Director Andrew De Burgh does a good job channeling the classic revenge pictures that focuses on what’s going around eventually coming back around again. What I find fascinating about “Just One Drink” is that there aren’t any clear protagonists or clean cut noble heroes. Director De Burgh doesn’t really side or empathize with any one character per se, except examines the almost destructive and chaotic path of vengeance that can steam roll through people’s lives.
In 2016, after diminishing returns on their “X-Men” movies and failing to adapt “Fantastic Four” three times, FOX Studios did something new. They adapted a hit comic book loyal to its source material. What a concept! Shocking enough, you went to see it, making it one of the highest grossing R rated movies of all time, one of the highest grossing R Rated comic book movies of all time, and probably the only time the X-Men were entertaining in a live action movie.
Now that you’ve seen “Deadpool” and made it a rousing success, here are five other great action films for folks that appreciate the kind of humor and wonky action the Tim Miller film practiced. Did we miss any hidden action gems you might recommend? Let us know.
After decades of trying to redo his image and pretending he didn’t exist, Marvel, under the help of Disney, is finally embracing the Punisher and drawing the line with him as an adult character. Now that the mainstream has accepted that being a comic book character doesn’t mean you’re a child mascot, “The Punisher” is back at Marvel Entertainment and being given the adult treatment he deserved for such a long time. With popular character actor Jon Bernthal now taking on the mantle of Frank Castle for the acclaimed Netflix series “Daredevil” on season two.
Eventually being handed his own series, fans are hoping this is a new era for the Punisher, allowing him his own universe, his own mission, and a new iteration that will do justice to the resourceful Punisher of vigilantes and criminals. I’m excited to see what Jon Bernthal is going to do with the character come March 18th, so in celebration of the upcoming season of “Daredevil”, I’m going over the three past cinematic interpretations of Frank Castle and his moniker of “The Punisher” and see how they stack up. And if they stack up.
Superhero movie fatigue, my balls.
“Deadpool” is proof positive that the comic book movie is alive and well and prone to various iterations of the comic book movie mold beyond capes, tights, and bat ears. “Deadpool” is one of the most anti of anti-heroes ever conceived. He’s a man who works for any side that’s appealing to him, and you can never quite pin down whether he should be a friend or foe. Wilson like Marvel comrades The Punisher and Iron Man are never villainous, but also not the clean cut superheroes we’d expect. In the end, Wilson is about self gratification, even though he tells himself that his intentions are pure. He’s a man who loves being vile and obnoxious. Even Wade Wilson during the opening of “Deadpool” explicitly states that he is by no means a hero, and we’re given extensive insight in to how he lived his life before he became the “merc with the mouth.”
With “The Revenant,” Alejandro González Iñárritu pulls off a wonderful vision with amazing cinematographer Emmanuel Lubezki, posing the wilderness of South Dakota as something of an omnipresent force that works against every single character from the moment we step on to the snow covered woodlands. “The Revenant” works around a simple tale of revenge and enduring the elements all to convey the sheer unforgiving world that protagonist Hugh Glass has to venture across simply to avenge his own son. The weather and terrain holds no prisoners and garners zero bias, enduring the war of man and being covered in the blood of the violated while offering as much punishment as it’s dealt. Director Iñárritu’s “The Revenant” is a grueling epic that views what lengths main character Hugh Glass is willing to go through to ensure justice is served.
Bat people! Bat people! So many Bat people! Back when I was a young lad, there were only two or three Batman oriented characters. Now there is practically a whole legion of masked vigilantes by the time “Bad Blood” comes to a close. Who even needs the Gotham Police Force, anymore? It’s admittedly kind of ridiculous, but also kind of fun to see how many people have been influenced by The Dark Knight to keep going forward and fighting crime. Gotham needs as much as help as it can get, obviously, so why not have a Batgirl, a Batwoman, a Nightwing, and a Batwing, amiright?
I wish “The Crow” sequels took as much of an advantage with a creative premise as director Michael S. Ojeda does with “Avenged.” While his film isn’t exactly a revenge masterpiece, it’s a strong contender for one of the finer revenge films of the past five years, working as a tragic love story, and a vicious horror themed tale of vengeance. Amanda Adrienne Smith is rather compelling as the victimized Zoe, a deaf mute who ends up at the wrong place at the wrong time.