Spending all of his time providing limbs and blood for directors, Gregory Nicotero is trying his hand behind the camera offering up a sneak peek at his abilities with the short horror comedy “United Monster Talent Agency.” As with many first outings, his is a dedication to the monster movies of old with cameos from some of the greatest monsters as well as cameos from some of the greatest directors (…and Eli Roth), all of which is set to the tune of the classic fifties news reels.
Tag Archives: John Carpenter
John Carpenter’s The Thing (1982)
John Carpenter is a son of a bitch. Why? Well, in this climate of modern movie making, remakes are all the rage. It’s the go to source for marketing on a well known product to ensure a quick profit at the box office for general audiences who just want to go to the movies to see a well known story. And when people try to argue against this craze, those who are in favor of remakes always win the argument by muttering four words: John Carpenter’s The Thing. The declaration of these four words automatically shuts everyone up and renders any debate against remakes completely void and irrelevant. What makes this movie so unique that it defeats any arguments against remakes?
Re-Writing Halloween: Interview with Comics scribe Stefan Hutchinson
Stefan Hutchinson’s been a great friend to Cinema Crazed since we began reviewing his comic books and our raves about his takes on “Halloween” and the mythos of Michael Myers have not been sycophantic. If you’ve ever read a comic from this man, you’ll know he’s one who understands the world John Carpenter unfolded for horror audiences, and why it’s remained so prevalent in the film community in spite of bad sequels and remakes. With that said, we hear from Hutchinson and his approach to the comics.
So what inspired you to write Tarantula Man?
Tarantula Man came about as a result of a long discussion between myself and the team who write the website material. We were having a conference about potential new content for the site, and Greg Mitchell (one of the site writers) suggested possibly doing Tommy Doyle’s comic books. My thoughts went into overdrive at that point and I came up with the rather wrong idea of a pedophile arachnid. I was thinking about things that would scare a child, and I instantly thought of how myself, as a child, I was constantly warned to avoid strangers. In my mind when I was young, strangers were shadowy figures that hung around by the school gates and in the garden at night. That was the sort of thing I was trying to tap into there.
Our Top 10 Cinematic Heroes
Last year, AFI posted their acclaimed list “The Greatest Cinematic Heroes and Villains.” Taking great umbrage with their many choices, I decided to sit down and think about it. Who were my Ten Cinematic Heroes? Who were ten people I’d strive to be, or would want to be in a perilous situation? I’m one of those weirdos who really always side with the heroes. Whether it’s an epic science fiction film, or swords and dragon fantasy film, the heroes have always appealed to me. Comics, Video Games, Cartoons, it’s always about the good guys overcoming an obstacle and or villain who wants to take over the world, or just plain ruin their life.
A hero isn’t always made, a hero is often a figure of circumstance, an individual who blossoms from a horrible situation, or someone who just decides they have to do the right thing against everyone else’s frustration. A hero is one who is willing to lay it down and sacrifice just to help someone they love, or possibly someone they’ve never met. They rarely ever get a pat on the back, or a reward, nor is their decision always justified, but they do what’s right, and that’s enough. These are my top 10 Cinematic heroes.
Assault on Precinct 13 (2005)
John Carpenter's In the Mouth of Madness (1994)
It’s not hard to believe that the character and presence among the entire film Sutter Cane is a depiction of Stephen King who also bears a collection of almost unearthly and creepy books as Cane does in the film, and they both have a mass following of readers. Of course, his fan’s devotion to his books is not as intense as it is in this film. John Carpenter manages to show people with “In the Mouth of Madness” why he’s considered among the best directors in film and among horror royalty. Watch “Halloween”, “The Fog”, “Vampires”, “The Thing”, just to name a few and you will witness his true aptitude for capturing horror in its true essence, and what he manages to do in “In the Mouth of Madness” is capture it in all its pure unrestrained essence onto the cells of this film.
John Carpenter's Vampires (1998)
So, yes, “Vampires” didn’t exactly turn out to be everything I’d hoped, and perhaps I was expecting too much from John Carpenter, and I admit to being a bit disappointed, but all the while “Vampires” while not one of Carpenter’s best, ends up becoming a fun exploration and view into Carpenter’s experimenting with the vampire genre. Very loosely based on the book “Vampire$” (sans John Carpenter moniker), the movie you see here was looked down upon by many fans of the book which happened to have a lot of satire, and happened to be more in the vein of “Scream” as in not taking itself too seriously, while its commentary on many social dilemmas and basic morals on good and evil, greed and its connections to morals, and this is the perfect example of what the Hollywood machine does to a good book, but it’s not to say this isn’t a good movie.