“The Day of the Dead” is such a fascinating holiday filled with so much interesting lore, that there’s a lot more material left for five more animated films of this ilk. Jorge Gutierrez has spent a long time trying to expose audiences to Latin and Hispanic heroes and complex characters, and with “The Book of Life” he succeeds yet again. “The Book of Life” is a wonderful animated romance in the vein of the classic Disney films, but it’s also a respectful tale set amidst the backdrop of the Day of the Dead. A group of rowdy grade schoolers are in for a unique field trip when they’re taken in to a museum by a mysterious tour guide who relays to them an epic story of love, life, and death. Set in the Mexican town of San Angel, we meet three childhood friends Manolo, Maria, and Joaquin, all of whom have spent enormous amounts of time together and are facing adulthood with pressures to grow up and realize their potential.
Tag Archives: Romance
Trick ‘r Treat: Days of the Dead (Paperback)
For folks that didn’t know if “Trick r Treat” would end up as a one and done horror classic, or end up becoming a full fledged dynasty, creator Michael Dougherty is nice enough to team up with Legendary Pictures to deliver “Days of the Dead.” Michael Dougherty pens the introduction to “Days of the Dead,” where still uncertain if a sequel would ever blossom back in 2015, helped build this anthology to keep Sam alive in our hearts. “Days of the Dead” is a mid-quel ripped directly out of the “Trick r Treat” universe, the graphic novel unfolds five stories involving Halloween and Autumn that tries to recapture the spirit of the original film. With the mid-quel being a graphic novel, Dougherty side steps the interconnected story format from the film and bonds the tales mainly through our beloved Sam.
Black Sabbath (I tre volti della paura) (1963)
Boris Karloff is deliciously spooky as the narrator who unfolds a trio of stories in Mario Bava’s immortal “Black Sabbath*.” Each tale involves people whose demons come back to haunt them in one way or another. Mario Bava is excellent in depicting various shades of terror, devoting bold and stark palettes of colors to each segment that add to the EC Comics vibe that Bava inadvertently conveys. “The Drop of Water” is the best and arguably most iconic of segment in horror movie anthologies, involving the classic comeuppance of a grave robber. In the early 1900’s, nurse Chester is called to a large house once owned by an elderly woman who was also a medium. After the elderly woman dies while seemingly in a trance, Nurse Chester arrives to discover the gruesome visage of the woman and helps to dress up her corpse alongside her incredibly terrified house maid.
All Hallows’ Eve (2016)
“All Hallow’s Eve” is the fiftieth movie involving Halloween in the last five years named “All Hallow’s Eve” but this time it’s more of a low budget Disney-lite family film. Its Harry Potter meets “Halloweentown” in one of the more painfully derivative and hokey attempts to build a franchise around a teen witch in a long time. It’s not to say “All Hallow’s Eve” is terrible, but it’s a movie that has way too many ideas and not enough of a budget or script to help realize them. So characters spend a lot of time sitting around and explaining things, rather than allowing us to bask in the awe of magic and fantasy. In “All Hallow’s Eve,” Lexi Giovagnoli plays Eve Hallow. No seriously.
King Kong (1976)
I’m not against contemporizing “King Kong,” but director John Guillermin shows us how to take a very simple concept like “King Kong” and completely botch it from minute one. It’s not like “King Kong” has a complex story. It’s a fairly exciting adventure about a giant monster, the woman he loves, and New York being torn to shreds by this out of place animal. Apart from being utterly abysmal, “King Kong” is also way too long, with a premise retrofitted for the seventies that stretches the limits of suspension of disbelief. For a movie about a giant ape climbing the Twin Towers, it’s sad that the whole plot to get King Kong in to New York is the most far fetched element I had difficulty buying in to.
Tim Burton’s The Nightmare Before Christmas (1993)
IN SELECT THEATERS OCTOBER 28TH – Although Henry Selick does a damn fine job of directing what is one of the most entertaining stop motion animated films, “The Nightmare Before Christmas” has Tim Burton’s stamp all over it. It’s about an outcast, a love for the Gothic and Halloween, and it’s unabashedly menacing. Though Henry Selick’s animated movie was originally touted to kids, the film is very much a dark and harrowing narrative about monsters from the Halloweentown infiltrating the Christmastown, and using the traditions and rituals to terrorize random victims. One montage even features kids getting very creepy presents like a shrunken head, and a snake. Jack Skellington is the pumpkin king who is the anti-hero that finds himself restless with Halloween and accidentally becomes the villain when he falls in love with Christmas.
Deathgasm (2015)
There’s never been anything like Jason Lei Howden’s “Deathgasm” before and I doubt there will ever be anything like it ever again. “Deathgasm” is one of the very few death metal horror movies I’ve ever seen and it’s one that will definitely touch on the right spots for horror fanatics, despite the fact that it’s heavily centered on characters that live and breathe death metal music. For them, it’s a way of life and eventually becomes the downfall of humanity. “Deathgasm” is a shockingly excellent horror comedy that focuses more on the coming of age of its main character and how he uses the eventual demon apocalypse to discover something about himself.