For what it intends to pull off, director Davide Melini’s short thriller is entertaining and bold in that it can tell a story in under five minutes and still feel complete and spooky. There isn’t a lot of explanation toward the puzzle or why the puzzle is so prophetic, but then I doubt the puzzle is supposed to be taken as a literal plot device. Instead it’s supposed to be more a metaphor for what the woman in this tale realized much too late. Besides, if we saw our fates, could we do anything about it? In our attempts to change fate would we instead just walk right in to it unwillingly?
Tag Archives: Indie Film
Fight the Foot (2011)
Now this is what I call a fan film. Not only does it make good use of its resources, but it manages to re-invent the lore it pays tribute to all the while pleasing the fan base behind it. “Fight the Foot” is a proposed prologue to the new universe of the Ninja Turtles, a film made by the Reserve that is supposed to be a gritty re-working of the Turtle lore while also being respectful to the legacy.
She's Crushed (2009)
Director Patrick Johnson’s horror thriller wants to be an amalgam of “Fatal Attraction” and Takashi Miike’s “Audition,” and while both ambitions are admirable, neither of those classics rise to the surface to add entertainment value to “She’s Crushed.” While Natalie Dickinson is infinitely sexier than Glenn Close, “She’s Crushed” is never quite sure what to do with itself nor is it clear which character we’re supposed to be following. At times we’re told the entire ordeal is Ray’s where he’s forced to deal with alcoholism and memories of his days serving in the military, all the while coping with a new neighbor who gets the idea Patrick may be in love with her after a torrid one night stand. Apparently Ray didn’t receive the all too important memo that women can get that impression.
The Tunnel Dwellers of New York (2008)
As a lifelong native of the Bronx and New York, the older you get the more you begin to hear about the city and how there is an entirely different dimension behind the neighborhoods you see on a daily basis. If you look beyond Manhattan where the landmarks have all turned in to Disney attractions, if you look past the subways that create the illusion of sanitary conditions and safety, you’ll discover within the shadows and crevices of every construct that there is a hidden society beneath your feet.
Suicide Girls Must Die! (2010)
I think deep down Sawa Suicide just assumed that horror fans alike would universally embrace “Suicide Girls Must Die” for the simple fact that it’s a horror movie with a lot of hot girls from the actual website. Granted, I am a huge fan of the Suicide Girls (seriously, these women are insanely beautiful) but just because something is even slightly popular, it doesn’t mean it warrants a movie. And you can hide all of the flaws and cheese behind the fact that it’s a horror film, but even so. The fact that anyone assumed this would be even the least bit entertaining is beyond me and displays a bit of hubris in the notion that the Suicide Girls attachment would mean rave reviews.
The Taint (2010)
After reading the press materials for Dan Nelson and Drew Bolduc’s “The Taint,” I expected almost anything to happen while watching it. And that’s pretty much what I was given when watching “The Taint.” Just about anything and everything that you can imagine happened. And some things you were too afraid to imagine happened. It’s almost impossible to describe the film that was made by directors Dan Nelson and Drew Bolduc, but it’s an experience that no one will forget after watching it. And surely enough it has Troma written all over it. It’s compelling while also entertaining. It’s trashy but it’s clever. And it’s completely abundantly moronic, but also has a wit to it that makes it entertaining.
Straight Arrow, Sharp Shooter: Interview with Director John Fallon
Who is John Fallon? Well, if you peruse the net in search of information on horror movies, you’re likely to come across John who runs one of the most popular horror sites on the net entitled Arrow in the Head. He’s also one of the bigger names at Joblo.com and has appeared in numerous documentaries and notable genre films over the years. You literally can’t go an inch on movie websites without hearing about Fallon, and the credit is much deserved as Fallon works for his respect, is a self made man, and is one of the most lauded figures in film journalism. But did you also know he’s an indie director too? Sure you did, Arrow in the Head has a large following!
You should know by now. In either case, Fallon is an indie director when he’s not traveling or covering films, and he has made “Deaden” a throwback to the classic revenge films of the eighties, and “Red Hours” an experimental short film just released that has garnered some controversy. Not to mention he has his own official website. In either case, Fallon is a heavyweight in the film journalism world and he was gracious and kind enough to take time out of his hectic schedule and take part in an interview with us to explore his filmmaking techniques, his thoughts about indie film, and his experiences in the business. Throw back that last whiskey and have a read while we delve in to the thoughts of the action and horror buff.

