One if a goblin, another is a werewolf, another a wood nymph, and so on. Marnie plays more of a protector this time watching over the new exchange students, and falling for a new guy named Cody.
While 1998’s “Halloweentown” was a very cute and entertaining little Halloween movie, the sequel “Kalabar’s Revenge” is much darker and slightly more adult in tone and atmosphere this time around. What’s interesting is you can sense the seeds for “The Witches of Waverly Place” within this sequel, and it’s not a far off prospect that what with Kimberly J. Brown getting older with each movie, Disney wanted to pass the wand over with a new franchise about magic and wizards.
Sure, this is a Halloween oriented film that isn’t scary, or creepy, or violent, or even remotely menacing and sure it’s a premise we’ve seen trotted out in “Sabrina The Teenage Witch,” “Twitches,” and “Buffy,” but deep down it’s a true Halloween movie and one you can watch be you a child or an adult looking for a good time, and I manage to come back to it every year because it’s such a fun time to be had for all.
I was born around a time where television was beginning to change. Around the time where I was a kid, television was still all about local programming and whatever movies stations could dig up to fill the time slots, so my brother and I spent many days sitting down to watch horror movies that they just will not show anymore on local television. Many kids today have the internet at their fingers and can access whatever they want, but for people like me and people born much earlier, movies were an event, and one you stopped your day to focus on. Horror hosts died with the changing face of television and what with the censorship and corporate stranglehold of American television, all charm and enthusiasm has been lost in a sea of stale programming meant to sap dollars and not entertain.
In Rob Zombie’s first bastardization of the Halloween franchise, we’re told that Michael is so intent on going home that he’s willing to do anything to get there and is perfectly willing to remain unresponsive to psychological help. We’re also told that he’s completely emotionless and cold to just about everyone. And yet here we are with “Halloween II” where we get to see how cute and affectionate he is with his mother. This is further proof that Zombie just doesn’t know what the hell he’s doing ninety percent of the time. How can we ever expect to see a good movie from this man again if the story he’s telling is inconsistent? Seeming to have no other option these days, Zombie continues chucking rotten eggs our way from the contrived “Halloween II” (I refuse to call it H2) right down to the awful animated mess that was “El Superbeasto.”