Lluís Quílez’s short science fiction drama reminded me of the famous opening line from Frederic Brown’s “Knock”: “The last man on Earth sat alone in a room. There was a knock on the door…” Director Quílez centers his science fiction tale on a man named Edgar who spends his days biding his time for inevitable rescue, and looking for some semblance of companion ship in his every day life. Edgar walks around the ruins of his city after an undisclosed “incident” has caused many to flee or die off.
Tag Archives: Mystery
Blair Witch (2016)
It’s just such a travesty that Adam Wingard’s shot at the “Blair Witch” mythology flopped and has been generally derided by fans alike. I, for one, completely loved “Blair Witch,” not only for being such a unique and terrifying experience, but for the respect Adam Wingard has for the mythology. Even if you never bothered to watch those documentaries about Burkittsville, director Wingard brings everything full circle, including nods to the documentaries, the much derided sequel, and the original film. It’s a legacy sequel, but one that also acts as an impromptu book end to the whole series. After this I don’t know when we’ll ever see anything about the Blair Witch ever again, but it’s a great consolation the series goes out on this note.
Chasse-Galerie La Légende (2016)
La Chasse-Galerie, or the Flying Canoe (aka The Bewitched Canoe) is a well-known legend from Québec about a group of travelers making a deal with the devil to get home. In this cinematic version of it set in 1863, a group of men travelling home are slowed down by a snow storm. After they request help, the devil gives them a flying canoe to take them home but with some conditions that come with harsh punishment if not followed. After one of them cheats the devil, vengeance is taken on his descendant 25 years later.
Max Steel (2016)
I wish Mattel would stop forcing Max Steel on the unsuspecting American public. After many years, the company insists on introducing this action figure line in its new forms, and it’s exhausting to say the least. Back in 2000, Mattel re-introduced Max Steel in a very entertaining CGI cartoon with the main character as a cybernetic spy–because CGI and spies were big in the early aughts. When trends shifted, Mattel re-re-introduced the character in 2013 in to a younger character and in the mold of a pseudo-Iron Man since Iron Man has changed how movie studios approach science fiction now. After that failed, Mattel has given us Max Steel once again, and turned him in to a cybernetic superhero with an enigmatic past. This Max Steel is an amalgam of Guyver, Iron Man, and Star Kid, and is an infinitely grating, and ugly kids film.
Rogue One: A Star Wars Story (2016)
Warning: Spoilery and long review by a self-admitted Star Wars fan (with Stormtrooper tattoo to prove it).
A small group of rebels sets off to go retrieve the plans to the Death Star after receiving a communication that seems to indicate that they will be the downfall of the Empire in this sequel/prequel/side story to the Star Wars prequels/original trilogy. Touted as the first standalone Star Wars, Rogue One is heavily entrenched in the Star Wars lore and fills in gaps and what could have been considered plot holes in the past. The story here is easily to follow for people who may have never seen a Star Wars film, but it feels like a story built for the fans of the franchise. The story feels like a Star Wars one and the characters feel like they belong in the universe with many cameos and full presences by some very familiar faces and names. This leads the story to feel familiar and yet the changes, the connections that could have been or the additions or who knows make it feel like something is missing to the story. Rogue One is a hard one for this review to fully embrace while wanting to, which is an odd place to find one’s fan brain in.
Rogue One: A Star Wars Story (2016)
While I wasn’t keen on Disney and Lucasfilm approaching the prequel so quick in to the rebooting of the series, “Rogue One” really serves us one of the most important chapters in the fall of the Empire beautifully. While “Rogue One” certainly isn’t a perfect film, it sure is a fantastic action adventure that attempts to break the mold. Gareth Edwards transforms his tale of the stealing of the plans of the Death Star in to a last stand mission in the vein of “Saving Private Ryan” and “Inglorious Basterds.” Though director Edwards offers up the usual nods to “Episode IV: A New Hope,” thankfully “Rogue One” also manages to stand firmly on its own. It’s a compelling tale of the rebellion, and pure evil trying to maintain its strangle hold on the galaxy.
Creepshow 2 (1987): Special Edition [Blu-Ray]
While “Creepshow 2” has always been taken as one of pair of horror movies that pay tribute to the golden age of EC Comics, over the years the horror community has learned to appreciate “Creepshow 2” as its own entity. Surely, its cut from the same cloth as the original classic, but it also carves out its own identity and doesn’t repeat the same beats as the original film. The Michael Gornick directed sequel is a darker, grittier, and more vicious follow up to what was kind of a raucous and darkly comic celebration, and it works. As a nostalgic memento, and as a sequel carved by Stephen King and George Romero, “Creepshow 2” is a classic in its own right.