While the rights for “Candyman” are currently tied up, Scream Factory instead offers fans up the chance to watch the brutally boring sequel by Bill Condon. “Farewell to the Flesh” features more of the tragic hooked horror character, who is a combination of Freddy Krueger and Beetlejuice. Once a slave who was lynched for having an affair with a white woman, he emerges for vengeance every time someone mutters his name five times in a mirror.
Dan and Derek Morrow seem to be on the right track with their stop motion animated shorts. With a larger budget, their ambitious and touching narratives could become wonderful films for all ages. “Comet” was adorable, and “Token Hearts” really has potential to be widened in to a great Christmas oriented fantasy film.
Director Nicholas Stoll’s comedy at least has entertainment value going for it. It may not be the most consistent or tonally even film of the year, but it’s kind of fun when you get down to it. That’s mainly thanks to Zac Efron and Dave Franco that save the movie from being another self indulgent Seth Rogen improv-athon. Rogen literally can’t play anyone but Rogen anymore, even when playing an alien from outer space, but the supporting cast for “Neighbors” really keeps the film from diving in to abysmal depths and keeps it a notch above mediocre. That also includes Rose Byrne, and the hilarious Carla Gallo.
I don’t really understand the “Friends” nostalgia, since its aged very poorly since its days in the nineties. Even the episodes in the early aughts vary from mediocre to awful. But I’d be lying if I said I was never a “Friends” fan. In fact I used to watch the show religiously despite the main characters being woefully unlikable. Let’s face it, they are. Rachel is so despicable, it’s a wonder Ross chased after her for so long.
In either case, “Friends” is making its way to Netflix in January, and its loyal fan base are awash with excitement, so here are five episodes from the series that are still very funny and worth sitting through. They also require little to no knowledge of previous storylines. What are your favorites?
Part one in an apparent movie series from Hallmark Entertainment, “Northpole” is a cute film about Christmas, and trying to preserve the happiness. Literally. It’s a simple and down to Earth movie that celebrates the more entertaining aspects of the holiday, while also building on a new hero in the form of elf Clementine. Bailee Madison is the definition of adorable as the rambunctious cherubic elf, desperately trying to keep the North Pole from dying what with the happiness of Christmas fading away in a sea of unfortunate cynicism. “North Pole” depends on Madison’s enthusiastic performance, and as always, she steals the movie. “North Pole” has its fair share of silliness, but it’s a fine Christmas movie with amusing quirks that I sat through with ease.
I’m very glad to say that “Princess Mononoke” was my first real experience with Hayao Miyazaki’s amazing cinematic contributions. After its Oscar buzz in 1997, I sought out the film, and was shocked at what I’d been missing from the master director. “Princess Mononoke” is probably Miyazaki’s broadest film, but one that also conveys a meaningful alllegory about the sanctity of nature, and how the wars of men can taint the sacred lands. It’s an action packed and incredible morality tale that will win over fantasy buffs instantly. “Princess Mononoke” is set in the Muromachi Period of Japan where a local village is attacked by a vicious amorphous demon. The bow and arrow wielding warrior Ashitaka, comes to the rescue of the village, fending off the demon and defeating it after a horrific battle, but the demon manages to corrupt his body with its vile darkness.
Ben Falcone and Melissa McCarthy’s “Tammy” is yet another comedy vehicle this year tailored as a vanity film for a specific comic presence that fails on every conceivable level. The movie most of all fails Melissa McCarthy who is much better than this pile of unfunny junk. “Tammy” is specifically tailored for her, and yet she and husband Falcone can never decide what tone they want to run with, they never land even the slightest one-liner, and every effort to make titular Tammy likable is wasted. I’m not even sure what is wrong with Tammy and why she’s comedic. Is she mentally disabled? Is she just naive? Is she the product of coddling and spoiling who just never matured? Is she just a perpetual loser? Are we supposed to laugh at her? Why is watching a human being in constant misery supposed to be funny?