Director Wes Craven’s remake of “The Virgin Spring” often gets a lot of credit, not just for jump starting the grindhouse boom, but for being influential as a veritable violent film. Sadly, “Last House” is another of Wes Craven’s films that gets too much credit. While many will argue that “Last House” has to be considered for its time period, even in context, “Last House” is a piss poor horror film with terrible production qualities.
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Little Reaper (2013)
The role of the grim reaper isn’t an easy one, and the Grim Reaper himself knows it all too well. He’s getting on his years, and is now looking to train his daughter to become the new Grim Reaper. She is a young girl who is obsessed with her own life, and isn’t looking forward to becoming a reaper. She just wants to be like the cool girls in school, the Banshees. But, being the daughter of the Reaper, she will eventually have to keep the scales of life and death balanced, and the Reaper is intent on making her uphold her duties, or endure a terrible grounding.
The Lion King 2: Simba's Pride (1998)
If we had to have a sequel to “The Lion King” I much would have preferred to see the journey of Simba and his rise to king status than another telling of the first film. Truth be told, “Lion King II” is a retread of “The Fox and the Hound” with a further emphasis on Timone and Pumba. Rather than show more of Simba and his heroism, Disney follows suit and goes back to focus on a younger character while also handing half of the sequel over to Timone and Pumba, whose popularity begins to become the important factor in the “Lion King” series. In the end of “The Lion King” we see Simba and his wife have birthed a young cub. In the sequel we find out that–here’s the twist: Simba had a female cub! Named Kiara, Simba’s daughter is exactly like young Simba, except she is hesitant to take up the royal mantle, much like every princess in the Disney mythology.
Leapin’ Leprechauns! (1995)
Oh, leapin’ Irish stereotypes! “Leapin Leprechauns!” from Charles Band studio Moon Beam is not the worst movie I’ve ever seen, but it’s probably the most baffling I’ve seen in a good while. The film takes literally a half hour to get the actual plot in motion, and we spend about twenty long minutes on a leprechaun council meeting where the leprechauns and fairies argue and bicker non-stop. As for a villain of the piece, we don’t meet the evil menace until there’s only ten minutes left in the actual movie. I couldn’t understand why the villain was introduced before the credits actually began, but the writers fails to muster up an interesting bad guy.
Lo (2009)
Director Travis Betz, if anything, tries for originality and for the most part achieves it. Though “Lo” strives for simplicity and a downbeat nature, it’s a rather spectacular feat to comprise an entire film and story, as well as a horrific world, around one setting and one room only. Comprised very much like a stage play, “Lo” begins as a creepy trip in to the supernatural, and ends as a tragic love tale. “Lo” is about a man who simply can’t let his loved one go, and the trip he takes to ensure that he can re-claim the one he lost a long time ago.
Life of Pi (2012)
Basically, Ang Lee’s “Life of Pi” is a brilliantly directed and incredibly beautiful film, with amazing special effects and just breathtaking visuals. It is also a tedious sermon wrapped up in an agnostic package that will leave viewers clinging to whatever they want to believe. When it comes to confronting the themes of faith and religion, “Life of Pi” seems bold in explaining that they’re all just basically good for the soul and rejuvenating, but in the end the film seems to stick to the notion that there is only one real God and that’s the Catholic/Christian one.
The Longest Daycare (2012)
Basically, “The Longest Daycare” is a much more advanced and intricate sequel to Maggie Simpson’s adventures in daycare that pays homage to Looney Tunes while also giving the character Maggie some depth. We only saw a portion of it in the episode “A Streetcar Named Marge,” where Maggie united her fellow babies to reclaim her pacifier in the spirit of “The Great Escape.”