It’s really hard to ignore the charm of Ernest and his Halloween adventure. “Ernest Scared Stupid” most definitely has a lot of nostalgic value and sentimental value, but it’s also a very good kids’ horror movie where Ernest battles a bunch of trolls. Ernest and Jim Varney has just always had a good chemistry and here it’s on full display when trolls are unleashed during Halloween. Here, Varney plays Ernest as a garbage collector in a Missouri town. Hundreds of years before a troll that used magic to turn kids in to wooden dolls was locked in a tree and kept dormant. Ernest helps his three friends Kenny Binder, Elizabeth and Joey construct their own tree house which they use as a means of entertainment and warding off the local bullies.
Tag Archives: Mystery
Hag (2014)
“Old Hag Syndrome” is a state of paralysis where the sleeper usually awakens completely frozen, but conscious and is convinced a supernatural entity is among them and is sitting on their chest. This is where the origin of creatures like the Succubus stems from. Scott Somers is a seemingly normal man married to a beautiful wife named Marie, but every night he awakens to see his wife standing at the window and muttering to herself. Convinced she’s sleepwalking, Scott awakens yet again in the middle of the night, but this time incapable of movement.
GiverTaker (2016)
For the nineties kids that grew up with great YA horror fodder like “Goosebumps,” “Fear Street,” and “Are You Afraid of the Dark,” director Paul Gandersman and writer Peter S. Hall really seem to have done their research, building a pretty damn great short horror film around the mold of a series called “The Dead Kids Club.” I hope they can find the funding to continue producing films under this label, as I’d love to see a series of shorts or feature length films within “The Dead Kids Club” concept.
The Exorcist (1973)
William Friedkin’s treatment of William Peter Blatty’s groundbreaking novel thankfully translated in to a groundbreaking horror film that continues to be the standard for the dismal “possession” movie sub-genre. Friedkin’s take on Blatty’s novel is a masterstroke of horror and dramatic cinema, and is easily one of the most intelligent horror films ever made. Ellen Burstyn plays Chris MacNeil a woman still reeling from a bitter divorce who is tasked with a heavy work schedule filming a movie and attending to her young daughter Regan. Linda Blair is brilliant as Regan, a young girl longing for attention, especially from her estranged father, and begins to make contact with an imaginary friend through a Ouija board she called “Captain Howdy.”
The Wraith (1986)
“The Wraith” is goofy nonsensical eighties fun and it’s a childhood favorite that hasn’t aged much at all. The mix of punk rock and Mad Max gear head aesthetic has worked in the favor of “The Wraith” for a long time, making it a really unusual oddity of the mid eighties that embraces its absurdity. It has a good time as a revenge thriller with a supernatural bent that uses cars as a means of inspiring some chills. Whenever our avenging angel or “Wraith” comes rolling up in his supernatural black hot rod, it’s a surefire indication that no one is going to come out of the experience alive. I’ll be the first to admit that not a lot of “The Wraith” makes too much sense.
Dead Body (2015) [Philadelphia Unnamed Film Festival 2016]
Post-graduation, a group of high school friends meet up at one of the guys’ father’s cabin in the woods. There they hang out, drink, argue, and play a game called Dead Body. As they start dying off one by one, they must figure out who is the real killer and try to survive. Directed by Bobbin Ramsey and written by Ian Bell and Ramon Isao, the film boasts nine teenage characters that are all fairly generic stereotypes of teenagers and how they should act. What makes the film interesting is not as much who they are or how they act but the whodunit angle to the story. Of course red herrings and false red herrings are thrown left and right from the beginning.
Black Christmas (2006)
Glenn Morgan’s remake of the Bob Clark 1974 slasher film is one of most preposterous, blatantly awful films I’ve seen in the last two years. As a remake and as its own film, it’s awful. Director-Writer Morgan seems to aim for the exact opposite effect the original established, and does so through often hilarious methods of murders, and vague characterization. All the characters are loud, one-dimensional, and despicable, none of the actors give stand out performances, there’s an awfully predictable plot twist involving our killer, gross out gore for the sake of gross out gore. Of course, Billy uses every element of Christmas as a method of murder for his victims.