All horror fans are familiar with the bumbling of Morgan Creek and their insistence on kicking out experienced director and screenwriter Paul Schrader in exchange for the hack Renny Harlin to direct the prequel to “The Exorcist”. We didn’t need a prequel, but if the studios felt that they could have drained one more film from this franchise, then they could have and should have done it right in the first place. After all the problems, “Dominion” was finally released, and while it will never win any awards, I enjoyed it more, not to mention I found it to be more consistent in quality. “Dominion” is basically the same deal. Father Merrin, disenchanted with the church, goes out on archaeological expeditions, finds an underground church, and faces against the demon. Except, Schrader’s film is much more coherent and cohesive.
Tag Archives: Horror
It Waits (2005)
If you can believe Cerina Vincent is a park ranger, then the writers have won half the battle. Vincent plays the busty park ranger Danielle ala Russ Meyer, who is a whiney emo alcoholic mourning the loss of her friend, and seems like a well enough heroine forced to fight off a monster. Sure, she’s about as far-fetched as a park ranger as Denise Richards was a rocket scientist, but in the end I was willing to ignore the lapses in logic, and power on through. Cerina Vincent is gorgeous in a film that allows her to flaunt her curves while also playing the strong heroine battling a ferocious enigmatic beast from beyond. The concept for “It Waits” is simple. Busty park ranger fights monster in forest with her pet parrot. That’s the best way I can describe “It Waits” in one sentence.
Audition (Ôdishon) (1999)
I don’t know what to say about “Audition”. For a film that’s rapidly become a standard viewing for the horror genre, I’m just dumbfounded. Why hasn’t the mainstream noticed Takashe Miike yet? I mean fully noticed. This man is a genius. He’s not just some director giving us gore, gore for no damn reason (*cough*EliRoth*cough*) but a man who provides the gore as a way of expressing his story. “Audition” is one of those films. It’s a reflection of Miike’s sick mind, a man who twists his audience in so much directions, that you leave feeling violated and stunned. With “Audition” I was offended, I was shocked, and I was stunned.
Slither (2006)
I admit I wasn’t expecting much from “Slither”, basically because it looked so utterly cheesy, and in spite of Nathan Fillion’s presence, I just couldn’t find anything that could sell me on it. Surprisingly, I was wrong about it. A basic remake of “Night of the Creeps”, James Gunn’s “Slither” strives to be its own entity, and in many respects he succeeds in attempting such an endeavor. “Slither”, a throwback to fifties B movies with aliens, monsters, and zombies is stupid, and Gunn embraces the stupidity with scenes that are often ridiculous, but I was never bored. “Slither” in its stupidity is also pretty funny, and with the great cast it sports, I accepted the ridiculousness. And even from a Troma alumni like Gunn, I expected stupidity. It’s your usual B movie fodder.
Pulse (Kairo) (2001)
Yes, it’s happening. Very soon, the US will release its own version of “Pulse” and I have surprisingly high hopes. It looks like a very scary movie, so I decided to watch the original film, since originals are always better, and I finally did. “Kairo” is without a doubt one of the most bleak horror films I’ve seen in years, it’s a film that never really casts an optimistic brow, and it’s a horror film that reaches down to the core of human emotions and brings out the horrific implications of what we can do to ourselves that can spell the end of the world as we know it.
Afro Promo: Black Cinema Trailers 1946-76 (DVD)
Afro Promo” is a textured and rich compendium of Black Cinema trailers that speaks more of the depictions of African Americans on film than any documentary can really try to. There are no real interviews here, just a collection of trailers involving black actors, or starring an all African American cast. And as you’d expect we see the progression from blacks with white lips and bulging eyes, to lecherous and despicable heathens, to blaxploitation films where they were more empowered and able to decide how they wanted to be seen (they settled on “Boss Nigger”?). And every now and then we see the great Sidney Poitier, and Richard Pryor, James Earl Jones, and Pam Grier respectively.
Evelyn: The Cutest Evil Dead Girl (2002)
Imagine if Dr. Seuss combined genius with Edgar Allan Poe, with Tim Burton bouncing ideas off of them, and what do you get? Well, if you’re lucky you’d get Evelyn, the cutest evil dead girl, a demented fairytale with the mood and color you never get in films anymore, the mood and color that’s missing from the horror genre today. Many call this basically a rip from “Lenore the Living Dead Girl” comic book, and perhaps that’s true, but “Evelyn” is such a sick and demented short film I had so much fun watching that I didn’t really care.