Mission Impossible: Rogue Nation (2015)

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Ethan Hunt is no mere agent. He’s a force of nature that keeps pushing himself to the brink of imminent death every single time we meet him. Last time he hung on the side of a high rise, and this time he hangs along the side of a flying aircraft. Not to mention he merely drowns in one of the many close call operations he and the disbanded IMF commit towards. Tom Cruise lends the character an intensity and bug eyed gutsiness that make him a hero you want to root for, and someone you most definitely want on your side at all times. Hunt has met his match this time with the evil Lane (Sam Harris), a leader of a rising organization called the Syndicate, who is always one step ahead of Hunt, while sidekick Ilsa (Rebecca Ferguson) displays an enigmatic aura that makes Hunt uncertain if she’s friend or foe.

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Mission Impossible: Ghost Protocol (2011)

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It’s nice to see director Brad Bird inject a new sense of excitement and novelty in to the “Mission Impossible” movie series, as it now embraces its episodic origins to completely reboot the epic story of Ethan Hunt. After the pretty good third outing, “Ghost Protocol” sports an entirely different atmosphere, where the team from the IMF are still out and lurking about, while Ethan Hunt has become a pariah, now jailed in a Russian prison. After Simon Pegg’s character Benji stages a caper to free Ethan from prison, Ethan discovers that the world must be in dire trouble if he’s being turned to for help.

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Mortdecai (2015)

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Johnny Depp has never been one to be defined as a comedy genius of any sort, and it’s pretty telling of that fact when the one gag he has to ride on throughout “Mortdecai” is his mustache and how it twirls. That’s basically the defining comedic element of Mortdecai. He’s painfully proud of his mustache despite the obvious disgust by his loving wife, and he takes great pride of flashing it around. He even gleams proudly when he finds himself in America packed in to an elevator with men donning mustaches and beards of their own. That’s what counts as comedy in the painfully unfunny “Mortdecai.”

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Tomorrowland (2015)

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Brad Bird is certainly a fun storyteller filled with ideas about science fiction that’s a welcome break from the normal grim and grit of the modern era, I just wish “Tomorrowland” were a masterpiece. If not, I wish it were more than mediocre. As it is there’s a great movie somewhere in the script, there’s just too much narrative and disjointed writing to really see it rise to the surface and hit a home run. “Tomorrowland” is one of the more entertaining messes of the year. It’s a film that doesn’t introduce its heroine until thirty minutes in to the movie, and completely cuts her out of the equation in the finale. “Tomorrowland” is not a bad movie by any means, it’s just the writing is so scatterbrain and haphazard, I couldn’t really appreciate the whole shebang, in the end; which is sad, because I certainly wanted to love “Tomorrowland.”

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Ghost Town (1988) [Blu-Ray]

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Empire and Charles Band always had a knack for creating Westerns, but the type of Westerns that just were not as traditional as you might think. They had every opportunity to deliver us a normal western, and yet they went the odd route delivering creative amalgams like 1994’s “Oblivion,” and mediocre fare like “Ghost Town.” Richard Governor’s “Ghost Town” watches more like an extended episode of a mediocre anthology horror show, and when you get right past the whole supernatural tropes, it’s another ordinary western that we’ve seen a thousand times over. It’s not a gem of the Empire/Band library, but it’s a unique diversion.

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Ex Machina (2015)

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Alex Garland’s “Ex Machina” is a brilliant often mesmerizing amalgam of “2001” and “Frankenstein” in where man has once again reached the ability to create life, albeit artificial. Garland chronicles the ever enduring battle of artificial intelligence and human intellect and how the lines can sometimes be blurred by the geniuses seeking to create actual life. “Ex Machina” is a consistently enigmatic and stunning science fiction tale of humanity, and the god complex that entrenches us in a deep and very bleak mystery as well as introducing us to a slew of characters, all of whom may not particularly be devious at first glance.

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Spy (2015)

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When Melissa McCarthy is misused, she’s a bumbling, awkward, and unfunny mess trying way too hard (see: Tammy), but when she’s used correctly, she’s about as great as any other female comedian working in film today. McCarthy certainly is charming and has a down home quality to her that makes most roles she takes absolutely interesting. Even in such a derivative movie like “Spy,” McCarthy shines and arouses raucous laughs. And because of her, folks like Jude Law, Bobby Cannavale, and Jason Statham manage to shine and earn their own raucous laughter in the process. You wouldn’t think Law or Statham could be funny, but lo and behold, they’re just top notch in another great Paul Feig film about a unique female conquering some form of personal limitation.

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