Daguerrotype (Le secret de la chamber noire) (2017)

In a French mansion, a photographer is obsessed with reproducing long lost photos taken with the daguerreotype technique of yore.  When he hires a young assistant for his project, things get complicated.

Written by Kiyoshi Kurosawa, Catherine Paille, and Eléonore Mahmoudian and directed by Kurosawa, Daguerrotype is a very slow burn of a film that feels more like a drama than anything else.  This being said, there are a few elements that will be surprising if the viewer goes into it completely blind and thus will not be spoiled here.  Having the genre pre-established as anything other than drama will lead into guessing a few of these.  Given the director and his resume, this aspect can be easily guessed.  Here he works in a manner where the characters are given plenty of time to develop themselves and their arcs while the story builds around them.  The writing and directing of the film feel like a proper mix of French and Japanese cinema in a way that is hard to explain but works wonderfully well here.

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A Fish Called Wanda (1988): Special Edition [Blu-Ray]

Charles Crichton’s “A Fish Called Wanda” is probably the last bit of Monty Python cinema we’ve ever gotten, and it embodies much of the same lunacy of the comedy troupe while also standing alone as one of the funniest movies ever made. “A Fish Called Wanda” is a zany and often raucous comedy that teams a slew of brilliant actors together for a unique, film that mixes sub-genres quite well and never loses sight of its comic themes, and Python-esque humor that borders on absurd without ever being ridiculous.

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Rock-a-Doodle (1991) [Blu-Ray]

The long out of print “Rock-a-Doodle” from animation master Don Bluth has finally stormed its way on to HD thanks to Olive Films, and it’s a blast to the past for me. I fondly remember seeing a lot of the ads for “Rock-a-Doodle” as well as coming across TV spots and ads in comic books. Sadly, the actual cinematic experience was a bust, even for an eight year old moi. It was a dull, awful movie then, and it’s a pretty dull and awful movie, now. I doubt even the best of nineties nostalgia geeks can find a gem in this mess of a movie. I spent a good number of years putting “Rock-a-Doodle” in the back burner of my memory, and I realize it was for good reason.

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The Witches of Eastwick (1987)

The adaptation of John Updike’s “Witches of Eastwick” is an engaging albeit soapy supernatural thriller that uses the idea of witches and Satan as a seductive male coming to something of a sexual war with a trio of witches with immense power. Over the course of “The Witches of Eastwick” he presents an enticing personality that’s despicable but manages to allure the trio of powerful women. The trio submits every essence of inner and outer power to him the more they find themselves falling for him, and obsessing over his sexual charisma. The way I tended to interpret “The Witches of Eastwick” is as a supernatural battle of wills between the sexes, and director George Miller manifests it through a brilliant cast.

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Ghostbusters 2 (1989)

“Ghostbusters” was a superb one and done premise that worked because it had such regular men who were called in to confront some spectacular circumstances, and in the end have to figure out how to live in a reality where they’ve essentially proven the existence of the supernatural. It’s surprising that the follow up is so sub-par and often monotonous as it almost has nothing to do with the original concept. It kind of goes through the motions and doesn’t exactly know how to continue building on these originally complex and flawed individuals. They don’t evolve much at all from when we last saw them, and writer Harold Ramis and Dan Akroyd seem to be painted in to a corner by devolving them and building them back up all over again.

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Happy Death Day (2017)

If the premise for “Happy Death Day” sounds eerily similar a certain Bill Murray comedy where a man has to re-live the same day over and over, it’s not you. “Happy Death Day” is unofficially a remake of said movie but with a murder mystery injected for good measure. The thing about “Happy Death Day” is that it knows it’s literally a redoing of “Groundhog Day.” Seriously, it literally stops to acknowledge the fact that we’re watching a modern re-imagining of a sort. Not that that hinders the experience of “Happy Death Day” thankfully. Through and through it’s mediocre, but it charms as an engaging coming of age romance painted in the shade of a horror comedy.

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You Should Watch “Freakish”

I’m not a subscriber to Hulu but my mom is, and she’s often on the hunt for horror series’, as someone whose own love for horror dwarfs my own. For the last year, she’s been insisting that I check out a show called “Freakish,” a show that she describes as a “great zombie show” and one I’d particularly love, since I tend to have a real weak spot for shows about zombies and the apocalypse. Hell, I am a regular viewer of “Fear the Walking Dead,” “The Walking Dead,” and even love “Dead Set,” so “Freakish” is kind of up my alley.

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