It’s such a damn shame that audiences weren’t more receptive to “The Fall Guy” because this has the potential to really blossom in to a big franchise if it were given the chance. David Leitch produces not only a great action comedy, but also a movie that simultaneously satirizes Hollywood and pays tribute to stunt performers across the world. “The Fall Guy” knows its premise and uses the opportunity to paint the picture of being a stunt worker in film as a noble profession that is often dismissed and ignored. “The Fall Guy” first and foremost is a great action picture, one filled with great talent that helps keep the admittedly convoluted premise afloat.
Tag Archives: Romance
BOB (2022)
Inspired by a true story, Drew Bierut’s romance comedy is one of the most charming tales of fate and random scenarios I’ve seen in a long time. Although the movie posits itself as this bizarre concept, it amounts to a surprisingly funny, engaging and warm romance comedy that explores how sometimes we can end up meeting our perfect person in the most unlikely places. Everything about “Bob” is so well conducted from the direction, top notch performances, and ace comic timing, I just loved it.
Love Lies Bleeding (2024)
Now in Wider Release Exclusively in Theaters.
Rose Glass’s crime thriller is a rotten and often grotesque neo-noir that kept me glued to the screen from beginning to end. Like more neo-noir’s, Glass’s film centers on morally gray protagonists doing battle with amoral characters, all of whom are couped up in such a small town. Corruption and violence is never too far away and “Loves Lies Bleeding” centers on Lou and Jackie, both of whom are desperate to escape their confines. More and more their lives feel like prisons, with their whole source of misery pointed toward domestic dysfunction.
Mean Girls: The Musical (2024)
Now Available on Digital Streaming.
Despite the flack that it received this year from a lot of anti-musical individuals that transformed “Mean Girls: The Musical” in to a tik tok meme, at the end of it all Samantha Jayne and Arturo Perez Jr’s film ended up being much ado about nothing. It can’t be that narratives can’t translate in to musicals since “Hairspray” was excellent. But when all was said and done “Mean Girls: The Musical” ended up being an okay movie. It wasn’t what I’d call awful, but it’s by no means in the upper echelons of musicals like “Grease” or even “Teen Beach Movie.”
It’s a just fine, pretty okay movie that just made me want to rewatch the original classic.
Lisa Frankenstein (2024)
Director Zelda Williams and Diablo Cody’s “Lisa Frankenstein” doesn’t just wear its influences on its sleeves, it bedazzles those influences and flashes its sleeves around proudly. “Lisa Frankenstein” watches as if Diablo Cody pitched: “Remember “Edward Scissorhands”? What if “Edward Scissorhands” but in the 80’s?” All the cards are set up from minute one, from the Gothic animated opening sequence, and the pastel photography, while Kathryn Newton and Cole Sprouse do their very best Winona Ryder and Johnny Depp impersonations.
Mix in “Heathers,” “My Boyfriend’s Back,” and “Warm Bodies” and we’re given what is essentially a ton of talent with no place to go.
Darkman (1990): Collector’s Edition [4K UHD/Blu-ray]
The one thing about Sam Raimi’s movies is that good or bad, very few of them age poorly. Even for a movie made in the early nineties at an age where every studio were seeking to duplicate the success of “Batman,” Raimi makes “Darkman” his own movie. It’s a superhero movie in the horror vein where our masked dark avenger is also a deformed an unhinged Frankenstein monster. Something in the vein of Brundlefly, Liam Neeson really does offer up a wildly unique and off the rails performance.
Love and Work (2023) [Slamdance 2024]
The Slamdance Film Festival runs Digitally and In-Person from January 19th to January 28th.
Much as I tried I just couldn’t click in to Pete Oh’s world that he painted for the audience. Everything about his movie is a science fiction dystopia centered on the irony that everyone loves to be subjugated and work themselves to the bone. With the whole reversal of the concept of the working class, as well as the central plot of the narrative of two people accidentally learning what pleasure and relaxation feels like, I was relatively bored most of the time.