Jack the Ripper is one of the most fascinating serial killers of all time mainly because of the way they (I always assumed it was more than one killer) murdered, and their targets. Sadly, the entity has managed to inspire so many horror films, some very good, and some known as “Jack’s Back.” A cheapy little vehicle, “Jack’s Back” has vague connections to Jack the Ripper, but it overplays its hand by sidestepping the slasher motif, trying to be a cerebral character study. It fails on most fronts. Instead watching like a goofy, often muddled mess that I had a tough time keeping up with.
Tag Archives: Mystery
Samurai Cop 2: Deadly Vengeance (2015)
The only ways to watch “Samurai Cop 2” is with a stern tongue in cheek, or on the basis that you’re a hardcore fan of the original schlock classic. Though a few of the original cast members have come and gone, director Gregory Hatanaka does his best to channel the nineties vibe that the original film was oozing with. Despite taking place in modern times, “Samurai Cop 2” is still very much a nineties action film with the tough sergeant, obligatory sex scenes, Joe Marshall’s long hair, and ninjas galore. There are even ninjas dressed in business suits for some reason.
Task Force 2001 (2000)
It’s not many movies with the alternate title of “Spy High” that doesn’t feature much spying. Of course, if you’re interested in a spy movie where the trio of heroes do nothing but sit at a computer typing over and over, then you’re going to love what “Task Force 2001” has in store for you. And just for your information, the trio of aspiring spies has a sidekick dog named Rocky that does most of the work. Because of Ethan Hunt really lacked a sidekick with fur and a tail. Of course! “Task Force 2001” has a great concept and some interesting ideas, but really none of the budget to commit to unfolding the intended action scenes.
The Guardian (1990) [Blu-Ray]
William Friedkin has a knack for creating genuinely uneasy horror films that destroy the concept of domesticity. “The Guardian” completely turns the idea of parenthood on its head, transforming the suburban family in to a veritable nightmare. “The Guardian” carries on the tradition of a menace from the outside ruining the family unit, this time following mundane couple Phil and Kate Sterling as they greet a new child in to their home. “The Guardian” is directed and staged very much like a nightmare that never ends, even with normal scenes of happiness depicted in a very surreal lens.
Intruders (2016)
Adam Schindler’s “Intruders” (formerly “Shut In”) works with a fairly solid concept that begins with a clever note and then uses the concept to keep out of gimmicky trappings and implement it as a means of exploring a very unique kind of horror protagonist. By the end of “Intruders” you’ll either really care about Anna’s plight, or really fear what kind of maniac she’s capable of becoming, especially when she decides to approach her enemies with a swift and merciless motion.
Chilling Visions: 5 States of Fear (2014)
Chiller Films’ “Chilling Visions” is on its way to being a solid series of anthology films made up of some of the best horror voices around. While I really enjoyed “5 Senses of Fear” despite being a mixed bag, “5 States of Fear” is a noticeable step down in quality. I really like the devotion of horror tales to certain ideas of psychology and fear. I also really like giving indie filmmakers a voice with highly publicized anthology horror films, I just wish “5 States of Fear” was more well put together and coherent. It’s not a bad movie, but the producers stretch the idea so far, it’s kind of pointless continuing the gimmick by tale two.
Star Wars: The Force Awakens (2015)
After many years of the “Star Wars” franchise remaining stagnant and relatively convoluted, “The Force Awakens” has come to simplify and completely re-think the movie series. JJ Abrams introduction to his bold new vision for “Star Wars” is a one hundred percent faithful visit to a galaxy far, far away that functions as a platform for a new series, a sequel, and a love letter to the simpler, episodic days of “Star Wars” where every film was an ode to the classic movie serials of the golden age of cinema. This time around “The Force Awakens” actively works in fixing many of the mistakes made in the original six films, by actively casting a wide array of heroes and villains to present a more humanistic environment we can dive in to. And I’m not speaking about a wider array of aliens, but racially diverse characters, all of whom have something to contribute.