Beware skeptics. If you have a radio show and you’re daring to tap in to the supernatural, the odds are you’re going to get knocked the fuck out by some spooks and ghouls. That’s the case for Handsome Billy Bob Brown, the local shock jock in town who causes trouble by pissing people off and has been handed the duties of covering outlandish topics like UFO’s and the after life. Patrick Rea seems to be building a compendium of short films that could work as a horror anthology if given enough time and clout and I’d definitely buy it.
Tag Archives: N
Now That You’re Dead (2009)
The director of the great short fantasy thriller “The Empty Acre” takes a more routine approach, but one that’s mired in the devices of karma tales like “The Twilight Zone” and “Creepshow.” In fact, with a larger format, and further extrapolation, I could definitely see “Now That You’re Dead” as a part of a great “Creepshow” sequel. Because when all was said and done, this reminded me of that short segment from “Creepshow 3” with the murderous hooker and her vampire client… except this isn’t a piece of steaming crap on a hot tar road.
Never Cry Werewolf (2008)
Riddle me this, fair reader: Have you ever seen the wonderful “Rear Window”? Did you ever see the cult classic “Fright Night”? Did you ever get to see the horribly overrated “Disturbia”? If the answer to one or more of those questions is yes, then guess what? You’ve already seen “Never Cry Werewolf”! The problem with director Brenton Spencer’s production is that it attempts to be a new spin on “The Boy Who Cried Wolf” and “Little Red Riding Hood” while also appealing to the teen crowd by appearing to be a mature harder edged R.L. Stine story with a twist of “Silver Bullet.” But in reality, it’s just another regurgitation of the classic Hitchcock tale in which an inept home owner discovers their neighbor may be up to devious misdeeds that may potentially threaten their livelihoods.
The Ninja Always Rings Once (2007)
I really wanted to like this. I really wanted to like it to the point where I was almost forcing myself to enjoy it, but damn it, I just didn’t enjoy it as much as I could have or should have. Comedy is a tough thing to create and surely enough “The Ninja Always Rings Once” proves that rule with a short story that not only really made no sense, but never sparked a laugh from yours truly.
No Country for Old Men (2007)
I won’t lie when I tell you that it was a shame to see the Coen Brothers in such a slump. They gave us in no specific order “The Ladykillers,” a now infamous remake of a much better film, and then “Intolerable Cruelty” a week and dull dark comedy that was too glam for the duo. I’m glad to report that “No Country for Old Men” is just where they belong. It’s grit, edge, dark humor, and sheer menace in one package of incredible performances and results in a hybrid that’s basically my favorite film of 2007 and soon may just become one of my favorites of all time. Of course, this is not new for the Coens as “The Big Lebowski,” and “Fargo” currently rank in my top list.
Nature of the Beast (2007)
The death kiss of the “American Pie” franchise continues, as Rodman Flender’s comedy asks us to pontificate the notion of one of the guys from “Teen Wolf” actually growing up to be married. And what if this guy didn’t tell his wife that he was a werewolf by nature, or super nature? Sure, this is really just a ninety minute sitcom in reality that uses a small horror device that doesn’t even place it within the horror fold, but it does indeed rip off “Teen Wolf” considerably. This could very well have been a sequel that occurs ten years later if they pushed for theatrical distribution hard enough.
No One's Watching: An Alien Abductee's Story (2006)
It’s funny that in my own website, I’ve become truly feared by filmmakers. Even filmmakers who happen to be buddies of mine. Why is that? I’m not sure. But if you send me a film, expect an honest opinion. You have to either have to accept that, or don’t send anything at all. I’m glad director Jeremy Vaeni for “No One’s Watching” seems to know and appreciate that, as he sent his film to me with the letter stating that whether I love or hate it, he would love a review. I’m honest, and that’s just what’s what.