After storming the box office in its native Japan, “Yo-Kai Watch: The Movie” comes to America in a very limited run for hardcore fans of multimedia series. If you haven’t had enough of the TV series, the video games, and the toy line, fans will get to watch the big screen adventure of hero Nate, and his friends, the Yo-Kai. For those unaware, Yo-Kai are spirits in Japan that can be good or evil. Nate has a magical Yo-Kai watch that allows him to summon, catch, and catalogue the various Yo-Kai. And they’re a massive variety that stem from nature, the city, and literally anywhere else.
Tag Archives: Mystery
My Pet Monster (1986)
In the eighties if it was popular it had to have a tie in to something that involved merchandise. It didn’t matter what it was, whether it was Rubiks Cubes, Mad Balls, or even the Garbage Pail Kids, companies were always thinking about new ways to squeeze as much money out of their products as possible. In the eighties, My Pet Monster was a very popular kids toy that was simple in premise. It was a cute horned monster with plastic cuffs that kept its claws secure. The monster was gross enough for kids that loved monsters, but cute enough to warrant being a bed time toy. So naturally Hi Tops gave us an animated series for “My Pet Monster” and a much derided straight to video movie that reeks of a cash grab.
All Through the House (2015)
Todd Nunes takes “Black Christmas” and wraps it in the Santa slashing madness “Silent Night, Deadly Night” for what is a pretty wonky slasher film. I appreciated the humor and inherent mean spiritedness of it all, as Todd Nunes definitely has a love for slasher films. He and his crew even seem dead set on creating their own iconic slasher with our silver faced Santa who has a knack for mutilating his victims with garden sheers. There’s also his habit for turning his male victims in to eunuchs, which is of shocking importance once the finale rolls around. I really like that Todd Nunes stuffs the film with more Latin and Hispanic actors, providing a very welcome diverse cast.
The Hollow (2016)
In a small town in the Deep South, a young local is killed along with a couple of young tourists. One of these tourists being a congressman’s daughter from out of state, the case is assigned to the F.B.I. who sends agents Vaughn Killinger and Sarah Desoto to investigate. As Killinger battles his demons and Desoto tries to keep things together, a tangled web of connections and secrets is unraveled. Writer/director Miles Doleac builds an effective suspense thriller murder mystery. The characters he creates are complex with no one being good or truly bad. His characters are very human with different flaws of varying gravity, none fully hate-able.
The Conjuring 2 (2016) [Blu-Ray/Digital]
After the blundering misfire that was “Annabelle” I was a bit scared that “The Conjuring 2” would be a bland follow up to what was one of the best contemporary horror films ever made. Thankfully James Wan not only outdoes himself, but builds on the mythology of Ed and Lorraine Warren. “The Conjuring 2” follows the tradition of the original film, putting the Warrens in to an impossible situation where they have to do battle with a powerful evil. What’s more is that the evil has chosen to pick away at a vulnerable lower class family once again, prompting the Warrens to risk everything for the sake of one victim’s soul.
Lake Nowhere (2016)
I don’t know if I’d called Maxim Van Scoy, and Christopher Phelps’s “Lake Nowhere” a masterpiece, but I have to say that the more it unfolded, I appreciated its enthusiasm more than anything. It wants to deliver a genuinely retro horror experience, and by god it succeeds most of the time. I’m not completely bowled over, though, as “Lake Nowhere” is really only fifty minutes in length. Five of those minutes are devoted to some faux horror movie trailers you’d find in front of a cheap horror VHS.
Videodrome (1983)
David Cronenberg’s cinematic commentary on the power of media and how the media eventually controls you in ways you’re never quite cognizant of still rings true today. Even though “Videodrome” was more aimed toward the idea of television and our fascination with violence and human misery, Cronenberg’s thriller is still incredibly volatile in an age where humanity does nothing but stare at glowing screens zipping through a ton of data that eventually begin to depict how we live our lives. James Woods plays Max Renn, the owner of a porn television station who also has a penchant for sadism during sex. When he’s introduced to a television frequency called “Videodrome,” he begins to form a fascination with the footage of people being tortured, victimized, and raped.