With “Survival of the Dead,” Romero Made a Final Statement for his Audience

In a year that nearly everyone across the board has admitted to being a weak one for films in general 2009’s “Survival of the Dead” continues to stand out among the mediocrity and abysmal for its sheer down to Earth storytelling in the saga of the Dead where Romero is completing a second chapter in his Dead franchise. We had “Night,” “Dawn,” “Day,” and “Land,” and now to fit in with modern society, Romero has restarted the whole premise and entire sensibility with “Diary,” and “Survival” showing the downfall of a world, now very dependent on technology and the world wide web. “Diary” is a movie that continues to be misunderstood.

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Zombi 3 (1988)

So “Zombi 3” is technically “Zombi 2” while “Zombi 2” is technically “Zombi” if you cut out “Dawn of the Dead” which was renamed “Zombi.” It’s a confusing rabbit hole that goes so deep, you’ll pass out from the confusion. In either case, Bruno Mattei’s (Lucio Fulci’s? Claudio Fragrasso’s?) “Zombi 3” is one of those so bad it’s good zombie films that I didn’t hate. Maybe it’s because I didn’t have a history with it, but I kind of loved how aimless “Zombi 3” was with its zero plot, paper thin characters and the way it meanders back and forth.

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Häxan (Häxan: Witchcraft Through the Ages) (1922): Criterion Collection [Blu-Ray]

A hybrid of documentary and fiction, this silent film explores the history of witchcraft, demonology and satanism. It shows representations of evil in a variety of ancient and medieval artworks, offers vignettes illustrating a number of superstitious practices and presents a narrative about the persecution of a woman accused of witchcraft. The film ends by suggesting that the modern science of psychology offers important insight into the beliefs and practices of the past.

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You Have to See This! Hello Mary Lou: Prom Night II (1987)

When I was a kid, “Hello Mary Lou” was one of my all time favorite horror movies. It was a sequel to a film I didn’t see until many years later, and it was always presented in edited, cut for time versions on Channel 11 WPIX in New York, but I sure as hell loved it. It was just a wacky, occasionally creepy movie that was so much crazier than I originally thought it was. The only theme that “Prom Night II” has in common with the original slasher movie is the overtone of revenge from days past. That is about as far as it goes, as “Prom Night II” takes a massive departure from the original premise involving an axe murderer out for revenge stalking high schoolers leading in to a disco centric prom with Jamie Lee Curtis front and center.

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Botched (2007)

“In and out, what could go wrong?” has been the famous last words of every man in existence, and it’s basically the last words of our hapless hostages and their inept captors in “Botched.” While the premise is creaky with much of the narrative reminiscent of “From Dusk Til Dawn,” Kit Parker’s “Botched” is a horror comedy up there in lunacy with fare like “Severance” and “The Cottage.” While “Botched” begins clumsily with a poorly edited rushed sequence of events extrapolating Ritchie’s predicament, it’s a movie you’ll want to stick with. Once the blood begins to pour, the raucous comedy and gruesome horror ensure a worthy experience deserving of an audience.

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Miss Peregrine’s Home for Peculiar Children (2016)

Tim Burton hasn’t been delivering on quality as he once was, so it’s become a rare occasion that he’s able to deliver on something genuinely entertaining. “Miss Peregrime’s” is one of the darkest Burton films ever directed, and while it’s touted toward children, it definitely skirts the edges quite often. That’s mainly due to the creepy villains that make a point of eating children’s eyes, amounting to some of the most horrific material in an otherwise darkly fantastic drama.

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