Seymour, Audrey, and the Price of Obscurity

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Real depth can come from the most surprising sources, things which at first glance are commercial grabs, but which, when mined, show greater depth. On the one basic hand, Star Wars is ships in space shooting at each other and guys beating on each other with laser swords. On the other hand, the critical hand that studied at a college, it’s an examination of our yearning for a call to adventure lost in the grit of seventies cinema.

Consider Little Shop of Horrors, one of the movies that came out of the well of nostalgia that is the eighties. Many remember it as a musical. Many remember it as a comedy. Many remember it as a horror flick. Few, if any, read much into it.

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Hold That Ghost (1941)

holdthatghost“Hold That Ghost” is one of the best horror comedy romps featuring Abbott and Costello and a very close second to their more well known outing involving famous Universal monsters. And while it’s not the masterpiece that their outing with Frankenstein and Dracula is, it’s a damn respectable horror comedy with a great tribute to “The Cat and the Canary.” If that’s not enough, Lou Costello is given a great female foil in the form of Joan Davis, who is a blast playing off of Costello’s ace physical comedy with her own double takes and unabashed slapstick.

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Pee-wee’s Playhouse: Seasons 1 & 2: Special Edition (DVD)

pwph-1Watching “Pee-Wee’s Playhouse” years after it became a cult hit, it’s easy to see where shows like “Blue’s Clues,” and “Yo Gabba Gabba” obtained their influence. Though it’s absolutely surreal, “Pee-Wee’s Playhouse” dares to be different and innovative, while putting the lovable character of Pee Wee Herman on display. What’s even more refreshing is that show host Pee Wee instills positive ideas in his audience, without derailing the show entirely. There are subtle lessons about imagination, creativity, enjoying sweets with moderation, and how to deal with bullies.

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Pee-wee’s Big Adventure (1985)

peeweesbigadventureTim Burton’s adaptation of the comedy eighties icon is still a film that’s an acquired taste all things considered. Pee Wee begins as a slightly grating presence, but his enthusiasm eventually wins you over. Even to this day easing in to “Pee Wee’s Big Adventure” is a fun and unique fantasy film with Pee Wee Herman managing to entertain with his charismatic presence, unusual voice, and still excellent dance sequence to “Tequila” in a biker bar. I remember just about every kid in the late eighties would at one point imitate Pee Wee’s dance on the pool table.

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Once Bitten (1985)

oncebittenIt’s often completely ignored or dismissed in the annals of Jim Carrey’s film career, but “Once Bitten” is one of my favorite of the Carrey comedy works. It’s not a masterpiece by any means, but it’s one of Carrey’s most restrained roles, where he’s funny without being over the top or rubbery as he was in his more successful films. “Once Bitten” is that eighties guilty pleasure I go back to again and again for a good chuckle. And to ponder the idea of being seduced by a vampiric Lauren Hutton. Either way, it’s all good.

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Little Shop of Horrors (1986)

littleshopI really enjoy what director Frank Oz does with “Little Shop of Horrors.” Rather than simply ignoring the cheesiness and camp value of the original, he embraces it. He also injects a pulpy comic book atmosphere, along with sixties pop and soul that compliments the tale perfectly. While I’ve always had a weak spot for Roger Corman’s original, Frank Oz succeeds in giving “Little Shop of Horrors” the campy adaptation that it deserves with a brilliant cast, and great tunes. This is a movie that always played on local TV as a kid and I always ignored it for reasons I don’t quite remember. In either case it’s no masterpiece, but it’s a fine and fun horror comedy.

Star Rick Moranis plays Seymour Krelborn, the workaday loser in the slums of his city who works at a flower shop. After fawning over his co-worker Audrey, he decides to take some initiative after financial concerns from his boss and brings in a rare flower. The flower was hit by lightning during a solar eclipse, and Seymour immediately buys it for the sake of the novelty. After pricking his finger, he realizes the plant is alive and hungry for human blood. Soon enough the need for blood transforms in to hunger for human meat, and Seymour must either feed the plant, or lose it and his fame. Nicknamed Audrey II, the vicious plant that turns in to a villain for Seymour, is a wonderful monster. The puppetry matched with Levi Stubbs’ performance make it a menacing foe that is so much more dangerous than it initially looks. Moranis plays Seymour as a mentally unbalanced but very desperate loner who is in love with Audrey and finds she is incapable of being with anyone but her abusive boyfriend.

Steve Martin as Orin Scrivello pretty much steals the film for the screen time he’s given as an over the top biker who works as a dentist for the thrill of torturing patients. Martin is hysterical in the role of the heel, and he even shares a hilarious scene with Bill Murray as the masochistic patient anxious to be tortured. Along with Murray and Martin, there are some great cameos by John Candy, Jim Belushi, and Christopher Guest, all of whom lend a high comedy pedigree to Moranis’ already charming performance. Keeping the film ironic and somewhat meta is the excellent musical numbers, all of which serve as a means of forwarding the narrative, and occasionally challenging the motives of Seymour and his man eating plant. The trio of Tichina Arnold, Tisha Campbell and Michelle Weeks are impressive, delivering some excellent musical numbers of their own, including the opening title track. “Little Shop of Horrors” is a pulp pop twist on the original Roger Corman horror comedy that’s funny, fun, catchy, and well worth its reputation.

Willy Wonka & the Chocolate Factory (1971)

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I understand why Roald Dahl hates “Willy Wonka.” Surely, it’s nothing like his original novel, and I get why fans would hate that it strays so immensely from the source material (i.e. World War Z) but that doesn’t mean “Willy Wonka” isn’t a good movie. In fact, it’s pretty damn excellent, and manages to evoke a sense of whimsy and menace that’s invigorating and refreshing for a kid’s film. Everything Tim Burton tried so hard to do, director Mel Stuart and Gene Wilder pull off without even trying very hard. With a single gleam of his eye, Wilder pulls off more hints at a devious personality than all Johnny Depp’s white make up, and bad wigs combined.

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